UPC · Release
Heaven Sent: The Rise of New Pop 1979–1983
Various Artists
5013929117792
73 tracksReleased 2024-01-01Cherry Red
Last verified:
5013929117792 is the Universal Product Code (UPC barcode) for the release “Heaven Sent: The Rise of New Pop 1979–1983” by Various Artists, released 2024-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC. Tracks include GBAAA7900009, GB1809101200, GBBBM7900013.
Format
501GS1 prefix
3929Company prefix
11779Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHeaven Sent: The Rise of New Pop 1979–1983
ISRC16 recordings
ISWC39 works
IPI16 songwriters
Track List (73)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Money (That’s What I Want) | The Flying Lizards | T-070.109.796-2 | |
| 3 | Video Killed the Radio Star | Buggles | T-010.470.465-5 | |
| 4 | An Englishman in New York (single version) | — | ||
| 5 | Young 'n' Russian | — | ||
| 6 | Living by Numbers | New Musik | T-010.268.590-4 | |
| 7 | Red Frame/White Light | Orchestral Manoeuvres in the Dark | — | |
| 8 | Bird in Flight | — | ||
| 10 | Dream Sequence (One) | — | ||
| 11 | Hitsville U.K. | — | ||
| 12 | I’m in Love With a German Film Star | The Passions | T-010.182.285-8 | |
| 13 | Boys and Girls | The Human League | — | |
| 15 | Make Room | — | ||
| 16 | Is Vic There? | — | ||
| 17 | The Art of Parties | — | ||
| 18 | A Day's Wait (album version) | — | ||
| 19 | I'm Your Money | — | ||
| 20 | Letter From America | — | ||
| 21 | Q Quarters | — | ||
| 2-1 | Never Gonna Cry Again | Eurythmics | T-010.478.861-5 | |
| 2-2 | Urges | — | ||
| 2-5 | Hanging Around | — | ||
| 2-6 | World Service (single version) | — | ||
| 2-7 | Telecommunication | — | ||
| 2-8 | Sweat in Bullet | Simple Minds | T-010.475.667-3 | |
| 2-9 | Bedsitter | — | ||
| 2-10 | Questionnaire | — | ||
| 2-11 | Mad Eyed Screamer | — | ||
| 2-12 | Suffer the Children | — | ||
| 2-13 | Favourite Shirts (Boy Meets Girl) | Haircut One Hundred | T-010.475.547-6 | |
| 2-14 | Liars a to E (single version) | — | ||
| 2-15 | Tiny Children | — | ||
| 2-16 | Bob Hope Takes Risks | — | ||
| 2-17 | Beat the Beat | — | ||
| 2-18 | All Join Hands | — | ||
| 2-19 | Beautiful Friend | — | ||
| 2-20 | Klactoveesedstein | — | ||
| 2-21 | The Day My Pad Went Mad | — | ||
| 3-1 | Poison Arrow | ABC | T-010.302.078-5 | |
| 3-2 | Streetplayer-Mechanik | — | ||
| 3-3 | The Telephone Always Rings | — | ||
| 3-5 | Faithless | — | ||
| 3-6 | You Little Fool | — | ||
| 3-7 | John Wayne Is Big Leggy (single version) | — | ||
| 3-8 | The Feeling's Gone | The Apollinaires | T-011.277.778-2 | |
| 3-9 | Past Meets Present | — | ||
| 3-10 | River | — | ||
| 3-11 | Taste What's Rhythm | — | ||
| 3-12 | The Stranger | — | ||
| 3-13 | Iron Out the Rough Spots | — | ||
| 3-14 | Chicken Outlaw | — | ||
| 3-16 | Tear the Whole Thing Down | — | ||
| 3-17 | Thank You | — | ||
| 3-18 | Dance Sucker | — | ||
| 3-19 | Shopping | — | ||
| 4-1 | Let’s Go to Bed | The Cure | T-010.479.634-0 | |
| 4-2 | Buffalo Gals | — | ||
| 4-3 | European Female | — | ||
| 4-4 | Tomorrow’s (Just Another Day) | Madness | — | |
| 4-5 | The House That Jack Built | — | ||
| 4-6 | Suck a Little Honey | Hey! Elastica | — | |
| 4-7 | Heaven Sent | — | ||
| 4-8 | New Risen | — | ||
| 4-9 | Headstart for Happiness (single version) | — | ||
| 4-10 | Johnny Friendly | — | ||
| 4-11 | Brother Brother | — | ||
| 4-12 | Bright Lights | The Specials | — | |
| 4-13 | Show Me | — | ||
| 4-14 | State of Art | — | ||
| 4-15 | Really Glad You Came | — | ||
| 4-16 | Shotgun | — | ||
| 4-17 | Robert Nightman's Story | — | ||
| 4-18 | Animation | — | ||
| 4-19 | Moments in Love | Art of Noise | T-010.245.892-3 |
An Englishman in New York (single version)
—
Young 'n' Russian
—
Red Frame/White Light
Orchestral Manoeuvres in the Dark
—
Bird in Flight
—
Dream Sequence (One)
—
Hitsville U.K.
