UPC · Release
Peephole in My Brain: The British Progressive Pop Sounds of 1971
Various Artists
5013929187627
70 tracksReleased 2020-01-01Grapefruit Records
Last verified:
5013929187627 is the Universal Product Code (UPC barcode) for the release “Peephole in My Brain: The British Progressive Pop Sounds of 1971” by Various Artists, released 2020-01-01 on Grapefruit Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 70 tracks, each with its own ISRC. Tracks include GBBLY1900914, GBAYE0300482, GBGYU0300020.
Format
501GS1 prefix
3929Company prefix
18762Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPeephole in My Brain: The British Progressive Pop Sounds of 1971
ISRC70 recordings
ISWC40 works
IPI10 songwriters
Track List (70)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Andy Warhol (1971 Promo album version) | Dana Gillespie | T-010.447.911-9 | |
| 2 | Stranger in Blue Suede Shoes | Kevin Ayers | T-010.159.201-1 | |
| 3 | Hey Willy | The Hollies | T-011.416.409-8 | |
| 4 | Mr Middleton’s Lament | Corn & Seed Merchants | — | |
| 5 | Dearest Eloise | Stray | T-010.077.404-6 | |
| 6 | Deborah | Help Yourself | — | |
| 7 | Dora, the Female Explorer | Stackridge | — | |
| 8 | Ursula (The Swansea Song) | Barclay James Harvest | — | |
| 9 | More Rain | Samurai | T-318.682.015-1 | |
| 10 | Goodbye Post Office Tower, Goodbye | Cressida | — | |
| 11 | Tonight | The Move | T-010.025.705-3 | |
| 12 | Down Smokey Lane | Fickle Pickle | — | |
| 13 | Woman | Shape of the Rain | T-011.375.819-2 | |
| 14 | Going Back Home | Unicorn | — | |
| 15 | Castle on the Hill | Factory | — | |
| 16 | Time for the Leaving | Magna Carta | T-900.035.288-5 | |
| 17 | I Feel Like Sleeping | Legend | — | |
| 18 | Indian Queens | Michael Chapman | — | |
| 19 | Hotel Room | Edgar Broughton Band | T-902.602.648-2 | |
| 20 | Safari | Peter Cowap | — | |
| 21 | Jennifer | Cliff Wade | — | |
| 22 | Old People’s Home | Deep Feeling | — | |
| 23 | Hiroshima | Wishful Thinking | T-011.634.226-7 | |
| 2-1 | Sugar Sugar | Sakkarin | T-070.244.045-6 | |
| 2-2 | Back Street Luv | Curved Air | T-010.446.859-8 | |
| 2-3 | Memorial Drive | Procol Harum | — | |
| 2-4 | Oh Carol, I’m So Sad | Rockin’ Horse | — | |
| 2-5 | To Each and Everyone | Gerry Rafferty | — | |
| 2-6 | Caroline Goodbye | Colin Blunstone | T-010.171.309-0 | |
| 2-7 | Maisie Jones | Nimbo | — | |
| 2-8 | Hangin’ on an Eyelid | Second Hand | T-900.248.193-8 | |
| 2-9 | I Was Fooling | Zior | T-901.818.151-6 | |
| 2-10 | Mrs Speed | Fusion Farm | — | |
| 2-11 | Waterwheel | Open Road | — | |
| 2-12 | Anniversary | Ray Fenwick | — | |
| 2-13 | Mister Westwood | Pluto | — | |
| 2-14 | Frightened | Bear Foot | — | |
| 2-15 | Weather or Not | Bronx Cheer | — | |
| 2-16 | Talking to the Flowers | Rick Price | — | |
| 2-17 | Ferris Street | Beau | — | |
| 2-18 | Southbound Lane | Brett Marvin and The Thunderbolts | — | |
| 2-19 | The Flying Machines | Don Crown & His Busking Budgies | — | |
| 2-20 | Billy’s Gotta Run | The Doggs | T-309.431.283-7 | |
| 2-21 | Love’s a Way | Bill Nelson | T-010.475.254-6 | |
| 2-22 | While the Sun Still Shines | Fields | — | |
| 2-23 | The Saddest Day of My Life | Nirvana | T-302.773.956-2 | |
| 2-24 | Are You Ready Eddy? | Emerson, Lake & Palmer | — | |
| 3-2 | Devil’s Answer | Atomic Rooster | T-010.324.128-6 | |
| 3-3 | Rock ’n’ Roll Wedding | Sweeny Bean | — | |
| 3-4 | (And the) Pictures in the Sky | Medicine Head | T-909.901.459-2 | |
| 3-5 | God’s Children | The Kinks | T-010.036.251-3 | |
| 3-6 | This Time Tomorrow | Airbus | T-010.443.826-7 | |
| 3-7 | Summer | Octopus | — | |
| 3-8 | Sepheryn | Curtiss/Maldoon | — | |
