UPC · Release
Roots Rock Rebels: When Punk Met Reggae 1975-1982
Various Artists
Last verified:
5013929117891 is the Universal Product Code (UPC barcode) for the release “Roots Rock Rebels: When Punk Met Reggae 1975-1982” by Various Artists, released 2024-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include USIR27500002, GBAPA7600035, GX3XC2100002.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Slavery Days | Burning Spear | — | |
| 2 | Buckingham Palace (album version) | Dillinger | T-319.027.481-4 | |
| 3 | Za-Ion | Dennis Bovell, The 4th Street Orchestra | T-011.617.780-0 | |
| 4 | Two Sevens Clash | Culture | T-905.384.666-5 | |
| 5 | Police & Thieves | The Clash | — | |
| 7 | Jah Man | Errol Campbell | — | |
| 8 | Watching the Detectives | Elvis Costello | T-010.466.497-2 | |
| 9 | Heights | Good Breed | T-010.630.745-2 | |
| 10 | Fireball XL5 / Fireball Dub (White Music outtake) | XTC | — | |
| 11 | Ku Klux Klan | Steel Pulse | T-010.156.630-6 | |
| 12 | (White Man) In Hammersmith Palais | The Clash | T-011.401.621-5 | |
| 13 | Choose Me | Dennis Bovell, African Stone | T-010.411.812-8 | |
| 14 | Hey Lord, Don't Ask Me Questions | Graham Parker & The Rumour | — | |
| 15 | Uptown Top Ranking | Althea & Donna | T-307.896.099-9 | |
| 16 | Rock Against Racism | China Street | — | |
| 17 | Money in My Pocket (Part 1) | Dennis Brown | — | |
| 18 | Jah War (single version) | The Ruts | — | |
| 19 | Point of View (Squeeze a Little Lovin) | Matumbi | — | |
| 20 | Janice | Doll By Doll | — | |
| 2-1 | Silly Games | Janet Kay | T-011.361.242-2 | |
| 2-2 | She Is Beyond Good & Evil Dub | The Pop Group | T-306.835.302-2 | |
| 2-3 | Ain't No Sunshine | Jimmy Lindsay | — | |
| 2-4 | Johnny Was | Stiff Little Fingers | T-070.267.767-5 | |
| 2-5 | Doesn’t Make It Alright | The Specials | T-010.471.245-9 | |
| 2-6 | Too Much Pressure | The Selecter | — | |
| 2-7 | Poptones | Public Image Ltd | T-011.318.039-4 | |
| 2-8 | Sunday Papers | Joe Jackson | T-010.316.668-2 | |
| 2-9 | The Guns of Brixton | The Clash | T-011.401.569-8 | |
| 2-10 | Offshore Banking Business | The Members | T-010.239.657-5 | |
| 2-11 | Inglan Is a Bitch | Linton Kwesi Johnson | T-071.246.036-0 | |
| 2-13 | Coffee | The Piranhas | T-902.057.778-0 | |
| 2-14 | Embarrassment | Madness | — | |
| 2-15 | Warrior Charge | Aswad | T-010.872.355-2 | |
| 2-16 | Stand Down Margaret (dub) | The Beat | T-070.276.122-5 | |
| 3-1 | Ruder Than You | The Bodysnatchers | — | |
| 3-2 | Non a Jah Jah Children | Black Symbol | T-928.485.480-4 | |
| 3-3 | King | UB40 | T-010.116.499-1 | |
| 3-4 | El Pussycat | Bad Manners | — | |
| 3-5 | Work Dub | Basement 5 | — | |
| 3-6 | Amigo | Black Slate | T-306.994.761-7 | |
| 3-8 | Jah Love | Weapon of Peace | — | |
| 3-9 | Different Dub | Angelic Upstarts | — | |
| 3-10 | Political | Musical Youth | — | |
| 3-11 | Sponji Reggae (single version) | Black Uhuru | T-900.018.790-6 | |
| 3-12 | Hopelessly in Love | Carroll Thompson | T-309.910.306-3 | |
| 3-13 | Blood fi Dem | Eclipse | — | |
| 3-14 | Work | Electric Guitars | T-905.031.958-9 | |
| 3-16 | Generals | Musical Youth | — | |
| 3-17 | Sommadub | Sir Horatio | — | |
| 3-18 | Independent Man Pt 1 | Creation Rebel | — |
Additional database matches (13)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Wild Dub (version) | Generation X | — |
| Who Killed Bruce Lee? (version) | Glaxo Babies | T-011.664.607-1 |
| In the Beginning There Was Rhythm (early version) | The Slits | T-900.019.859-4 |
| Dole Age (7" mix) | Talisman | — |
| Embarrassment | Madness | — |
| Embarrassment | Madness | — |
| Police & Thieves | The Clash | — |
| Embarrassment | Madness | — |
| Embarrassment | Madness | — |
| King | UB40 | — |
| Embarrassment | Madness | — |
| Too Much Pressure | The Selecter | — |
| Embarrassment | Madness | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+22 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5013929117891?
5013929117891 is a Universal Product Code (UPC) assigned to Roots Rock Rebels: When Punk Met Reggae 1975-1982 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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