UPC · Release
1979: Revolt Into Style
Various Artists
Last verified:
5013929112094 is the Universal Product Code (UPC barcode) for the release “1979: Revolt Into Style” by Various Artists, released 2022-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBAAA0001008, GBBLY2001055, GBBLY2200100.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Making Plans for Nigel | XTC | T-010141045-0 | |
| 3-2 | Where's The Boy For Me? | The Revillos | — | |
| 3-3 | The Monochrome Set (single version) | The Monochrome Set | T3263755579 | |
| 3-4 | Taking My Time | The Passage | — | |
| 3-5 | Real Shocks | Swell Maps | — | |
| 3-6 | Friends | The Zipps | T0708930271 | |
| 3-7 | Disco Zombies | Disco Zombies | — | |
| 3-8 | Number 12 | The Pack | T9027468582 | |
| 3-9 | Empire State Human | The Human League | T0104723945 | |
| 3-10 | Kiss the Mirror | The Wall | T3206074995 | |
| 3-11 | Work All Week | The Mekons | — | |
| 3-12 | Found Out Too Late | 999 | T-011.279.599-9 | |
| 3-13 | Self Conscious Over You | The Outcasts | — | |
| 3-14 | Memories (edit) | Public Image Ltd | T-011.318.044-1 | |
| 3-15 | Johnny B. Rotten | The Monks | — | |
| 3-16 | Children of the World | The Freshies | T0722080683 | |
| 3-17 | Prisoners | The Vapors | — | |
| 3-18 | Bed and Breakfast Man | Madness | — | |
| 3-19 | Glory Boys | Secret Affair | — | |
| 3-21 | 7 Teen | The Regents | T-010.180.884-7 | |
| 3-22 | New Guitar in Town | The Lurkers | T-011396590-4 | |
| 3-23 | Kamikaze | The Boys | T7000768130 | |
| 3-24 | Easy Way Out | The Carpettes | — | |
| 3-25 | Messthetics | Scritti Politti | — | |
| 3-26 | Where’s Captain Kirk? | Spizzenergi | T-902573665-6 | |
| 3-27 | I’m in Love With Margaret Thatcher | Notsensibles | — |
Additional database matches (66)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| At Home He’s a Tourist | Gang of Four | T-912664209-9 |
| Rythm of Cruelty (single version) | Magazine | — |
| Masquerade | Skids | T-011.587.320-5 |
| Something That I Said | The Ruts | T0104703378 |
| Soho a Go‐Go | The Members | T0710637743 |
| Girls That Don’t Exist | The Records | — |
| Night Nurse | Fingerprintz | — |
| Up the Junction | Squeeze | T-010180416-3 |
| Back of My Hand | The Jags | — |
| Media Messiahs | Eddie & the Hot Rods | T0104729181 |
| Disorder | Joy Division | T-010.185.668-1 |
| Sink My Boats | Ian Dury & the Blockheads | — |
| Kid | Pretenders | T-010007432-5 |
| Read It in Books | Echo and the Bunnymen | — |
| The Boyfriend | Dead Fingers Talk | — |
| Questions and Answers (single version) | Sham 69 | — |
| Here Comes the Summer | The Undertones | T-010417629-5 |
| Highly Inflammable | X-Ray Spex | — |
| When You’re Young | The Jam | T0101806307 |
| Groovy Times | The Clash | T9126461083 |
| Dance Stance (alternate single mix) | Dexys Midnight Runners | T-010.182.116-2 |
| Revolt Into Style | Bill Nelson’s Red Noise | T-010.161.033-6 |
| Don’t Bring Harry | The Stranglers | T-010.480.787-5 |
| Me! I Disconnect From You | Tubeway Army | T-010030735-4 |
| Gimmix! Play Loud | John Cooper Clarke | — |
| Whip in My Valise | Adam and the Ants | — |
| You Got to Pay | The Only Ones | — |
| Who Killed Bruce Lee? | Glaxo Babies | T0116646071 |
| Alternative Suicide | The Numbers | — |
| I Want My Woody Back | The Barracudas | T0100864898 |
| The Whole World | Clive Langer & The Boxes | T0108592364 |
| White Debt | The Outsiders | — |
| Rebellious Jukebox | The Fall | T-010.471.979-0 |
| Victims of the Riddle (Part 1) | Toyah | T0104268509 |
| All Sewn Up | Patrik Fitzgerald | T0100052821 |
| Library Book | The Faders | — |
| Zip Nolan (extended mix) | Cult Figures | T9255640438 |
| I Feel Flat | Andy Arthurs & The Rock Along Combo | — |
| You Can’t | The Cannibals | — |
| I Got Rabies | Jonnie and the Lubes | — |
| Citinite | Fàshiön | — |
| Radio-Active | The Cheetahs | — |
| Graves of Deluxe Green | Alternative TV | T-010.476.009-9 |
| Burning Bridges | The Cravats | T9137483671 |
| Bed and Breakfast Man | Madness | T-010183935-3 |
| When You’re Young | The Jam | — |
| Dubious Parentage | Three Party Split | — |
| There Must Be Thousands | The Quads | — |
| Bouncing Babies (original version) | The Teardrop Explodes | T-010.476.555-0 |
| I Can't Control Myself | Teenbeats | — |
| Stop Being a Boy | The Squares | — |
| The Staircase (Mystery) | Siouxsie and the Banshees | T-900.017.497-0 |
| Up the Junction | Squeeze | T-010.180.416-3 |
| Disorder | Joy Division | T-010.185.668-1 |
| Disorder | Joy Division | T-010.185.668-1 |
| Kid | Pretenders | T-010.007.432-5 |
| Kid | Pretenders | T-010.007.432-5 |
| Kid | Pretenders | T-010.007.432-5 |
| Kid | Pretenders | T-010.007.432-5 |
| Kid | Pretenders | T-010.007.432-5 |
| Kid | Pretenders | T-010.007.432-5 |
| Groovy Times | The Clash | T9126461083 |
| Groovy Times | The Clash | T9126461083 |
| Revolt Into Style | Bill Nelson’s Red Noise | T-010.161.033-6 |
| Revolt Into Style | Bill Nelson’s Red Noise | T-010.161.033-6 |
| Bed and Breakfast Man | Madness | T-010183935-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+43 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+23 more
Identifier Graph
People also ask
Verified on
What is UPC 5013929112094?
5013929112094 is a Universal Product Code (UPC) assigned to 1979: Revolt Into Style by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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