UPC · Release
I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture
Various Artists
5013929335103
22 tracksReleased 2020-01-01Él
Last verified:
5013929335103 is the Universal Product Code (UPC barcode) for the release “I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture” by Various Artists, released 2020-01-01 on Él. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include DEF056215224, GBBLY2000297, GBBLY2000298.
Format
501GS1 prefix
3929Company prefix
33510Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCI'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture
ISRC22 recordings
ISWC18 works
IPI25 songwriters
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | La Marseillaise | London Symphony Orchestra, Pierre Monteux | T3012499166 | |
| 2-2 | Fantasia on Greensleeves | Royal Philharmonic Orchestra, Sir Adrian Boult | — | |
| 2-3 | Two-Part Invention No. 8 in F Major BMV 772-786 | Wanda Landowska | — | |
| 2-4 | Air on a G String from Orchestral No. 3 in D major, BWV1068 | Jaime Laredo, Vladimir Sokoloff | — | |
| 2-5 | The Autumn Leaves | Bill Evans, Scott LaFaro, Paul Motian | T-070.002.297-4 | |
| 2-6 | Interstellar Low Ways | Marshall Allen, Ronnie Boykins, William Cochran, Hobart Dotson, John Gilmore, Pat Patrick, James Spaulding, Sun Ra | — | |
| 2-7 | Hallelujah Chorus from the Messiah HWV56 | Royal Philharmonic Chorus, Monica Sinclair, Giorgio Tozzi, Jon Vickers, Jennifer Vyvyan, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-8 | Angi | Davy Graham | T-010.133.339-4 | |
| 2-9 | Raga Simhendra Madhyamam | Chatur Lal, Pradjot Sen, Ravi Shankar | T9027647990 | |
| 2-10 | Tunji (Toon‐Gee) | John Coltrane | T-700.074.820-1 | |
| 2-11 | Love Theme from "Spartacus" | Ernie Farrow, Barry Harris, Lex Humphries, Yusef Lateef | — | |
| 2-12 | Pannonica | Thelonious Monk | T-700.052.358-2 | |
| 2-13 | Yardbird Suite | Charlie Parker Septet | — | |
| 2-14 | The Rite of Spring, Part I: Adoration of the Earth - Introduction | New York Philharmonic, Leonard Bernstein | — | |
| 2-15 | The Rite of Spring, Part I: Adoration of the Earth - The Augurs of Spring | New York Philharmonic, Leonard Bernstein | — | |
| 2-16 | The Rite of Spring, Part I: Adoration of the Earth - Mock Abduction | New York Philharmonic, Leonard Bernstein | — | |
| 2-17 | The Rite of Spring, Part I: Adoration of the Earth - Spring Round Dances | New York Philharmonic, Leonard Bernstein | — | |
| 2-18 | The Rite of Spring, Part I: Adoration of the Earth - Games of the Rival Tribes | New York Philharmonic, Leonard Bernstein | — | |
| 2-19 | The Rite of Spring, Part I: Adoration of the Earth - Procession of the Wise Elder | New York Philharmonic, Leonard Bernstein | — | |
| 2-20 | The Rite of Spring, Part I: Adoration of the Earth - Adoration of the Earth | New York Philharmonic, Leonard Bernstein | — | |
| 2-21 | The Rite of Spring, Part I: Adoration of the Earth - Dance of the Earth | New York Philharmonic, Leonard Bernstein | — | |
| 2-22 | Hyperprism | Robert Craft | T7000761139 |
Fantasia on Greensleeves
Royal Philharmonic Orchestra, Sir Adrian Boult
—
Two-Part Invention No. 8 in F Major BMV 772-786
Wanda Landowska
—
Air on a G String from Orchestral No. 3 in D major, BWV1068
Jaime Laredo, Vladimir Sokoloff
—
Interstellar Low Ways
Marshall Allen, Ronnie Boykins, William Cochran, Hobart Dotson, John Gilmore, Pat Patrick, James Spaulding, Sun Ra
—
Hallelujah Chorus from the Messiah HWV56
