UPC · Release
Sliced Punx on Meathooks
Disorder
Last verified:
5013929211827 is the Universal Product Code (UPC barcode) for the release “Sliced Punx on Meathooks” by Disorder, released 1998-02-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fight the Right | — | ||
| 2 | Fast Food | — | ||
| 3 | Free Society | — | ||
| 4 | Therefore We Shout | — | ||
| 5 | The Giro Song | — | ||
| 6 | Boring | — | ||
| 7 | Insane War | — | ||
| 8 | Coz of Death | — | ||
| 9 | Tied Down | — | ||
| 10 | Pass the Gluebag (To the Right Hand Side) | — | ||
| 11 | To Be Continued | — | ||
| 12 | Intro | — | ||
| 13 | Army of Aggressors | — | ||
| 14 | Warfear | — | ||
| 15 | Drop the Bomb | — | ||
| 16 | Rumors and Lies | — | ||
| 17 | Brutal Attack | — | ||
| 18 | Anti Social Reject | — | ||
| 19 | Jack Hammer | — | ||
| 20 | Fight the Right (live) | — | ||
| 21 | Fuck Your Nationality (live) | — |
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Creative Contributors (ISNI)
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What is UPC 5013929211827?
5013929211827 is a Universal Product Code (UPC) assigned to Sliced Punx on Meathooks by Disorder. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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