Musik Music Musique 2.0 (1981 | The Rise of Synth Pop)

UPC · Release

Musik Music Musique 2.0 (1981 | The Rise of Synth Pop)

Various Artists

5013929111592
49 tracksReleased 2021-01-01Cherry Red

Last verified:

5013929111592 is the Universal Product Code (UPC barcode) for the release Musik Music Musique 2.0 (1981 | The Rise of Synth Pop) by Various Artists, released 2021-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBAAA0600326, GBF088100767, GBAAA8100390.

Format

501GS1 prefix
3929Company prefix
11159Product
2Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMusik Music Musique 2.0 (1981 | The Rise of Synth Pop)
ISRC49 recordings
ISWC39 works
IPI4 songwriters

Track List (49)

Frustration
Frustration
Soft Cell
Lady DJ
Lady DJ
Dramatis
Alien Girl
Alien Girl
Richard Bone
Twelfth House
Twelfth House
New Musik
Talking
Talking
A Flock of Seagulls
Young and Hip
Young and Hip
Virna Lindt
Khanada
Khanada
Duran Duran
Souvenir
Orchestral Manœuvres in the Dark
Wonderlust
Wonderlust
The Fallout Club
Surface Tension
Surface Tension
Analysis
Cue
Cue
Yellow Magic Orchestra
No G.D.M. (Dedicated to Quentin Crisp)
No G.D.M. (Dedicated to Quentin Crisp)
Gina X Performance
Random Particles
Random Particles
Drinking Electricity
Brave New Modern World
Brave New Modern World
Rod Vey
Close-Up
Those French Girls
Will You Dance With Me
Will You Dance With Me
Johnny Warman
Sandcastles
Sandcastles
Beasts in Cages
Repeat, Repeat
Repeat, Repeat
Peter Baumann
This Is Me
This Is Me
Chris & Cosey
Nevermore
Nevermore
Schleimer K
Slipping Again
Slipping Again
Naked Lunch
Love Moves in Strange Ways
Love Moves in Strange Ways
Blue Zoo
You Were There
You Were There
John Foxx
Brix
Brix
Portion Control
OK Go
OK Go
The Limit
Say It's Not So
Say It's Not So
Erogenous Zones
Science Fiction
Science Fiction
Alan Burnham
The Eyes of Beautiful Losers
The Eyes of Beautiful Losers
Eyeless in Gaza

Additional database matches (2)

I Can't Hold On (original mix)
Natasha England

Identifier Graph

UPCMusik Music Mus…ISRC(We Don’t Need …ISRCFrustrationISRCThrough Being C…ISRCLady DJISRCJapanese Boy

People also ask

What is UPC 5013929111592?
UPC 5013929111592 is the Universal Product Code (barcode) for "Musik Music Musique 2.0 (1981 | The Rise of Synth Pop)" by Various Artists, released on Cherry Red.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5013929111592?
UPC 5013929111592 contains 49 tracks, each with its own ISRC.
SourcesMusicBrainzNotesDiscogs3 sources

Verified on

What is UPC 5013929111592?

5013929111592 is a Universal Product Code (UPC) assigned to Musik Music Musique 2.0 (1981 | The Rise of Synth Pop) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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