UPC · Release
Surrender To the Rhythm: London Pub Rock Scene of the Seventies
Various Artists
5013929187429
24 tracksReleased 2020-01-01MSI (2)
Last verified:
5013929187429 is the Universal Product Code (UPC barcode) for the release “Surrender To the Rhythm: London Pub Rock Scene of the Seventies” by Various Artists, released 2020-01-01 on MSI (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include GBAYE7500116, GBBLY2003253, GBBLY2003254.
Format
501GS1 prefix
3929Company prefix
18742Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSurrender To the Rhythm: London Pub Rock Scene of the Seventies
ISRC24 recordings
ISWC51 works
IPI12 songwriters
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | She Does It Right | Dr. Feelgood | T-010.174.820-2 | |
| 2-2 | Love Me Real | Charlie & The Wide Boys | T0113758103 | |
| 2-3 | Free the Kids | Fumble | T0709431468 | |
| 2-4 | Imagination (Is a Powerful Deceiver) | Elvis Costello | — | |
| 2-5 | Blow Me Down | Brett Marvin and The Thunderbolts | — | |
| 2-6 | Baby What You Want Me to Do | Jo Ann Kelly | T0702328651 | |
| 2-7 | As Long as You Feel Good | Stray | — | |
| 2-8 | Yellow Sox | Kursaal Flyers | T0101764991 | |
| 2-9 | It Could Be Better | Byzantium | T0101380442 | |
| 2-10 | Midnight Flight | Bearded Lady | — | |
| 2-11 | Jailbreaker | Razorbacks | — | |
| 2-12 | One Fing ’n’ Anuvver | Chas & Dave | — | |
| 2-13 | Why Did You Do It? | Stretch | T-010.431.161-6 | |
| 2-14 | For Whatever It's Worth | Fox | T9054545174 | |
| 2-15 | I Ain't Got You | The Count Bishops | — | |
| 2-16 | Midnight Moon | Sean Tyla | — | |
| 2-17 | Writing on the Wall | Eddie & the Hot Rods | — | |
| 2-18 | You Can Leave Your Hat On | The Jess Roden Band | T-071.194.128-4 | |
| 2-19 | Schoolgirl Funk | Strapps | — | |
| 2-20 | Romeo and the Lonely Girl | Thin Lizzy | T-010417260-2 | |
| 2-21 | She's No Angel | Heavy Metal Kids | T0702435300 | |
| 2-22 | You've Gotta Get Up and Dance | Supercharge | T-010.469.283-2 | |
| 2-23 | Keys to Your Heart | The 101ers | — | |
| 2-24 | She's My Gal | The Gorillas | — |
Imagination (Is a Powerful Deceiver)
Elvis Costello
—
Blow Me Down
Brett Marvin and The Thunderbolts
—
As Long as You Feel Good
Stray
—
Midnight Flight
Bearded Lady
—
Jailbreaker
Razorbacks
—
One Fing ’n’ Anuvver
Chas & Dave
—
I Ain't Got You
The Count Bishops
—
Midnight Moon
Sean Tyla
—
Writing on the Wall
Eddie & the Hot Rods
—
Schoolgirl Funk
Strapps
—
Keys to Your Heart
The 101ers
—
She's My Gal
The Gorillas
—
Additional database matches (49)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cheque Book | Legend | T-010.171.637-3 |
| Sergeant Fury | The Sensational Alex Harvey Band | — |
| The Shape I'm In | Meal Ticket | T0701411951 |
| Loud Music | Streetband | — |
| Mirror Star | Fabulous Poodles | — |
| Goodbye Girl | Squeeze | T-010.471.126-3 |
| Daddy Cool / The Girl Can’t Help It | Darts | T-070881673-2 |
| Fool (If You Think It’s Over) | Chris Rea | T-010179452-8 |
| Dirty Water | The Inmates | — |
| We Get Along | Chilli Willi and the Red Hot Peppers | — |
| Nanana | Status Quo | T0105755632 |
| Time to Kill | Wild Angels | T0701833728 |
| Billy Bentley (Promenades Himself in London) | Kilburn and the High Roads | T-010.463.187-9 |
| Brandy (You're a Fine Girl) | Gonzalez | T-070.014.480-4 |
| Surrender to the Rhythm | Brinsley Schwarz | T0100243148 |
| Bedsit Girl | Chris Spedding | — |
| Rock and Roll Runaway | Ace | — |
| Stone's Throw From Nowhere | Cado Belle | — |
| You Need Wheels | The Merton Parkas | — |
| Have You Seen My Baby | Steve Ellis | — |
