UPC · Release
A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)
Various Artists
5013929335738
74 tracksReleased 2021-01-01Él
Last verified:
5013929335738 is the Universal Product Code (UPC barcode) for the release “A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)” by Various Artists, released 2021-01-01 on Él. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include USAT20102894, ITCC56000044, GBF076110191.
Format
501GS1 prefix
3929Company prefix
33573Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCA Revolution in Sound (Pop Culture and the Classical Avant‐Garde)
ISRC5 recordings
ISWC4 works
IPI18 songwriters
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Circle With a Hole in the Middle | — | ||
| 2 | Music for Strings, Percussion and Celesta: No. III. Adagio | — | ||
| 3 | Sequenza 1 for Flute Solo | — | ||
| 4 | Gruppen for Three Orchestras | — | ||
| 5 | Aisha | John Coltrane | T-070.222.480-3 | |
| 6 | Raga bilaskhani todi | — | ||
| 7 | Glad to Be Unhappy | — | ||
| 8 | Nuages gris | — | ||
| 9 | King of Denmark’s Galliard | — | ||
| 2-1 | Notturno for Tape | — | ||
| 2-2 | Octandre, for Eight Instruments: Assez lent | — | ||
| 2-3 | Octandre, for Eight Instruments: Très vif et nerveux | — | ||
| 2-4 | Octandre, for Eight Instruments: Grave | — | ||
| 2-5 | Three Distinguished Waltzes of a Jaded Dandy: Sa taille | — | ||
| 2-6 | Three Distinguished Waltzes of a Jaded Dandy: Son binocle | — | ||
| 2-7 | Three Distinguished Waltzes of a Jaded Dandy: Ses jambes | — | ||
| 2-8 | The Tempest – Incidental Music op. 109b & c: Caliban’s Song | — | ||
| 2-9 | The Tempest – Incidental Music op. 109b & c: The Oak Tree | — | ||
| 2-10 | The Tempest – Incidental Music op. 109b & c: Humoresque | — | ||
| 2-11 | The Tempest – Incidental Music op. 109b & c: Canon | — | ||
| 2-12 | The Tempest – Incidental Music op. 109b & c: Scene | — | ||
| 2-13 | The Tempest – Incidental Music op. 109b & c: Berceuse | — | ||
| 2-14 | The Tempest – Incidental Music Op. 109b & c: Chorus of the Winds | — | ||
| 2-15 | The Tempest – Incidental Music op. 109b & c: Intermezzo | — | ||
| 2-16 | The Tempest – Incidental Music op. 109b & c: Dance of the Nymphs | — | ||
| 2-17 | The Tempest – Incidental Music op. 109b & c: Prospero | — | ||
| 2-18 | The Tempest – Incidental Music op. 109b & c: Second Song | — | ||
| 2-19 | The Tempest – Incidental Music op. 109b & c: Miranda | — | ||
| 2-20 | The Tempest – Incidental Music op. 109b & c: The Naiads | — | ||
| 2-21 | The Tempest – Incidental Music op. 109b & c: The Tempest | — | ||
| 2-22 | Four Sea Interludes (From Peter Grimes) op. 33a: On the Beach (Dawn) | — | ||
| 2-23 | Four Sea Interludes (From Peter Grimes) op. 33a: Sunday Morning by the Beach | — | ||
| 2-24 | Four Sea Interludes (From Peter Grimes) op. 33a: Moonlight (Evening) | — | ||
| 2-25 | Four Sea Interludes (From Peter Grimes) op. 33a: The Storm | — | ||
| 2-26 | Private Dreams and Public Nightmares | — | ||
| 2-27 | Mrs. White’s Nothinge | — | ||
| 3-1 | Menuet sur le nom de Haydn, M. 58 | Marcelle Meyer | — | |
| 3-2 | Le Tombeau de Couperin: Prélude | — | ||
| 3-3 | Le Tombeau de Couperin: Forlane | — | ||
| 3-4 | Le Tombeau de Couperin: Minuet | — | ||
| 3-5 | Le Tombeau de Couperin: Rigaudon | — | ||
| 3-6 | Sonata for Flute, Viola & Harp, L. 137: I. Pastorale | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-7 | Sonata for Flute, Viola & Harp, L. 137: II. Interlude | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 3-8 | Sonata for Flute, Viola & Harp, L. 137: III. Finale | Melos Ensemble, Osian Ellis | — | |
| 3-9 | Agon – Ballet for Twelve Dancers: Pas‐de‐quatre | — | ||
| 3-10 | Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre | — | ||