Royal Philharmonic Chorus, Monica Sinclair, Giorgio Tozzi, Jon Vickers, Jennifer Vyvyan, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Love Theme from "Spartacus"
Ernie Farrow, Barry Harris, Lex Humphries, Yusef Lateef
—
Yardbird Suite
Charlie Parker Septet
—
The Rite of Spring, Part I: Adoration of the Earth - Introduction
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - The Augurs of Spring
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Mock Abduction
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Spring Round Dances
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Games of the Rival Tribes
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Procession of the Wise Elder
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Adoration of the Earth
New York Philharmonic, Leonard Bernstein
—
The Rite of Spring, Part I: Adoration of the Earth - Dance of the Earth
New York Philharmonic, Leonard Bernstein
—
Additional database matches (35)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Brandenburg Concerto No. 2, BWV1047 - Allegro assai | Maurice André, Gérard Jarry, Pierre Pierlot, Jean-Pierre Rampal, Jean-François Paillard | — |
| Lute Suit No. 1 in E minor, BWV966: Bourrée | Julian Bream | — |
| Piano Sonata 14 in C sharp minor "Moonlight" Op. 27 No. 2: Adagio sostenuto | Claudio Arrau | — |
| Metastasis (excerpt) | Southwest German Radio Symphony Orchestra, Hans Rosbaud | — |
| Gesang der Jünglinge | [unknown] | — |
| Thema (Omaggio a Joyce) | Cathy Berberian | — |
| Williams Mix | Earle Brown, John Cage, David Tudor | — |
| The Murder from "Psycho" | Bernard Herrmann | — |
| King Lear (Act IV, Scene 6) lines 249-262 | John Bryning, Mark Dignam, Philip Guard | — |
| Symphony No. 7 in C major Op. 105 (excerpt): Vivace - Presto - Adagio | Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| Improvisation on the theme music from Pather Panchali | Kanai Dulla, Nodu C. Mullick, Bud Shank, Ravi Shankar | — |
| Daphnis & Chloe: Lever du jour - Scène | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | — |
| Prélude à l’après‐midi d’un faune | Orchestre de la Société des Concerts du Conservatoire, Constantin Silvestri | — |
| Estampes for Piano: no. 2, La soirée dans Grenade | Rudolf Firkusny | — |
| Neptune, the Mystic (Andante) from The Planets, Op. 32 | BBC Women's Chorus, BBC Symphony Orchestra, Sir Malcolm Sargent | — |
| Six Dukes Went a-Fishing | Peter Pears, Benjamin Britten | — |
| Symphony no. 2 in D major, op. 43: I. Allegretto | Royal Philharmonic Orchestra, Sir John Barbirolli | — |
| A Song of the High Hills: Tranquillo | Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| Ne me quitte pas | Jacques Brel | T-106.354.328-0 |
| Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — |
| Fantasia on a Theme of Thomas Tallis | Sinfonia of London, Sir John Barbirolli | — |
| Jeux d'eau | Vlado Perlemuter | — |
| Nuages from Nocturnes | Boston Symphony Orchestra, Charles Munch | — |
| Étude for Guitar No. 5 | Laurindo Almeida | — |
| Vocalise, op. 34 no. 14 | Nathan Milstein, Robert Irving | — |
| Prelude 4 in E minor Op. 28 | Sviatoslav Richter | — |
| Estrada do sol | Lúcio Alves, Chiquinho, Baden Powell | T0728598320 |
| Estate | Bruno Martino, Ib Glindemann | T-005.001.085-9 |
| Alma brasileira | Aníbal Augusto Sardinha | — |
| La Marseillaise | London Symphony Orchestra, Pierre Monteux | — |
| Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | T-000769449-6 |
| Yardbird Suite | Charlie Parker Septet | T3090176884 |