| Driver’s Seat | Sniff ’n’ the Tears | T-011.412.088-5 |
| Come On | Ian Gomm | T0700275020 |
| Tripsy Lady | Writing on the Wall | — |
| Gunning for the Dog | Matchbox | — |
| You Kept Me Waiting | Dave Edmunds | — |
| Money Is No Friend of Mine | Starry Eyed & Laughing | — |
| Heart’s on My Sleeve (early mix) | Ducks Deluxe | T0104629277 |
| Why, Lady, Why? | Deep Feeling | — |
| The Creature From the Black Lagoon | Billy Bremner | — |
| Piggy Back Sue | Jona Lewie | — |
| Young Lust (demo version) | Philip Rambow | — |
| Madman | G.T. Moore | T9000127026 |
| My Funny Valentine | Bees Make Honey | T9138304617 |
| Nervous | National Flag | T9209806199 |
| Rock ’n’ Roll Radio | The Pleasers | — |
| Shakin’ All Over (1978 studio version) | The Pirates | T-010.158.773-8 |
| Where Are You Tonight | Brewers Droop | — |
| Back to Schooldays (live) | Graham Parker & The Rumour | T0101108466 |
| Ain't Nobody Own Nobody's Soul | Clover | — |
| Slow Down | The Jam | T-011.231.697-8 |
| You Said It Would Be | Smooth Loser | T9323505937 |
| Git It | Dave Edmunds | — |
| Ride With the Roogalator | Roogalator | — |
| I Wish I Was Your Mother | Mott the Hoople | T-072644844-7 |
| Don’t Wear It | Moon | — |
| Radio Sweetheart | Elvis Costello | T0104846232 |
| Funky but Clean | Eggs Over Easy | T9193553003 |
| Goodbye Girl | Squeeze | T-010.471.126-3 |
| Driver’s Seat | Sniff ’n’ the Tears | T-011412088-5 |
Sergeant Fury
The Sensational Alex Harvey Band
—
Meal Ticket
Loud Music
Streetband
—
Mirror Star
Fabulous Poodles
—
Squeeze
Dirty Water
The Inmates
—
We Get Along
Chilli Willi and the Red Hot Peppers
—
Status Quo
Wild Angels
Kilburn and the High Roads
Brinsley Schwarz
Bedsit Girl
Chris Spedding
—
Rock and Roll Runaway
Ace
—
Stone's Throw From Nowhere
Cado Belle
—
You Need Wheels
The Merton Parkas
—
Have You Seen My Baby
Steve Ellis
—
Sniff ’n’ the Tears
Ian Gomm
Tripsy Lady
Writing on the Wall
—
Gunning for the Dog
Matchbox
—
You Kept Me Waiting
Dave Edmunds
—
Money Is No Friend of Mine
Starry Eyed & Laughing
—
Ducks Deluxe
Why, Lady, Why?
Deep Feeling
—
The Creature From the Black Lagoon
Billy Bremner
—
Piggy Back Sue
Jona Lewie
—
Young Lust (demo version)
Philip Rambow
—
G.T. Moore
Bees Make Honey
National Flag
Rock ’n’ Roll Radio
The Pleasers
—
Where Are You Tonight
Brewers Droop
—
Graham Parker & The Rumour
Ain't Nobody Own Nobody's Soul
Clover
—
The Jam
Smooth Loser
Git It
Dave Edmunds
—
Ride With the Roogalator
Roogalator
—
Mott the Hoople
Don’t Wear It
Moon
—
Elvis Costello
Eggs Over Easy
Squeeze
Sniff ’n’ the Tears
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.158.773-8T-010.171.637-3T-010.174.820-2T-010.179.452-8T-010.431.161-6T-010.463.187-9T-010.469.283-2T-010.471.126-3T-010158773-8T-010171637-3
+41 more
T-010174820-2T-010179452-8T-010431161-6T-010463187-9T-010469283-2T-010471126-3T-010894046-0T-011.231.697-8T-011.412.088-5T-011231697-8T-011412088-5T-011551312-6T-070.014.480-4T-070.881.673-2T-070014480-4T-070881673-2T-070940264-1T-071.194.128-4T-071194128-4T-072644844-7T0100243148T0101108466T0101380442T0101764991T0104172602T0104629277T0104846232T0105755632T0113758103T0700275020T0701411951T0701833728T0702328651T0702435300T0709431468T9000127026T9054545174T9138304617T9193553003T9209806199T9323505937
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMLCMusicBrainzDiscogs3 sources
Verified on
What is UPC 5013929187429?
5013929187429 is a Universal Product Code (UPC) assigned to Surrender To the Rhythm: London Pub Rock Scene of the Seventies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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