UPC · Album
Roots Rock Rebels: When Punk Met Reggae 1975-1982
Various Artists
5013929117891
54 tracksReleased 2024-01-01Cherry Red
Last verified:
5013929117891 is the Universal Product Code (UPC barcode) for the release “Roots Rock Rebels: When Punk Met Reggae 1975-1982” by Various Artists, released 2024-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include GB01A0700789, GB01A1000252, GB5KW2101979.
Format
501GS1 prefix
3929Company prefix
11789Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRoots Rock Rebels: When Punk Met Reggae 1975-1982
ISRC69 recordings
ISWC32 works
IPI3 songwriters
Track List (69)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Johnny Was | Stiff Little Fingers | GB01A0700789 |
| King | UB40 | GB01A1000252 |
| Hopelessly in Love | Carroll Thompson | GB5KW2101979 |
| Embarrassment | Madness | GB7GZ0900027 |
| Fireball XL5 / Fireball Dub (White Music outtake) | XTC | GBAAA0200032 |
| Uptown Top Ranking | Althea & Donna | GBAAA7800053 |
| Poptones | Public Image Ltd | GBAAA7900231 |
| Offshore Banking Business | The Members | GBAAA7900364 |
| King | UB40 | GBAAA8000016 |
| Embarrassment | Madness | GBAAA8200030 |
| Embarrassment | Madness | GBAAA9900508 |
| Sunday Papers | Joe Jackson | GBAAM7901005 |
| El Pussycat | Bad Manners | GBAHS0004381 |
| Hopelessly in Love | Carroll Thompson | GBAJE0701488 |
| Money in My Pocket (Part 1) | Dennis Brown | GBAJE7800176 |
| Buckingham Palace (album version) | Dillinger | GBAPA7600035 |
| Ku Klux Klan | Steel Pulse | GBAPA7800013 |
| Warrior Charge | Aswad | GBAPA8000001 |
| Inglan Is a Bitch | Linton Kwesi Johnson | GBAPA8000036 |
| Silly Games | Janet Kay | GBAPX7900003 |
| Police & Thieves | The Clash | GBARL1200710 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1201013 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1202530 |
| Watching the Detectives | Elvis Costello | GBASQ7700013 |
| Different Dub | Angelic Upstarts | GBAYE0902312 |
| Rock Against Racism | China Street | GBAYE2400433 |
| Point of View (Squeeze a Little Lovin) | Matumbi | GBAYE7900552 |
| Doesn’t Make It Alright | The Specials | GBAYK0200024 |
| Amigo | Black Slate | GBAYK1200346 |
| Doesn’t Make It Alright | The Specials | GBAYK1400006 |
| Wild Dub (version) | Generation X | GBAYK7700026 |
| Too Much Pressure | The Selecter | GBAYK7900025 |
| Ruder Than You | The Bodysnatchers | GBAYK8000021 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN7802002 |
| The Guns of Brixton | The Clash | GBBBN7900010 |
| Police & Thieves | The Clash | GBBBN9902147 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN9902478 |
| Who Killed Bruce Lee? (version) | Glaxo Babies | GBBLY0606449 |
| Jah Love | Weapon of Peace | GBBLY2401564 |
| Independent Man Pt 1 | Creation Rebel | GBBLY8200123 |
| Coffee | The Piranhas | GBBLY9700203 |
| Ain't No Sunshine | Jimmy Lindsay | GBBPJ9800923 |
| Janice | Doll By Doll | GBCRL0500070 |
| Embarrassment | Madness | GBCZR8000003 |
| Embarrassment | Madness | GBCZR9900036 |
| King | UB40 | GBDDH8000001 |
| Embarrassment | Madness | GBHVK0900446 |
| Work | Electric Guitars | GBLMS0910030 |
| Dole Age (7" mix) | Talisman | GBLMS1110045 |
| Blood fi Dem | Eclipse | GBLMS1200139 |
| Sommadub | Sir Horatio | GBR8R1800773 |
| Work Dub | Basement 5 | GBUM70500600 |
| In the Beginning There Was Rhythm (early version) | The Slits | GBUM70907380 |
| Two Sevens Clash | Culture | GBUM71100125 |
| Jah War (single version) | The Ruts | GBUM71406404 |
| Hey Lord, Don't Ask Me Questions | Graham Parker & The Rumour | GBUM71501333 |
| Za-Ion | Dennis Bovell, The 4th Street Orchestra | GX3XC2100002 |
