UPC · Release
1978: The Year the UK Turned Day‐Glo
Various Artists
Last verified:
5013929181830 is the Universal Product Code (UPC barcode) for the release “1978: The Year the UK Turned Day‐Glo” by Various Artists, released 2020-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include GBAJE0502127, GBAYE7700442, GBAYE7800005.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Borstal Breakout (7" version) | Sham 69 | T-010.179.185-8 | |
| 2 | 5 Minutes | The Stranglers | T-010.468.106-2 | |
| 3 | Emergency | 999 | T-010.197.869-1 | |
| 4 | Don’t Tango on My Heart | The Doll | — | |
| 5 | Oh! Didn’t I Say | Tubeway Army | T-010.467.014-5 | |
| 6 | Automatic Lover | The Vibrators | T-010.027.087-8 | |
| 7 | I’m a Boy | Cyanide | T-010.163.150-8 | |
| 8 | Bad in Bed | The Electric Chairs | — | |
| 9 | Lost Lenoré | Attrix | — | |
| 10 | Stuck With You | Zones | T-070.146.693-4 | |
| 11 | Party Clothes | Subs | — | |
| 12 | You’re a Disease | The Outcasts | — | |
| 13 | She’s So Modern | The Boomtown Rats | T-011.336.330-6 | |
| 14 | I’m Civilised | Menace | — | |
| 15 | Moonmidsummer | The Freshies | — | |
| 16 | The Kids Are Alright | The Pleasers | T-010.167.232-5 | |
| 17 | Don’t Rain on My Parade | Japan | T-070.040.725-5 | |
| 18 | Concrete Jungle | The Coventry Automatics | — | |
| 19 | Another Girl, Another Planet | The Only Ones | T-010.312.294-6 | |
| 20 | Touch and Go | Magazine | T-010.472.293-1 | |
| 21 | Spread the Word Around | Pretty Boy Floyd & The Gems | — | |
| 22 | When the Tanks Roll Over Poland Again | Automatics | — | |
| 23 | Stella’s Got a Fella | Social Security | — | |
| 24 | Chloroform | The Bleach Boys | T-011.576.945-3 | |
| 25 | Jilted John | Jilted John | T-011.407.723-4 | |
| 26 | Rat Up a Drainpipe | The Members | — | |
| 27 | Glandular Angela | The Exits | — | |
| 28 | Why Don’t You Do Me Right? | Alternative TV | T-803.239.500-0 | |
| 2-1 | The Day the World Turned Day‐Glo | X-Ray Spex | — | |
| 2-2 | Up Against the Wall | Tom Robinson Band | T-011.419.885-4 | |
| 2-3 | Central Detention Centre | Gyro | — | |
| 2-4 | Ain't Got a Clue | The Lurkers | — | |
| 2-5 | The Backstreet Boys | Patrik Fitzgerald | T-010.191.414-0 | |
| 2-6 | Nobody Loves You When You’re Old and Gay | Dead Fingers Talk | — | |
| 2-7 | I Can’t Resist | The Reaction | — | |
| 2-8 | I Can’t Wait | The Jolt | — | |
| 2-9 | Kinnel Tommy | Ed Banger | — | |
| 2-10 | Loving a Killer | The Stoat | — | |
| 2-11 | A.C.A.B. | The Rowdies | — | |
| 2-12 | Start All Over Again | No SWEat | — | |
| 2-13 | I Believe | The V.I.P.’s | — | |
| 2-14 | 2Ne1 | The Carpettes | — | |
| 2-15 | Ghosts of Princes in Towers | Rich Kids | T-010.470.519-2 | |
| 2-16 | Kung Fu International | John Cooper Clarke | T-010.864.412-7 | |
| 2-17 | Ringing in the Streets | The Ripchords | — | |
| 2-18 | Slow Motion | Ultravox | T-900.017.623-8 | |
| 2-19 | Love Is Blind | Nightshift | T-070.913.758-5 | |
| 2-20 | Rock ’n’ Roll Ain’t Dead | The Questions | — | |
| 2-21 | Cortina Cowboys | BLUE STEAM | — | |
| 2-22 | Birmingham Reggie | The Others | — | |
| 2-23 | Live in a Car | UK Subs | T-010.473.748-5 | |
| 2-24 | It’s Alright | The Turn | T-070.266.973-5 | |
| 2-25 | Teenage Vice | The Teardrops | — | |
| 2-26 | Heads Down, No Nonsense, Mindless Boogie | Alberto y Lost Trios Paranoias | T-010.468.431-2 | |
| 3-1 | Public Image | Public Image Ltd. | T-010.469.008-5 | |
| 3-2 | Alternative Ulster | Stiff Little Fingers | T-010.181.782-6 | |
| 3-3 | Light at Your Window | The Detonators | T-306.127.413-9 | |
| 3-4 | Fibre | Spizzoil | — | |
| 3-5 | Life’s a Gamble | Penetration | T-010.469.268-3 | |
| 3-6 | 28/8/78 | Scritti Politti | — | |
| 3-7 | Europeans | Europeans | — | |
| 3-8 | Take the Cash (K.A.S.H.) | Wreckless Eric | T-924.951.343-7 | |
| 3-9 | You Can’t Put Your Arms Around a Memory | Johnny Thunders | — | |
| 3-10 | The Saints Are Coming | Skids | T-010.180.492-5 | |
| 3-11 | It’s the New Thing | The Fall | T-070.905.233-4 | |
| 3-12 | Alphaville | The Monochrome Set | — | |
| 3-13 | In the Crowd | The Jam | T-010.179.656-8 | |
| 3-14 | Starry Eyes | The Records | T-011.398.280-1 | |
| 3-15 | Weekend Girl | The Bozos | T-070.204.699-8 | |
| 3-16 | Destination Venus | The Rezillos | — | |
| 3-17 | Flashing in the Subway | Tyla Gang | — | |
| 3-18 | 10:15 Saturday Night | The Cure | T-900.061.607-9 | |
| 3-19 | Larger Than Life | The Parrots | T-070.913.207-9 | |
| 3-20 | Wrong Street | Nicky & the Dots | — | |
| 3-21 | New Town | The Vitamins | T-070.248.406-7 | |
| 3-22 | Love Song | Passage | — | |
| 3-23 | What She Wants, She Needs | Eater | — | |
| 3-24 | Never Met Suzi | Time Machine | T-901.417.924-9 | |
| 3-25 | White Christmas | Slush | T-004.026.559-5 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Day the World Turned Day‐Glo | X-Ray Spex | — |
| Another Girl Another Planet | The Only Ones | T-010.312.294-6 |
| You Can’t Put Your Arms Around a Memory | Johnny Thunders | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5013929181830?
5013929181830 is a Universal Product Code (UPC) assigned to 1978: The Year the UK Turned Day‐Glo by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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