| Ne me quitte pas | Jacques Brel | T-106.354.328-0 |
| Ne me quitte pas | Jacques Brel | T-106.354.328-0 |
| Ne me quitte pas | Jacques Brel | T-106.354.328-0 |
Brandenburg Concerto No. 2, BWV1047 - Allegro assai
Maurice André, Gérard Jarry, Pierre Pierlot, Jean-Pierre Rampal, Jean-François Paillard
—
Lute Suit No. 1 in E minor, BWV966: Bourrée
Julian Bream
—
Piano Sonata 14 in C sharp minor "Moonlight" Op. 27 No. 2: Adagio sostenuto
Claudio Arrau
—
Metastasis (excerpt)
Southwest German Radio Symphony Orchestra, Hans Rosbaud
—
Gesang der Jünglinge
[unknown]
—
Thema (Omaggio a Joyce)
Cathy Berberian
—
Williams Mix
Earle Brown, John Cage, David Tudor
—
The Murder from "Psycho"
Bernard Herrmann
—
King Lear (Act IV, Scene 6) lines 249-262
John Bryning, Mark Dignam, Philip Guard
—
Symphony No. 7 in C major Op. 105 (excerpt): Vivace - Presto - Adagio
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Improvisation on the theme music from Pather Panchali
Kanai Dulla, Nodu C. Mullick, Bud Shank, Ravi Shankar
—
Daphnis & Chloe: Lever du jour - Scène
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
—
Prélude à l’après‐midi d’un faune
Orchestre de la Société des Concerts du Conservatoire, Constantin Silvestri
—
Estampes for Piano: no. 2, La soirée dans Grenade
Rudolf Firkusny
—
Neptune, the Mystic (Andante) from The Planets, Op. 32
BBC Women's Chorus, BBC Symphony Orchestra, Sir Malcolm Sargent
—
Six Dukes Went a-Fishing
Peter Pears, Benjamin Britten
—
Symphony no. 2 in D major, op. 43: I. Allegretto
Royal Philharmonic Orchestra, Sir John Barbirolli
—
A Song of the High Hills: Tranquillo
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Jacques Brel
Valse triste, op. 44 no. 1
Concertgebouw Orchestra of Amsterdam, Eduard van Beinum
—
Fantasia on a Theme of Thomas Tallis
Sinfonia of London, Sir John Barbirolli
—
Jeux d'eau
Vlado Perlemuter
—
Nuages from Nocturnes
Boston Symphony Orchestra, Charles Munch
—
Étude for Guitar No. 5
Laurindo Almeida
—
Vocalise, op. 34 no. 14
Nathan Milstein, Robert Irving
—
Prelude 4 in E minor Op. 28
Sviatoslav Richter
—
Lúcio Alves, Chiquinho, Baden Powell
Bruno Martino, Ib Glindemann
Alma brasileira
Aníbal Augusto Sardinha
—
La Marseillaise
London Symphony Orchestra, Pierre Monteux
—
Concertgebouw Orchestra of Amsterdam, Eduard van Beinum
Charlie Parker Septet
Jacques Brel
Jacques Brel
Jacques Brel
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000037341432000000005512986500000000551326500000000055135464000000005514199500000000551465690000000055151202000000005517309X00000000594238850000000063084943
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0000000063099483000000007357451600000000773055240000000078470687000000007988644900000000810627720000000081161455000000008130690900000000813862590000000081616683000000008163268300000000835991350000000083902683000000008393028900000000839810940000000107294812000000010831389400000001086344870000000108694252000000010901159900000001090620890000000109127479000000010924021X000000010936081X00000001094168010000000109953690000000011013657500000001102923240000000110386101000000011047542X000000011051648X0000000110592044000000011084650X0000000114681618000000011474373500000001148002930000000114934793000000011512077500000001157320850000000115756482
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What is UPC 5013929335103?
5013929335103 is a Universal Product Code (UPC) assigned to I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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