| 3-9 | I Don’t Care | Blonde on Blonde | T-070.210.939-4 | |
| 3-10 | Sunlight Gate | Pete Atkin | — | |
| 3-11 | Dangling in the Cool | Montage | — | |
| 3-12 | Tokoloshe Man (single edit) | John Kongos | — | |
| 3-13 | Strange Locomotion | Siren | — | |
| 3-14 | Mister Ten Per Cent | The Red Sox | — | |
| 3-15 | Where I Belong | Knocker Jungle | T-906.345.015-7 | |
| 3-16 | It Don't Come Easy | Wil Malone | — | |
| 3-17 | Eternal Messenger (single version) | Kingdom Come | — | |
| 3-18 | Encounter | Edwards Hand | — | |
| 3-19 | So Be It | Lifeblud | T-010.152.473-5 | |
| 3-20 | Grandfather | Dear Mr. Time | — | |
| 3-21 | Hobo | Bullet | T-915.116.523-0 | |
| 3-22 | Turning Green (album version) | Jackie McAuley | — | |
| 3-23 | Seaside Shuffle | Terry Dactyl and the Dinosaurs | T-920.068.145-4 | |
| 3-24 | Bill Bailey | Phase 3 | T-902.312.941-1 |
Mr Middleton’s Lament
Corn & Seed Merchants
—
Deborah
Help Yourself
—
Dora, the Female Explorer
Stackridge
—
Ursula (The Swansea Song)
Barclay James Harvest
—
Goodbye Post Office Tower, Goodbye
Cressida
—
Down Smokey Lane
Fickle Pickle
—
Going Back Home
Unicorn
—
Castle on the Hill
Factory
—
I Feel Like Sleeping
Legend
—
Indian Queens
Michael Chapman
—
Safari
Peter Cowap
—
Jennifer
Cliff Wade
—
Old People’s Home
Deep Feeling
—
Memorial Drive
Procol Harum
—
Oh Carol, I’m So Sad
Rockin’ Horse
—
To Each and Everyone
Gerry Rafferty
—
Maisie Jones
Nimbo
—
Mrs Speed
Fusion Farm
—
Waterwheel
Open Road
—
Anniversary
Ray Fenwick
—
Mister Westwood
Pluto
—
Frightened
Bear Foot
—
Weather or Not
Bronx Cheer
—
Talking to the Flowers
Rick Price
—
Ferris Street
Beau
—
Southbound Lane
Brett Marvin and The Thunderbolts
—
The Flying Machines
Don Crown & His Busking Budgies
—
While the Sun Still Shines
Fields
—
Are You Ready Eddy?
Emerson, Lake & Palmer
—
Rock ’n’ Roll Wedding
Sweeny Bean
—
Summer
Octopus
—
Sepheryn
Curtiss/Maldoon
—
Sunlight Gate
Pete Atkin
—
Dangling in the Cool
Montage
—
Tokoloshe Man (single edit)
John Kongos
—
Strange Locomotion
Siren
—
Mister Ten Per Cent
The Red Sox
—
It Don't Come Easy
Wil Malone
—
Eternal Messenger (single version)
Kingdom Come
—
Encounter
Edwards Hand
—
Grandfather
Dear Mr. Time
—
Turning Green (album version)
Jackie McAuley
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mean Girl | Status Quo | T-010.172.054-0 |
| Ursula (The Swansea Song) | Barclay James Harvest | — |
| Ursula (The Swansea Song) | Barclay James Harvest | — |
| Are You Ready Eddy? | Emerson, Lake & Palmer | — |
Status Quo
Ursula (The Swansea Song)
Barclay James Harvest
—
Ursula (The Swansea Song)
Barclay James Harvest
—
Are You Ready Eddy?
Emerson, Lake & Palmer
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.025.705-3T-010.036.251-3T-010.159.201-1T-010.171.309-0T-010.172.054-0T-010.324.128-6T-010.446.859-8T-010.475.254-6T-010.025.705-3T-010.036.251-3
+30 more
T-010.159.201-1T-010.169.791-9T-010.446.859-8T-010.475.254-6T-011.634.226-7T-011.634.226-7T-070.244.045-6T-070.244.045-6T-802.514.256-8T-902.602.648-2T-902.602.648-2T-923.867.858-5T-010.077.404-6T-010.152.473-5T-010.443.826-7T-010.447.911-9T-011.375.819-2T-011.416.409-8T-070.210.939-4T-302.773.956-2T-309.431.283-7T-318.682.015-1T-900.035.288-5T-900.248.193-8T-901.818.151-6T-902.312.941-1T-906.345.015-7T-909.901.459-2T-915.116.523-0T-920.068.145-4
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMLCMusicBrainzDiscogs3 sources
Verified on
What is UPC 5013929187627?
5013929187627 is a Universal Product Code (UPC) assigned to Peephole in My Brain: The British Progressive Pop Sounds of 1971 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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