—
Boys and Girls
The Human League
—
Make Room
—
Is Vic There?
—
The Art of Parties
—
A Day's Wait (album version)
—
I'm Your Money
—
Letter From America
—
Q Quarters
—
Urges
—
Hanging Around
—
World Service (single version)
—
Telecommunication
—
Bedsitter
—
Questionnaire
—
Mad Eyed Screamer
—
Suffer the Children
—
Liars a to E (single version)
—
Tiny Children
—
Bob Hope Takes Risks
—
Beat the Beat
—
All Join Hands
—
Beautiful Friend
—
Klactoveesedstein
—
The Day My Pad Went Mad
—
Streetplayer-Mechanik
—
The Telephone Always Rings
—
Faithless
—
You Little Fool
—
John Wayne Is Big Leggy (single version)
—
Past Meets Present
—
River
—
Taste What's Rhythm
—
The Stranger
—
Iron Out the Rough Spots
—
Chicken Outlaw
—
Tear the Whole Thing Down
—
Thank You
—
Dance Sucker
—
Shopping
—
Buffalo Gals
—
European Female
—
Tomorrow’s (Just Another Day)
Madness
—
The House That Jack Built
—
Suck a Little Honey
Hey! Elastica
—
Heaven Sent
—
New Risen
—
Headstart for Happiness (single version)
—
Johnny Friendly
—
Brother Brother
—
Bright Lights
The Specials
—
Show Me
—
State of Art
—
Really Glad You Came
—
Shotgun
—
Robert Nightman's Story
—
Animation
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pop Muzik | M | T-010.388.623-2 |
| Tomorrow’s (Just Another Day) | Madness | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| Bright Lights | The Special AKA | — |
| Tomorrow’s (Just Another Day) | Madness | — |
| Red Frame/White Light | Orchestral Manoeuvres in the Dark | — |
| Tomorrow’s (Just Another Day) | Madness | — |
Tomorrow’s (Just Another Day)
Madness
—
Tomorrow’s (Just Another Day)
Madness
—
Bright Lights
The Special AKA
—
Tomorrow’s (Just Another Day)
Madness
—
Red Frame/White Light
Orchestral Manoeuvres in the Dark
—
Tomorrow’s (Just Another Day)
Madness
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.182.285-8T-010.245.892-3T-010.268.590-4T-010.302.078-5T-010.388.623-2T-010.470.465-5T-010.478.861-5T-010.479.634-0T-010.182.285-8T-010.182.483-2
+29 more
T-010.245.892-3T-010.268.590-4T-010.302.078-5T-010.388.623-2T-010.470.465-5T-010.471.541-4T-010.476.486-4T-010.476.929-0T-010.477.919-2T-010.478.861-5T-010.479.634-0T-010.480.415-0T-010.480.620-3T-010.864.813-0T-011.277.778-2T-011.277.778-2T-011.283.482-8T-011.296.233-0T-011.525.538-3T-011.611.887-6T-070.109.796-2T-070.109.796-2T-070.204.433-4T-911.063.926-4T-920.489.844-2T-931.131.223-9T-931.293.352-1T-010.475.547-6T-010.475.667-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055459557000000005802430500000000581069250000000059403294000000005948127600000000595036070000000073664458000000007829103X00000000783931400000000083624628
+40 more
00000000860336980000000090086354000000009132190X0000000096870262000000010124948X000000010433547100000001065731070000000106618045000000010663736900000001066429770000000106665407000000010666554600000001066720760000000106697011000000010672635300000001072510110000000110868100000000011088748300000001142164760000000115080443000000011520124100000001153006880000000115310915000000011540880800000001195577550000000119559099000000011956295X0000000119601250000000012033920200000001210413360000000121054719000000012158956100000001216987760000000121834678000000012195783800000001224851150000000122489714000000012253817600000001225394270000000122711258
Identifier Graph
People also ask
SourcesMusicBrainzNotesDiscogs3 sources
Verified on
What is UPC 5013929117792?
5013929117792 is a Universal Product Code (UPC) assigned to Heaven Sent: The Rise of New Pop 1979–1983 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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