UPC · Album
Keeping Control: Independent Music from Manchester 1977-1981
Various Artists
5013929114593
76 tracksReleased 2023-01-01Cherry Red
Last verified:
5013929114593 is the Universal Product Code (UPC barcode) for the release “Keeping Control: Independent Music from Manchester 1977-1981” by Various Artists, released 2023-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include GBBJL7900460, GBHBR0406815, GX79X8000001.
Format
501GS1 prefix
3929Company prefix
11459Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCKeeping Control: Independent Music from Manchester 1977-1981
ISRC79 recordings
ISWC17 works
IPI1 songwriter
Track List (79)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You’re So Funny | Fast Cars | GBBJL7900460 |
| Familiar View | Dislocation Dance | GBHBR0406815 |
| (I Wanna Be a) Policeman | The Cheaters | GX79X8000001 |
| She's All There | Speed | GBBLY2301787 |
| Pieces of You | The Things | GBBLY2301738 |
| You Can Choke Like That | Biting Tongues | GBHBR0400893 |
| Lookin' at the Squares | Salford Jets | GBAJE0601089 |
| Fuck You | Alberto y Lost Trios Paranoias | GBAJE0505242 |
| American Patriots | The Smirks | GBBLY2301726 |
| Warriors From Space | Mellotron | GBBLY2301786 |
| Riders in the Sky | Bet Lynch’s Legs | GBBLY2301730 |
| Nothing to Do | V2 | GBBNU7700005 |
| Psycle Sluts | 48 Chairs | GBRNP1800055 |
| Dance Like You're Dead (demo) | Property Of | GBBLY2301729 |
| Insects | I.Q. Zero | GBBLY2301728 |
| Murder | The Panik | GBBLY2301724 |
| Who Is Innocent? | The Out | GB5KW2300229 |
| Waterline | A Certain Ratio | GBR8R1800770 |
| The Flood (demo) | Blue Orchids | QZS5R2300099 |
| I Bought Three Eggs | Eddie Mooney and the Grave | QM6P41891573 |
| Digital | Joy Division | GBAAP9700166 |
| Wrap Up the Rockets | The Freshies | GBBLY2301741 |
| Sketch for Summer | The Durutti Column | GBAAP0200153 |
| Lucky Grills | Bee Vamp | GBBLY2006922 |
| Everything’s Gone Green | New Order | USQW10000002 |
| Smiling in Reverse | Steve Miro | GBHBR0404651 |
| Pompous | The Teardrops | GBBLY2004402 |
| Lying on the Sofa | Notsensibles | GBBLY8100329 |
| Crossfire | Foreign Press | GBHBR0404499 |
| Flat of Angles | The Fall | GBBLY1602088 |
| I Don’t Want to Be Nice | John Cooper Clarke | GBBBM7802036 |
| Boyfriends or Your Money Back | The Spurtz | GBBLY2301734 |
| Sweet Tooth | Spherical Objects | GBBLY2301725 |
| The Music Room | Martin Hannett | GBHBR0405599 |
| Metronome | Manicured Noise | GBCT10610013 |
| Apathetic Hell | Bathroom Renovations | GBBLY2301736 |
| A Song From Under the Floorboards | Magazine | GBAAA8000221 |
| Recorded or Live (demo) | The Liggers | GBBLY2301737 |
| Knew Noise | Section 25 | GBHBR0400117 |
| Everything’s Gone Green | New Order | GBCRL0800456 |
| Ebony Eyes | Miss Kate | GBBLY2301794 |
| Fascist Pigs | The Nosebleeds | GB5KW1803177 |
| Gerry and the Holograms | Gerry & the Holograms | GBBLY1504780 |
| Jilted John | Jilted John | GBAJE7800085 |
| Doesn't Bother Me | The Distractions | GBZHY2000009 |
| Seaside Teaser | Steroid Kiddies | GBBLY2301790 |
| Central Detention Centre | Gyro | GBAJE0505210 |
| Kawalski of the Seaview Has Got the Best Hairstyle I've Ever Seen | John The Postman | GBBNU7800007 |
| Walking Away | Vibrant Thigh | GBBLY2301731 |
| City Drones | The Drones | GBBLY7700011 |
| Magic (demo) | Electra Complex | GBBLY2301739 |
| These Days | God’s Gift | QM4TW2367334 |
| Danger | Mud Hutters | GBGND2300001 |
| UFO Part 2 | Eddie Fiction | GBBLY2301727 |
| Love in Decay | The Pathetix | GB2301792000 |
| Digital | Joy Division | GBCRL1000164 |
| Must Have More Wheels | The Manchester Mekon | GBBLY2102175 |
| Storm Trooper | The Hoax | GBBJL7900823 |