| Jah Man | Errol Campbell | GX3XC2100118 |
| Heights | Good Breed | GX3XC2100120 |
| Choose Me | Dennis Bovell, African Stone | GX3XC2100127 |
| Non a Jah Jah Children | Black Symbol | QM6MZ1404662 |
| Political | Musical Youth | QM6N21795552 |
| Generals | Musical Youth | QM6N21795553 |
| She Is Beyond Good & Evil Dub | The Pop Group | UK8DN1700063 |
| Too Much Pressure | The Selecter | UKKP22100008 |
| Sponji Reggae (single version) | Black Uhuru | USIR20300253 |
| Slavery Days | Burning Spear | USIR27500002 |
| Stand Down Margaret (dub) | The Beat | USRH12304910 |
| Embarrassment | Madness | USRH12504998 |
Johnny Was
Stiff Little Fingers
King
UB40
Hopelessly in Love
Carroll Thompson
Embarrassment
Madness
Fireball XL5 / Fireball Dub (White Music outtake)
XTC
Uptown Top Ranking
Althea & Donna
Poptones
Public Image Ltd
Offshore Banking Business
The Members
King
UB40
Embarrassment
Madness
Embarrassment
Madness
Sunday Papers
Joe Jackson
El Pussycat
Bad Manners
Hopelessly in Love
Carroll Thompson
Money in My Pocket (Part 1)
Dennis Brown
Buckingham Palace (album version)
Dillinger
Ku Klux Klan
Steel Pulse
Warrior Charge
Aswad
Inglan Is a Bitch
Linton Kwesi Johnson
Silly Games
Janet Kay
Police & Thieves
The Clash
(White Man) In Hammersmith Palais
The Clash
(White Man) In Hammersmith Palais
The Clash
Watching the Detectives
Elvis Costello
Different Dub
Angelic Upstarts
Rock Against Racism
China Street
Point of View (Squeeze a Little Lovin)
Matumbi
Doesn’t Make It Alright
The Specials
Amigo
Black Slate
Doesn’t Make It Alright
The Specials
Wild Dub (version)
Generation X
Too Much Pressure
The Selecter
Ruder Than You
The Bodysnatchers
(White Man) In Hammersmith Palais
The Clash
The Guns of Brixton
The Clash
Police & Thieves
The Clash
(White Man) In Hammersmith Palais
The Clash
Who Killed Bruce Lee? (version)
Glaxo Babies
Jah Love
Weapon of Peace
Independent Man Pt 1
Creation Rebel
Coffee
The Piranhas
Ain't No Sunshine
Jimmy Lindsay
Janice
Doll By Doll
Embarrassment
Madness
Embarrassment
Madness
King
UB40
Embarrassment
Madness
Work
Electric Guitars
Dole Age (7" mix)
Talisman
Blood fi Dem
Eclipse
Sommadub
Sir Horatio
Work Dub
Basement 5
In the Beginning There Was Rhythm (early version)
The Slits
Two Sevens Clash
Culture
Jah War (single version)
The Ruts
Hey Lord, Don't Ask Me Questions
Graham Parker & The Rumour
Za-Ion
Dennis Bovell, The 4th Street Orchestra
Jah Man
Errol Campbell
Heights
Good Breed
Choose Me
Dennis Bovell, African Stone
Non a Jah Jah Children
Black Symbol
Political
Musical Youth
Generals
Musical Youth
She Is Beyond Good & Evil Dub
The Pop Group
Too Much Pressure
The Selecter
Sponji Reggae (single version)
Black Uhuru
Slavery Days
Burning Spear
Stand Down Margaret (dub)
The Beat
Embarrassment
Madness
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551374940000000055148206000000006310704100000000810628440000000089454607000000010660131500000001066314180000000106637369000000010670789X0000000106713069
+20 more
000000010779370X000000011274788X000000011421647600000001154746100000000115477432000000011808093200000001193965090000000119557755000000011957316500000001214939060000000121708575000000012187823200000001223867660000000122485115000000012285947100000001233197090000000123370475000000012364229000000001310994510000000407796419
People also ask
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Verified on
What is UPC 5013929117891?
5013929117891 is a Universal Product Code (UPC) assigned to Roots Rock Rebels: When Punk Met Reggae 1975-1982 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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