UPC · Release
Various Artists
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The UPC for “A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)” by Various Artists is 5013929335738. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Él. This release contains 74 tracks, each with its own ISRC. Tracks include USAT20102894, ITCC56000044, GBF076110191.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Circle With a Hole in the Middle | — | ||
| 2 | Music for Strings, Percussion and Celesta: No. III. Adagio | — | ||
| 3 | Sequenza 1 for Flute Solo | — | ||
| 4 | Gruppen for Three Orchestras | — | ||
| 5 | Aisha | John Coltrane | T-070.222.480-3 | |
| 6 | Raga bilaskhani todi | — | ||
| 7 | Glad to Be Unhappy | — | ||
| 8 | Nuages gris | — | ||
| 9 | King of Denmark’s Galliard | — | ||
| 2-1 | Notturno for Tape | — | ||
| 2-2 | Octandre, for Eight Instruments: Assez lent | — | ||
| 2-3 | Octandre, for Eight Instruments: Très vif et nerveux | — | ||
| 2-4 | Octandre, for Eight Instruments: Grave | — | ||
| 2-5 | Three Distinguished Waltzes of a Jaded Dandy: Sa taille | — | ||
| 2-6 | Three Distinguished Waltzes of a Jaded Dandy: Son binocle | — | ||
| 2-7 | Three Distinguished Waltzes of a Jaded Dandy: Ses jambes | — | ||
| 2-8 | The Tempest – Incidental Music op. 109b & c: Caliban’s Song | — | ||
| 2-9 | The Tempest – Incidental Music op. 109b & c: The Oak Tree | — | ||
| 2-10 | The Tempest – Incidental Music op. 109b & c: Humoresque | — | ||
| 2-11 | The Tempest – Incidental Music op. 109b & c: Canon | — | ||
| 2-12 | The Tempest – Incidental Music op. 109b & c: Scene | — | ||
| 2-13 | The Tempest – Incidental Music op. 109b & c: Berceuse | — | ||
| 2-14 | The Tempest – Incidental Music Op. 109b & c: Chorus of the Winds | — | ||
| 2-15 | The Tempest – Incidental Music op. 109b & c: Intermezzo | — | ||
| 2-16 | The Tempest – Incidental Music op. 109b & c: Dance of the Nymphs | — | ||
| 2-17 | The Tempest – Incidental Music op. 109b & c: Prospero | — | ||
| 2-18 | The Tempest – Incidental Music op. 109b & c: Second Song | — | ||
| 2-19 | The Tempest – Incidental Music op. 109b & c: Miranda | — | ||
| 2-20 | The Tempest – Incidental Music op. 109b & c: The Naiads | — | ||
| 2-21 | The Tempest – Incidental Music op. 109b & c: The Tempest | — | ||
| 2-22 | Four Sea Interludes (From Peter Grimes) op. 33a: On the Beach (Dawn) | — | ||
| 2-23 | Four Sea Interludes (From Peter Grimes) op. 33a: Sunday Morning by the Beach | — | ||
| 2-24 | Four Sea Interludes (From Peter Grimes) op. 33a: Moonlight (Evening) | — | ||
| 2-25 | Four Sea Interludes (From Peter Grimes) op. 33a: The Storm | — | ||
| 2-26 | Private Dreams and Public Nightmares | — | ||
| 2-27 | Mrs. White’s Nothinge | — | ||
| 3-1 | Menuet sur le nom de Haydn, M. 58 | Marcelle Meyer | — | |
| 3-2 | Le Tombeau de Couperin: Prélude | — | ||
| 3-3 | Le Tombeau de Couperin: Forlane | — | ||
| 3-4 | Le Tombeau de Couperin: Minuet | — | ||
| 3-5 | Le Tombeau de Couperin: Rigaudon | — | ||
| 3-6 | Sonata for Flute, Viola & Harp, L. 137: I. Pastorale | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-7 | Sonata for Flute, Viola & Harp, L. 137: II. Interlude | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-8 | Sonata for Flute, Viola & Harp, L. 137: III. Finale | Melos Ensemble, Osian Ellis | — | |
| 3-9 | Agon – Ballet for Twelve Dancers: Pas‐de‐quatre | — | ||
| 3-10 | Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre | — | ||
| 3-11 | Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre | — | ||
