UPC · Release
Keeping Control: Independent Music from Manchester 1977-1981
Various Artists
Last verified:
5013929114593 is the Universal Product Code (UPC barcode) for the release “Keeping Control: Independent Music from Manchester 1977-1981” by Various Artists, released 2023-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include GBAJH9900538, GBAJE0505069, GB5KW1803177.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orgasm Addict | Buzzcocks | T-010.466.428-9 | |
| 2 | The Bitch | Slaughter and the Dogs | T-900.246.108-7 | |
| 3 | Fascist Pigs | The Nosebleeds | — | |
| 4 | City Drones | The Drones | — | |
| 5 | Murder | The Panik | — | |
| 6 | Nothing to Do | V2 | — | |
| 7 | Jilted John | Jilted John | T-011.407.723-4 | |
| 8 | Central Detention Centre | Gyro | — | |
| 9 | Lookin' at the Squares | Salford Jets | — | |
| 10 | Kawalski of the Seaview Has Got the Best Hairstyle I've Ever Seen | John The Postman | — | |
| 11 | Fuck You | Alberto y Lost Trios Paranoias | — | |
| 12 | I Don’t Want to Be Nice | John Cooper Clarke | — | |
| 13 | Pompous | The Teardrops | — | |
| 14 | Slit Machine | The Passage | — | |
| 15 | Sweet Tooth | Spherical Objects | — | |
| 16 | Smiling in Reverse | Steve Miro | — | |
| 17 | Digital | Joy Division | T-010.185.673-8 | |
| 18 | American Patriots | The Smirks | — | |
| 19 | Lying on the Sofa | Notsensibles | — | |
| 20 | Psycle Sluts | 48 Chairs | — | |
| 21 | UFO Part 2 | Eddie Fiction | — | |
| 22 | Warriors From Space | Mellotron | — | |
| 23 | She's All There | Speed | — | |
| 24 | Renegade | Genocide | T-906.645.197-6 | |
| 25 | Suicide | Sister Ray | — | |
| 26 | I Bought Three Eggs | Eddie Mooney and the Grave | — | |
| 27 | Gerry and the Holograms | Gerry & the Holograms | T-011.015.622-3 | |
| 2-1 | Flat of Angles | The Fall | — | |
| 2-2 | Seaside Teaser | Steroid Kiddies | — | |
| 2-3 | Back to the Sixties | Direct Hits | — | |
| 2-4 | Crossfire | Foreign Press | — | |
| 2-5 | Motorway Boys | Crispy Ambulance | — | |
| 2-6 | Insects | I.Q. Zero | — | |
| 2-7 | We Want It Legalized | Accident on the East Lancs | — | |
| 2-8 | Who Is Innocent? | The Out | — | |
| 2-9 | These Days | God’s Gift | — | |
| 2-10 | Danger | Mud Hutters | — | |
| 2-11 | Love in Decay | The Pathetix | — | |
| 2-12 | Just Wanna Stay Free | Private Sector | — | |
| 2-13 | Hunchback of Notre Dame | The Frantic Elevators | — | |
| 2-14 | You’re So Funny | Fast Cars | — | |
| 2-15 | Ebony Eyes | Miss Kate | — | |
| 2-16 | The Best Thing | Grow-Up | — | |
| 2-17 | Dance Like You're Dead (demo) | Property Of | — | |
| 2-18 | Doesn't Bother Me | The Distractions | — | |
| 2-19 | Sketch for Summer | The Durutti Column | T-010.183.758-4 | |
| 2-20 | Riders in the Sky | Bet Lynch’s Legs | — | |
| 2-21 | Storm Trooper | The Hoax | — | |
| 2-22 | Metronome | Manicured Noise | — | |
| 2-23 | A Song From Under the Floorboards | Magazine | T-010.472.650-2 | |
| 2-24 | Walking Away | Vibrant Thigh | — | |
| 2-25 | Play With Fire | The Enigma | — | |
| 2-26 | 9.5 | The Still | — | |
| 2-27 | Boyfriends or Your Money Back | The Spurtz | — | |
| 2-28 | Space Invaders | The Charlie Parkas | — | |
| 3-1 | Puppet Masters | If Only | — | |
| 3-2 | (I Wanna Be a) Policeman | The Cheaters | — | |
| 3-3 | Must Have More Wheels | The Manchester Mekon | — | |
| 3-4 | Apathetic Hell | Bathroom Renovations | — | |
| 3-5 | Recorded or Live (demo) | The Liggers | — | |
| 3-6 | Knew Noise | Section 25 | — | |
| 3-7 | There Is No Shower | Diagram Brothers | — | |
| 3-8 | Pieces of You | The Things | — | |
| 3-9 | Familiar View | Dislocation Dance | — | |
| 3-10 | The Music Room | Martin Hannett | — | |
| 3-11 | The Flood (demo) | Blue Orchids | — | |
| 3-12 | Haystack | Kevin Hewick | — | |
| 3-13 | Magic (demo) | Electra Complex | T-070.211.638-8 | |
| 3-14 | Animal | The Hamsters | — | |
| 3-15 | You Can Choke Like That | Biting Tongues | — | |
| 3-16 | Wrap Up the Rockets | The Freshies | — | |
| 3-17 | Hugo Blanco | Ludus | — | |
| 3-18 | Temptation | The Mothmen | T-902.918.502-2 | |
| 3-19 | Waterline | A Certain Ratio | — | |
| 3-20 | Lucky Grills | Bee Vamp | — | |
| 3-21 | Everything’s Gone Green | New Order | T-011.293.845-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 5013929114593?
5013929114593 is a Universal Product Code (UPC) assigned to Keeping Control: Independent Music from Manchester 1977-1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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