UPC · Release
Ambition, Volume 1 & 2: The History of Cherry Red Records
Various Artists
Last verified:
5013929114029 is the Universal Product Code (UPC barcode) for the release “Ambition, Volume 1 & 2: The History of Cherry Red Records” by Various Artists, released 2005-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include GBBLY7800001, GBBLY8000127, GBBLY8000001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bad Hearts | The Tights | — | |
| 2 | Right Now | The Runaways | T-070.943.172-0 | |
| 3 | Holiday in Cambodia | Dead Kennedys | T-070.918.814-6 | |
| 4 | Too Drunk to Fuck | Dead Kennedys | T-070.940.605-2 | |
| 5 | You Scare Me to Death | Marc Bolan | T-011.568.087-9 | |
| 6 | D’Ya Think I’m Sexy | British Standard Unit | T-070.042.262-3 | |
| 7 | Hungry, So Angry | Medium Medium | — | |
| 8 | Geneva | Morgan Fisher | — | |
| 9 | Four Corners of the Earth | Maurice Deebank | T-011.304.159-0 | |
| 10 | It's a Fine Day | Jane, Barton | T-010.375.823-1 | |
| 11 | Sunbursts In | Eyeless in Gaza | T-070.240.273-0 | |
| 12 | Chenko | Red Box | T-312.191.375-1 | |
| 13 | Jonny | Holger Hiller | T-800.442.545-1 | |
| 14 | Die Liebe | Laibach | T-917.432.730-1 | |
| 15 | Girl | H.M.S. Bounty | — | |
| 16 | This Brilliant Evening | In Embrace | — | |
| 17 | Primitive Painters | Felt | T-900.232.071-0 | |
| 18 | Last Fond Goodbye | Grab Grab The Haddock | — | |
| 19 | What Have You Ever Done | Mood Six | — | |
| 20 | The Look of Love | Martyn Bates | — | |
| 21 | David | The Wiseacres | — | |
| 2-1 | Jet Set Junta | The Monochrome Set | T-305.785.579-1 | |
| 2-2 | Night and Day | Everything but the Girl | T-070.152.461-9 | |
| 2-3 | From A to B | Eyeless in Gaza | — | |
| 2-4 | Something Sends Me to Sleep | Felt | T-011.282.712-9 | |
| 2-5 | Plain Sailing | Tracey Thorn | T-010.302.903-3 | |
| 2-6 | If She Doesn’t Smile | Fantastic Something | — | |
| 2-7 | Letter From America | Thomas Leer | — | |
| 2-8 | XOYO | The Passage | — | |
| 2-9 | Walter and John | Ben Watt, Robert Wyatt | T-011.284.190-3 | |
| 2-10 | Your Holiness | Kevin Coyne | — | |
| 2-11 | On My Mind | Marine Girls | T-010.412.103-0 | |
| 2-12 | The Mating Game | The Monochrome Set | T-072.978.311-2 | |
| 2-13 | Spain | Kevin Hewick | — | |
| 2-14 | Talking Glamour | Marc Bolan | — | |
| 2-15 | Foreign Correspondent | Morgan Fisher | — | |
| 2-16 | Penelope Tree | Felt | T-010.311.621-7 | |
| 2-17 | Taboos | The Passage | T-931.428.374-4 | |
| 2-18 | Simply Couldn’t Care | Tracey Thorn | T-011.284.223-5 | |
| 2-19 | You Frighten | Eyeless in Gaza | — | |
| 2-20 | Paraffin Brain | The Nightingales | T-011.284.247-3 | |
| 2-21 | Departure | Ben Watt | T-011.621.127-8 | |
| 2-22 | How to Die With Style | Quentin Crisp | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bored | Destroy All Monsters | T-902.573.665-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5013929114029?
5013929114029 is a Universal Product Code (UPC) assigned to Ambition, Volume 1 & 2: The History of Cherry Red Records by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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