| 3-12 | Agon – Ballet for Twelve Dancers: Prélude | — | ||
| 3-13 | Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step | — | ||
| 3-14 | Agon – Ballet for Twelve Dancers: Gaillarde | — | ||
| 3-15 | Agon – Ballet for Twelve Dancers: Coda | — | ||
| 3-16 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-17 | Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois | — | ||
| 3-18 | Agon – Ballet for Twelve Dancers: Bransle Gay | — | ||
| 3-19 | Agon – Ballet for Twelve Dancers: Bransle Double | — | ||
| 3-20 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-21 | Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda | — | ||
| 3-22 | Agon – Ballet for Twelve Dancers: Four Duos | — | ||
| 3-23 | Agon – Ballet for Twelve Dancers: Four Trios – Coda | — | ||
| 3-24 | Three Piano Pieces op. 11. No. 1: Mässig | — | ||
| 3-25 | Two Movements From Symphony No. 1, op. 23: Quasi l’istesso | — | ||
| 3-26 | Two Movements From Symphony No. 1, op. 23: Allegro molto | — | ||
| 3-27 | Forlorn Hope Fancy | — | ||
| 4-1 | Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau | — | ||
| 4-2 | Symphony op. 21: Ruhig schreitend | — | ||
| 4-3 | Symphony op. 21: Variationen | — | ||
| 4-4 | Le Marteau sans maître (The Hammer Without a Master): No. 1: Avant l’artisanat furieux | — | ||
| 4-5 | Polifonica‐Monodia‐Ritmica for Ensemble | — | ||
| 4-6 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-7 | Amores for Prepared Piano and Percussion: Trio (Nine Tom‐Toms, Pod Rattle) | — | ||
| 4-8 | Amores for Prepared Piano and Percussion: Trio (Seven Wood Blocks, Not Chinese) | — | ||
| 4-9 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-11 | Le Banquet céleste | — | ||
| 4-12 | Re: Person I Knew | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5013929335738 is a Universal Product Code (UPC) assigned to A Revolution in Sound (Pop Culture and the Classical Avant‐Garde) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)” by Various Artists is 5013929335738. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Él. This release contains 74 tracks, each with its own ISRC. Tracks include USAT20102894, ITCC56000044, GBF076110191.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Circle With a Hole in the Middle | — | ||
| 2 | Music for Strings, Percussion and Celesta: No. III. Adagio | — | ||
| 3 | Sequenza 1 for Flute Solo | — | ||
| 4 | Gruppen for Three Orchestras | — | ||
| 5 | Aisha | John Coltrane | T-070.222.480-3 | |
| 6 | Raga bilaskhani todi | — | ||
| 7 | Glad to Be Unhappy | — | ||
| 8 | Nuages gris | — | ||
| 9 | King of Denmark’s Galliard | — | ||
| 2-1 | Notturno for Tape | — | ||
| 2-2 | Octandre, for Eight Instruments: Assez lent | — | ||
| 2-3 | Octandre, for Eight Instruments: Très vif et nerveux | — | ||
| 2-4 | Octandre, for Eight Instruments: Grave | — | ||
| 2-5 | Three Distinguished Waltzes of a Jaded Dandy: Sa taille | — | ||
| 2-6 | Three Distinguished Waltzes of a Jaded Dandy: Son binocle | — | ||
| 2-7 | Three Distinguished Waltzes of a Jaded Dandy: Ses jambes | — | ||
| 2-8 | The Tempest – Incidental Music op. 109b & c: Caliban’s Song | — | ||
| 2-9 | The Tempest – Incidental Music op. 109b & c: The Oak Tree | — | ||
| 2-10 | The Tempest – Incidental Music op. 109b & c: Humoresque | — | ||
| 2-11 | The Tempest – Incidental Music op. 109b & c: Canon | — | ||
| 2-12 | The Tempest – Incidental Music op. 109b & c: Scene | — | ||
| 2-13 | The Tempest – Incidental Music op. 109b & c: Berceuse | — | ||
| 2-14 | The Tempest – Incidental Music Op. 109b & c: Chorus of the Winds | — | ||
