UPC · Release
Lazy Days: The British Progressive Pop Sounds of 1975
Various Artists
Last verified:
5013929195424 is the Universal Product Code (UPC barcode) for the release “Lazy Days: The British Progressive Pop Sounds of 1975” by Various Artists, released 2024-01-01 on Grapefruit Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC. Tracks include GBAAM7500011, USSM10015758, USSM10004441.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Good Lovin’ Gone Bad | — | ||
| 2 | Imagine Me, Imagine You | — | ||
| 3 | Right or Wrong | Stealers Wheel | — | |
| 4 | In for a Penny | — | ||
| 5 | Wild One | — | ||
| 6 | My White Bicycle | — | ||
| 7 | Riding for a Fall | — | ||
| 8 | Everybody’s a Star (Starmaker) | — | ||
| 9 | Precious Love | — | ||
| 10 | Jean Cocteau | — | ||
| 11 | Both Ends Burning | — | ||
| 12 | Blue Guitar | — | ||
| 13 | Good News | — | ||
| 14 | Evil Woman | Electric Light Orchestra | T-010.461.753-9 | |
| 15 | Dan the Plan | — | ||
| 16 | Brother, Can You Spare a Dime? | — | ||
| 17 | I’ll Regret It All in the Morning | — | ||
| 18 | Carol | — | ||
| 19 | Ain’t Gonna Stand for This No More (single version) | — | ||
| 20 | A Whole Pot of Jelly (For a Little Slice of Toast) | — | ||
| 21 | Private Number | — | ||
| 2-1 | Fox on the Run (single version) | — | ||
| 2-2 | Won’t Get Burned Again | — | ||
| 2-3 | In the Future | — | ||
| 2-4 | Nothing to Do With Us | — | ||
| 2-5 | You Go to My Head | — | ||
| 2-6 | Frontera | — | ||
| 2-7 | Share It | — | ||
| 2-8 | Stuck in a Hole | — | ||
| 2-9 | Go and Sit Upon the Grass | — | ||
| 2-10 | Sad Sing | — | ||
| 2-11 | Run Billy Run | — | ||
| 2-12 | Heard It All Before | — | ||
| 2-13 | Highbury Incident (Rainy July Morning) | — | ||
| 2-14 | Titles | — | ||
| 2-15 | Someone to Love | — | ||
| 2-16 | Hit Records | — | ||
| 2-17 | Lonely Eyes | — | ||
| 2-18 | Summer Song | — | ||
| 2-19 | Blue Eyed Boy | — | ||
| 2-20 | Delilah (live) | — | ||
| 2-21 | Raingame | — | ||
| 2-22 | Arms of Mary | — | ||
| 2-23 | There’s a Cloud in My Heart | — | ||
| 3-1 | Once Bitten Twice Shy | Ian Hunter, Mick Ronson | T-070.161.081-2 | |
| 3-2 | Play Don’t Worry | — | ||
| 3-3 | By Tonight | — | ||
| 3-4 | Running Through the City | — | ||
| 3-5 | Spirits in the Night (single edit) | — | ||
| 3-6 | Minstrel in the Gallery (single edit) | — | ||
| 3-7 | Highfly | — | ||
| 3-8 | Take It Away | — | ||
| 3-9 | Sad Eye | — | ||
| 3-10 | Trust in Dick | — | ||
| 3-11 | Hard Times | — | ||
| 3-12 | L’Hippie Nationale | — | ||
| 3-13 | Mr. Raffles (Man It Was Mean) | — | ||
| 3-14 | La Maison de L’Amour | — | ||
| 3-16 | Kings of Speed | — | ||
| 3-17 | Odd Man Out | — | ||
| 3-18 | Shoot Shoot | — | ||
| 3-19 | Lazy Day | — | ||
| 3-20 | Back in the Night | — | ||
| 3-21 | Birthday Special | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5013929195424?
5013929195424 is a Universal Product Code (UPC) assigned to Lazy Days: The British Progressive Pop Sounds of 1975 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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