UPC · Release
Various Artists
Last verified:
The UPC for “Further Perspectives & Distortion: An Encyclopedia of British Experimental and Avant‐Garde Music 1976–1984” by Various Artists is 5013929108400. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 58 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trail of Traps | — | ||
| 2 | The Force Is Blind | — | ||
| 3 | Convergence | — | ||
| 4 | Hang Ten | — | ||
| 5 | Rats & Monkeys | — | ||
| 6 | Intellectual Stance | — | ||
| 7 | Overspreading Art Genius | — | ||
| 8 | Positive Paranoia/The City in the Sea | — | ||
| 9 | After Mendelssohn (137 Years) | — | ||
| 10 | LMC 1979 | — | ||
| 11 | The Giant’s Feet | — | ||
| 12 | Exercise in Magnetic Tape No 4 | — | ||
| 13 | Refreshment Break | — | ||
| 14 | General Strike | — | ||
| 15 | Vase | — | ||
| 16 | Error System (BAGFGAB) | — | ||
| 17 | Her Master’s Voice | — | ||
| 18 | Brighton, Pt. 1 | — | ||
| 19 | John of Patmos | — | ||
| 2-1 | Burning Feet | — | ||
| 2-2 | Think | — | ||
| 2-3 | Miniature | — | ||
| 2-4 | The Boy Beats the Rams (Kluk Tluce Berany) | — | ||
| 2-5 | Blades Spin Notions | — | ||
| 2-6 | MZUI (extract) | — | ||
| 2-7 | Night by the Sea | — | ||
| 2-8 | Procession | — | ||
| 2-9 | Wooden Heartthrob of Peking | — | ||
| 2-10 | Industry | — | ||
| 2-11 | Music for the Hanging of a Minister | — | ||
| 2-12 | Junshi | — | ||
| 2-13 | Sounds That Saved My Life (Homage to K.S.) | — | ||
| 2-14 | The Compassion and Humanity of Margaret Thatcher (extracts from…) | — | ||
| 2-15 | Down the Sink | — | ||
| 2-16 | I Was No Longer His Dominant (alternate version) | — | ||
| 2-17 | Death Looks Down | — | ||
| 2-18 | In the Nursery | — | ||
| 3-1 | Paralysis | — | ||
| 3-2 | Japanese Headset | — | ||
| 3-3 | Scene X | — | ||
| 3-4 | Scattered Strategies/Oblique References | — | ||
| 3-5 | Kayoo | — | ||
| 3-6 | Opus | — | ||
| 3-7 | Robot Factory | — | ||
| 3-8 | WWBC | — | ||
| 3-9 | Nostradamus | — | ||
| 3-10 | Changez les blockeurs (extract) | — | ||
| 3-11 | Amnesty International Report | — | ||
| 3-12 | Crossover | — | ||
| 3-13 | Brickyard | — | ||
| 3-14 | 24 Track Loop | — | ||
| 3-15 | Zyklon B Zombie | — | ||
| 3-16 | Banishing | — | ||
| 3-17 | Pale Yellow | — | ||
| 3-18 | Drinking and Hooting Machine | — | ||
| 3-19 | Musical Box | — | ||
| 3-20 | Rangers in the Night | — | ||
| 3-21 | Baptism of Fire | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
5013929108400 is a Universal Product Code (UPC) assigned to Further Perspectives & Distortion: An Encyclopedia of British Experimental and Avant‐Garde Music 1976–1984 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Further Perspectives & Distortion: An Encyclopedia of British Experimental and Avant‐Garde Music 1976–1984” by Various Artists is 5013929108400. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 58 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trail of Traps | — | ||
| 2 | The Force Is Blind | — | ||
| 3 | Convergence | — | ||
| 4 | Hang Ten | — | ||
| 5 | Rats & Monkeys | — | ||
| 6 | Intellectual Stance | — | ||
| 7 | Overspreading Art Genius | — | ||
| 8 | Positive Paranoia/The City in the Sea | — | ||
| 9 | After Mendelssohn (137 Years) | — | ||
| 10 | LMC 1979 | — | ||
| 11 | The Giant’s Feet | — | ||
| 12 | Exercise in Magnetic Tape No 4 | — | ||
| 13 | Refreshment Break | — | ||
| 14 | General Strike | — | ||
| 15 | Vase | — | ||
| 16 | Error System (BAGFGAB) | — | ||
| 17 | Her Master’s Voice | — | ||
| 18 | Brighton, Pt. 1 | — | ||
| 19 | John of Patmos | — | ||
| 2-1 | Burning Feet | — | ||
| 2-2 | Think | — | ||
| 2-3 | Miniature | — | ||
| 2-4 | The Boy Beats the Rams (Kluk Tluce Berany) | — | ||
| 2-5 | Blades Spin Notions | — | ||
| 2-6 | MZUI (extract) | — | ||
| 2-7 | Night by the Sea | — | ||
| 2-8 | Procession | — | ||
| 2-9 | Wooden Heartthrob of Peking | — | ||
| 2-10 | Industry | — | ||
| 2-11 | Music for the Hanging of a Minister | — | ||
| 2-12 | Junshi | — | ||
| 2-13 | Sounds That Saved My Life (Homage to K.S.) | — | ||
| 2-14 | The Compassion and Humanity of Margaret Thatcher (extracts from…) | — | ||
| 2-15 | Down the Sink | — | ||
| 2-16 | I Was No Longer His Dominant (alternate version) | — | ||
| 2-17 | Death Looks Down | — | ||
| 2-18 | In the Nursery | — | ||
| 3-1 | Paralysis | — | ||
| 3-2 | Japanese Headset | — | ||
| 3-3 | Scene X | — | ||
| 3-4 | Scattered Strategies/Oblique References | — | ||
| 3-5 | Kayoo | — | ||
| 3-6 | Opus | — | ||
| 3-7 | Robot Factory | — | ||
| 3-8 | WWBC | — | ||
| 3-9 | Nostradamus | — | ||
| 3-10 | Changez les blockeurs (extract) | — | ||
| 3-11 | Amnesty International Report | — | ||
| 3-12 | Crossover | — | ||
| 3-13 | Brickyard | — | ||
| 3-14 | 24 Track Loop | — | ||
| 3-15 | Zyklon B Zombie | — | ||
| 3-16 | Banishing | — | ||
| 3-17 | Pale Yellow | — | ||
| 3-18 | Drinking and Hooting Machine | — | ||
| 3-19 | Musical Box | — | ||
| 3-20 | Rangers in the Night | — | ||
| 3-21 | Baptism of Fire | — |
