UPC · Release
Shellshock Rock: Alternative Blasts From Northern Ireland 1977-1984
Various Artists
Last verified:
5013929109407 is the Universal Product Code (UPC barcode) for the release “Shellshock Rock: Alternative Blasts From Northern Ireland 1977-1984” by Various Artists, released 2020-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include GBBLY2002052.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | True Confessions | — | ||
| 2 | Rich Bitch | — | ||
| 3 | Striker | — | ||
| 4 | Punk Rockin' Granny | — | ||
| 5 | 42 Hours Late | — | ||
| 6 | Dance Away Love | — | ||
| 7 | Parents | — | ||
| 8 | Any Danger Love | — | ||
| 9 | War Stories | — | ||
| 10 | Cruisin' | — | ||
| 11 | Start All Over Again | — | ||
| 12 | Rough, Tough, Pretty Too | — | ||
| 13 | Sharon | — | ||
| 14 | Lizard King | — | ||
| 15 | Baby C'mon | — | ||
| 16 | Looking for a Lady | Cobra | — | |
| 17 | I'm Not Your Type | — | ||
| 18 | I Don't Wanna Be | — | ||
| 19 | Busy Signal | — | ||
| 20 | Kiss Me | — | ||
| 21 | Suzy Lie Down | — | ||
| 22 | Me & Bobby McGee | — | ||
| 23 | Nine to Five | — | ||
| 24 | Lipstick Heroes | — | ||
| 25 | Contrast Disorder (demo) | — | ||
| 26 | Lookaway (demo) | — | ||
| 2-1 | Suspect Device | — | ||
| 2-2 | Gotta Getaway | — | ||
| 2-3 | Strange Things | — | ||
| 2-4 | Strange Obsessions | — | ||
| 2-5 | One by One | — | ||
| 2-6 | The Perfect Crime | — | ||
| 2-7 | In It for the Kicks | — | ||
| 2-8 | Don't Tell the Detectives | — | ||
| 2-9 | Self-Conscious Over You | — | ||
| 2-10 | Magnum Force | — | ||
| 2-11 | I Need You | — | ||
| 2-12 | The Teen Age | — | ||
| 2-13 | Ya Don't Do Ya | — | ||
| 2-14 | She's Nineteen | — | ||
| 2-15 | Metal Love | — | ||
| 2-16 | Soldier Boy | — | ||
| 2-17 | Why’d Ya Have to Lie? | — | ||
| 2-18 | Light on the Hillside | — | ||
| 2-19 | Heart on the Line | — | ||
| 2-20 | Mixed Up Kid | — | ||
| 2-21 | For the Night | — | ||
| 2-22 | Spies | — | ||
| 2-23 | Recession | — | ||
| 2-24 | The Whistle Song | — | ||
| 3-2 | When I Was Dead | — | ||
| 3-3 | The System Is Here | — | ||
| 3-4 | Dance (Until You Drop) | — | ||
| 3-5 | Guilty Conscience | — | ||
| 3-6 | Radio Songs | — | ||
| 3-7 | Teenage Rebel | — | ||
| 3-8 | TV Deceives | — | ||
| 3-9 | I’m Only Asking (demo) | — | ||
| 3-10 | I Don’t Like Girls | — | ||
| 3-11 | You’ll Never Find Love | — | ||
| 3-12 | Mr Mystery Man | — | ||
| 3-13 | Put It Around | — | ||
| 3-14 | Here She Comes | — | ||
| 3-15 | Jealousy | — | ||
| 3-16 | Surprise, Surprise | — | ||
| 3-17 | Jagged Edges | — | ||
| 3-18 | Get My Act Together | — | ||
| 3-19 | Bloody Bouncers | — | ||
| 3-20 | Johnny Johnny | — | ||
| 3-21 | Conscious | — | ||
| 3-22 | Spidermen | — | ||
| 3-23 | Just Friends | — | ||
| 3-24 | Strange Passion | — | ||
| 4-1 | Shellshock Rock | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 5013929109407?
5013929109407 is a Universal Product Code (UPC) assigned to Shellshock Rock: Alternative Blasts From Northern Ireland 1977-1984 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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