| 9.5 | The Still | GBBLY2301733 |
| Haystack | Kevin Hewick | GBHBR0406712 |
| Suicide | Sister Ray | GBBLY2301789 |
| Puppet Masters | If Only | GBBLY2301735 |
| We Want It Legalized | Accident on the East Lancs | GBBJL7940017 |
| Everything’s Gone Green | New Order | GBANQ8100003 |
| The Bitch | Slaughter and the Dogs | GBAJE0505069 |
| Renegade | Genocide | GBBLY2301788 |
| There Is No Shower | Diagram Brothers | GBHBR0402620 |
| Space Invaders | The Charlie Parkas | GBBLY2100806 |
| Back to the Sixties | Direct Hits | GBBLY2301791 |
| The Best Thing | Grow-Up | GBHBR0404075 |
| Hugo Blanco | Ludus | GBHBR0402075 |
| Animal | The Hamsters | GBBLY2301740 |
| Hunchback of Notre Dame | The Frantic Elevators | GBAJE0505227 |
| Just Wanna Stay Free | Private Sector | GBBLY2301793 |
| Play With Fire | The Enigma | GBBLY2301732 |
| Motorway Boys | Crispy Ambulance | GBHBR0406814 |
| Slit Machine | The Passage | GBBLY0602255 |
| Temptation | The Mothmen | GBBLY2003289 |
| Orgasm Addict | Buzzcocks | GBAJH9900538 |
You’re So Funny
Fast Cars
Familiar View
Dislocation Dance
(I Wanna Be a) Policeman
The Cheaters
She's All There
Speed
Pieces of You
The Things
You Can Choke Like That
Biting Tongues
Lookin' at the Squares
Salford Jets
Fuck You
Alberto y Lost Trios Paranoias
American Patriots
The Smirks
Warriors From Space
Mellotron
Riders in the Sky
Bet Lynch’s Legs
Nothing to Do
V2
Psycle Sluts
48 Chairs
Dance Like You're Dead (demo)
Property Of
Insects
I.Q. Zero
Murder
The Panik
Who Is Innocent?
The Out
Waterline
A Certain Ratio
The Flood (demo)
Blue Orchids
I Bought Three Eggs
Eddie Mooney and the Grave
Digital
Joy Division
Wrap Up the Rockets
The Freshies
Sketch for Summer
The Durutti Column
Lucky Grills
Bee Vamp
Everything’s Gone Green
New Order
Smiling in Reverse
Steve Miro
Pompous
The Teardrops
Lying on the Sofa
Notsensibles
Crossfire
Foreign Press
Flat of Angles
The Fall
I Don’t Want to Be Nice
John Cooper Clarke
Boyfriends or Your Money Back
The Spurtz
Sweet Tooth
Spherical Objects
The Music Room
Martin Hannett
Metronome
Manicured Noise
Apathetic Hell
Bathroom Renovations
A Song From Under the Floorboards
Magazine
Recorded or Live (demo)
The Liggers
Knew Noise
Section 25
Everything’s Gone Green
New Order
Ebony Eyes
Miss Kate
Fascist Pigs
The Nosebleeds
Gerry and the Holograms
Gerry & the Holograms
Jilted John
Jilted John
Doesn't Bother Me
The Distractions
Seaside Teaser
Steroid Kiddies
Central Detention Centre
Gyro
Kawalski of the Seaview Has Got the Best Hairstyle I've Ever Seen
John The Postman
Walking Away
Vibrant Thigh
City Drones
The Drones
Magic (demo)
Electra Complex
These Days
God’s Gift
Danger
Mud Hutters
UFO Part 2
Eddie Fiction
Love in Decay
The Pathetix
Digital
Joy Division
Must Have More Wheels
The Manchester Mekon
Storm Trooper
The Hoax
9.5
The Still
Haystack
Kevin Hewick
Suicide
Sister Ray
Puppet Masters
If Only
We Want It Legalized
Accident on the East Lancs
Everything’s Gone Green
New Order
The Bitch
Slaughter and the Dogs
Renegade
Genocide
There Is No Shower
Diagram Brothers
Space Invaders
The Charlie Parkas
Back to the Sixties
Direct Hits
The Best Thing
Grow-Up
Hugo Blanco
Ludus
Animal
The Hamsters
Hunchback of Notre Dame
The Frantic Elevators
Just Wanna Stay Free
Private Sector
Play With Fire
The Enigma
Motorway Boys
Crispy Ambulance
Slit Machine
The Passage
Temptation
The Mothmen
Orgasm Addict
Buzzcocks
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5013929114593?
5013929114593 is a Universal Product Code (UPC) assigned to Keeping Control: Independent Music from Manchester 1977-1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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