UPC · Release
Bubblerock Is Here to Stay, Volume Two: The British Pop Explosion 1970-73
Various Artists
Last verified:
5013929191129 is the Universal Product Code (UPC barcode) for the release “Bubblerock Is Here to Stay, Volume Two: The British Pop Explosion 1970-73” by Various Artists, released 2022-01-01 on Grapefruit Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include GBBLY2203620, GBEQJ0400006, GBBLY0603755.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Shake a Tail Suzy | Barry Green | — | |
| 2 | Sugar Me | — | ||
| 3 | No Matter How I Try | Gilbert O’Sullivan | — | |
| 4 | Walking Through the Blue Grass | Stavely Makepeace | — | |
| 5 | Sunny, Honey Girl | Fluff | T-010.441.254-5 | |
| 6 | Good Morning Freedom | Blue Mink | T-900.010.909-1 | |
| 7 | It’s a Tall Order for a Short Guy | Jonathan King | T-010.589.911-3 | |
| 8 | After Dark | P.C. Kent | — | |
| 9 | Drugtaker | Derek Paul | — | |
| 10 | Vietnam Rose | Whichwhat | T-061.116.886-5 | |
| 11 | Well Alright | Raw Holly | T-070.933.927-4 | |
| 12 | Radancer | Marmalade | T-010.325.742-6 | |
| 13 | Dad You Saved the World | White Plains | — | |
| 14 | Magical Spiel | Barry Ryan | T-010.438.226-4 | |
| 15 | My Boyfriend’s Back | The Paper Dolls | T-070.242.356-0 | |
| 16 | On the Road Again | Iain Campbell | T-070.242.676-3 | |
| 17 | Iron Horse | Christie | — | |
| 18 | Roly Poly | Stamford Bridge | — | |
| 19 | High Into the Sky | Roger James | — | |
| 20 | Alexander Graham Bell | The Sweet | T-010.447.903-9 | |
| 21 | Rock-A-Bye Blues | Kidrock | — | |
| 22 | The Price of Love | The Big Three | T-070.243.000-9 | |
| 23 | My Friend John | Shape of the Rain | — | |
| 24 | Telephone Line | Main Attraction | — | |
| 25 | United We Stand | Brotherhood of Man | T-901.020.330-2 | |
| 2-1 | Runaway | Huddersfield Transit Authority | T-071.212.403-2 | |
| 2-2 | Good Times | Alan Lake | T-914.724.684-2 | |
| 2-3 | Little Bit O’ Soul | Iron Cross | T-010.433.963-0 | |
| 2-4 | Nine by Nine | John Dummer's Famous Music Band | T-010.439.874-4 | |
| 2-5 | Coz I Luv You | Slade | T-010.171.580-3 | |
| 2-6 | Big Six | Judge Dread | T-010.451.767-0 | |
| 2-7 | Sunny Sleeps Late | 22nd Street | T-010.459.383-0 | |
| 2-8 | The Lion Sleeps Tonight (Wimoweh) | Dave Newman | T-901.297.477-5 | |
| 2-9 | The Way I Feel | Complex | T-011.379.662-5 | |
| 2-10 | Right Wheel, Left Hammer, Sham | The Tremeloes | — | |
| 2-11 | Working in the City | Chain Reaction | T-070.248.132-0 | |
| 2-12 | Tip Of My Tongue | Brotherly Love | — | |
| 2-13 | Soley Soley | Middle of the Road | T-041.020.034-8 | |
| 2-14 | Tokaido Line | Portrait | — | |
| 2-15 | Uncle John’s Band | The Montanas | T-070.193.856-8 | |
| 2-16 | Rule Britannia | The U.K.’s | — | |
| 2-17 | Born on a Beautiful Day | Paul Ryan | — | |
| 2-18 | Everybody Go Home, the Party’s Over | Clodagh Rodgers | — | |
| 2-19 | Tease Me | Tiger Sue | T-071.558.799-7 | |
| 2-20 | Fallout | Five Day Rain | T-011.629.856-6 | |
| 2-21 | You Know It Feels Right | Liverpool Echo | T-070.213.592-9 | |
| 2-22 | I Belong to Yesterday | Helicopter | T-905.383.071-0 | |
| 2-23 | You Are | Phillip Goodhand-Tait | — | |
| 2-24 | Do You | Paul Kent | T-073.046.094-2 | |
| 2-25 | She Is Still a Mystery | Summer Wine | T-918.288.571-8 | |
| 2-26 | I Really Mean You | Kincade | T-010.453.759-8 | |
| 2-27 | The Sun Has Got His Hat On | Nemo | — | |
| 3-1 | Gimme Dat Ding | The Pipkins | T-071.182.764-3 | |
| 3-2 | 29 Years to Doomsday | Bruce Spelman | — | |
| 3-3 | Rainbow Chaser | Pica | T-010.441.568-0 | |
| 3-4 | Julian the Hooligan (edited single version) | Rockin' Horse | — | |
| 3-5 | Down Down Down | Autumn | T-700.216.327-3 | |
| 3-6 | Get Ready for Love | Paintbox | — | |
| 3-7 | You’re Ready Now | Sons and Lovers | T-070.940.918-6 | |
| 3-8 | Alright | Bay City Rollers | — | |
| 3-9 | Sweat, Dust and Red Wine | Deep Feeling | — | |
| 3-10 | My Kind of Music | Smoky Forbes | T-070.117.422-2 | |
| 3-11 | Gimme Shelter | Birds of a Feather | T-010.065.527-3 | |
| 3-12 | Bring All the Young Men Back Home | Blackwater Junction | — | |
| 3-13 | Sausalito | Gary Benson | — | |
| 3-14 | Bordeaux Rose | Fairfield Parlour | T-010.168.358-2 | |
| 3-15 | Jam Jam | American Jam Band | T-700.031.827-6 | |
| 3-16 | Black and White | Greyhound | T-070.011.431-3 | |
| 3-17 | She Keeps Giving Me These Feelings | Velvet Opera | — | |
| 3-18 | Do You Know What I Mean | Simon Turner | T-070.041.350-8 | |
| 3-19 | Hurdy Gurdy | Muff | T-071.062.828-6 | |
| 3-20 | One More Mile to Freedom | John Carter | — | |
| 3-21 | Ooh La La | Dave Mactavish | — | |
| 3-22 | You Better Run | Boots | T-070.211.588-5 | |
| 3-23 | Lady Sadie | Hotlegs | — | |
| 3-24 | Rock ‘A’ Bye | Holy Mackerel | — | |
| 3-25 | San Jose | Shakane | T-070.041.064-5 | |
| 3-26 | Tossing and Turning | Hooters | T-900.010.005-0 | |
| 3-27 | Mouldy Old Dough | Lieutenant Pigeon | T-010.171.640-8 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Alright | Bay City Rollers | T-010.446.527-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5013929191129?
5013929191129 is a Universal Product Code (UPC) assigned to Bubblerock Is Here to Stay, Volume Two: The British Pop Explosion 1970-73 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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