| 2-15 | The Tempest – Incidental Music op. 109b & c: Intermezzo | — | ||
| 2-16 | The Tempest – Incidental Music op. 109b & c: Dance of the Nymphs | — | ||
| 2-17 | The Tempest – Incidental Music op. 109b & c: Prospero | — | ||
| 2-18 | The Tempest – Incidental Music op. 109b & c: Second Song | — | ||
| 2-19 | The Tempest – Incidental Music op. 109b & c: Miranda | — | ||
| 2-20 | The Tempest – Incidental Music op. 109b & c: The Naiads | — | ||
| 2-21 | The Tempest – Incidental Music op. 109b & c: The Tempest | — | ||
| 2-22 | Four Sea Interludes (From Peter Grimes) op. 33a: On the Beach (Dawn) | — | ||
| 2-23 | Four Sea Interludes (From Peter Grimes) op. 33a: Sunday Morning by the Beach | — | ||
| 2-24 | Four Sea Interludes (From Peter Grimes) op. 33a: Moonlight (Evening) | — | ||
| 2-25 | Four Sea Interludes (From Peter Grimes) op. 33a: The Storm | — | ||
| 2-26 | Private Dreams and Public Nightmares | — | ||
| 2-27 | Mrs. White’s Nothinge | — | ||
| 3-1 | Menuet sur le nom de Haydn, M. 58 | Marcelle Meyer | — | |
| 3-2 | Le Tombeau de Couperin: Prélude | — | ||
| 3-3 | Le Tombeau de Couperin: Forlane | — | ||
| 3-4 | Le Tombeau de Couperin: Minuet | — | ||
| 3-5 | Le Tombeau de Couperin: Rigaudon | — | ||
| 3-6 | Sonata for Flute, Viola & Harp, L. 137: I. Pastorale | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-7 | Sonata for Flute, Viola & Harp, L. 137: II. Interlude | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-8 | Sonata for Flute, Viola & Harp, L. 137: III. Finale | Melos Ensemble, Osian Ellis | — | |
| 3-9 | Agon – Ballet for Twelve Dancers: Pas‐de‐quatre | — | ||
| 3-10 | Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre | — | ||
| 3-11 | Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre | — | ||
| 3-12 | Agon – Ballet for Twelve Dancers: Prélude | — | ||
| 3-13 | Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step | — | ||
| 3-14 | Agon – Ballet for Twelve Dancers: Gaillarde | — | ||
| 3-15 | Agon – Ballet for Twelve Dancers: Coda | — | ||
| 3-16 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-17 | Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois | — | ||
| 3-18 | Agon – Ballet for Twelve Dancers: Bransle Gay | — | ||
| 3-19 | Agon – Ballet for Twelve Dancers: Bransle Double | — | ||
| 3-20 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-21 | Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda | — | ||
| 3-22 | Agon – Ballet for Twelve Dancers: Four Duos | — | ||
| 3-23 | Agon – Ballet for Twelve Dancers: Four Trios – Coda | — | ||
| 3-24 | Three Piano Pieces op. 11. No. 1: Mässig | — | ||
| 3-25 | Two Movements From Symphony No. 1, op. 23: Quasi l’istesso | — | ||
| 3-26 | Two Movements From Symphony No. 1, op. 23: Allegro molto | — | ||
| 3-27 | Forlorn Hope Fancy | — | ||
| 4-1 | Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau | — | ||
| 4-2 | Symphony op. 21: Ruhig schreitend | — | ||
| 4-3 | Symphony op. 21: Variationen | — | ||
| 4-4 | Le Marteau sans maître (The Hammer Without a Master): No. 1: Avant l’artisanat furieux | — | ||
| 4-5 | Polifonica‐Monodia‐Ritmica for Ensemble | — | ||
| 4-6 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-7 | Amores for Prepared Piano and Percussion: Trio (Nine Tom‐Toms, Pod Rattle) | — | ||
| 4-8 | Amores for Prepared Piano and Percussion: Trio (Seven Wood Blocks, Not Chinese) | — | ||
| 4-9 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-11 | Le Banquet céleste | — | ||
| 4-12 | Re: Person I Knew | — |