| 3-11 | Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre | — | ||
| 3-12 | Agon – Ballet for Twelve Dancers: Prélude | — | ||
| 3-13 | Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step | — | ||
| 3-14 | Agon – Ballet for Twelve Dancers: Gaillarde | — | ||
| 3-15 | Agon – Ballet for Twelve Dancers: Coda | — | ||
| 3-16 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-17 | Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois | — | ||
| 3-18 | Agon – Ballet for Twelve Dancers: Bransle Gay | — | ||
| 3-19 | Agon – Ballet for Twelve Dancers: Bransle Double | — | ||
| 3-20 | Agon – Ballet for Twelve Dancers: Interlude | — | ||
| 3-21 | Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda | — | ||
| 3-22 | Agon – Ballet for Twelve Dancers: Four Duos | — | ||
| 3-23 | Agon – Ballet for Twelve Dancers: Four Trios – Coda | — | ||
| 3-24 | Three Piano Pieces op. 11. No. 1: Mässig | — | ||
| 3-25 | Two Movements From Symphony No. 1, op. 23: Quasi l’istesso | — | ||
| 3-26 | Two Movements From Symphony No. 1, op. 23: Allegro molto | — | ||
| 3-27 | Forlorn Hope Fancy | — | ||
| 4-1 | Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau | — | ||
| 4-2 | Symphony op. 21: Ruhig schreitend | — | ||
| 4-3 | Symphony op. 21: Variationen | — | ||
| 4-4 | Le Marteau sans maître (The Hammer Without a Master): No. 1: Avant l’artisanat furieux | — | ||
| 4-5 | Polifonica‐Monodia‐Ritmica for Ensemble | — | ||
| 4-6 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-7 | Amores for Prepared Piano and Percussion: Trio (Nine Tom‐Toms, Pod Rattle) | — | ||
| 4-8 | Amores for Prepared Piano and Percussion: Trio (Seven Wood Blocks, Not Chinese) | — | ||
| 4-9 | Amores for Prepared Piano and Percussion: Solo for Prepared Piano | — | ||
| 4-11 | Le Banquet céleste | — | ||
| 4-12 | Re: Person I Knew | — |
The Circle With a Hole in the Middle
—
Music for Strings, Percussion and Celesta: No. III. Adagio
—
Sequenza 1 for Flute Solo
—
Gruppen for Three Orchestras
—
Raga bilaskhani todi
—
Glad to Be Unhappy
—
Nuages gris
—
King of Denmark’s Galliard
—
Notturno for Tape
—
Octandre, for Eight Instruments: Assez lent
—
Octandre, for Eight Instruments: Très vif et nerveux
—
Octandre, for Eight Instruments: Grave
—
Three Distinguished Waltzes of a Jaded Dandy: Sa taille
—
Three Distinguished Waltzes of a Jaded Dandy: Son binocle
—
Three Distinguished Waltzes of a Jaded Dandy: Ses jambes
—
The Tempest – Incidental Music op. 109b & c: Caliban’s Song
—
The Tempest – Incidental Music op. 109b & c: The Oak Tree
—
The Tempest – Incidental Music op. 109b & c: Humoresque
—
The Tempest – Incidental Music op. 109b & c: Canon
—
The Tempest – Incidental Music op. 109b & c: Scene
—
The Tempest – Incidental Music op. 109b & c: Berceuse
—
The Tempest – Incidental Music Op. 109b & c: Chorus of the Winds
—
The Tempest – Incidental Music op. 109b & c: Intermezzo
—
The Tempest – Incidental Music op. 109b & c: Dance of the Nymphs
—
The Tempest – Incidental Music op. 109b & c: Prospero
—
The Tempest – Incidental Music op. 109b & c: Second Song
—
The Tempest – Incidental Music op. 109b & c: Miranda
—
The Tempest – Incidental Music op. 109b & c: The Naiads
—
The Tempest – Incidental Music op. 109b & c: The Tempest
—
Four Sea Interludes (From Peter Grimes) op. 33a: On the Beach (Dawn)
—
Four Sea Interludes (From Peter Grimes) op. 33a: Sunday Morning by the Beach
—
Four Sea Interludes (From Peter Grimes) op. 33a: Moonlight (Evening)
—
Four Sea Interludes (From Peter Grimes) op. 33a: The Storm
—
Private Dreams and Public Nightmares
—
Mrs. White’s Nothinge
—
Menuet sur le nom de Haydn, M. 58
Marcelle Meyer
—
Le Tombeau de Couperin: Prélude
—
Le Tombeau de Couperin: Forlane
—
Le Tombeau de Couperin: Minuet
—
Le Tombeau de Couperin: Rigaudon
—
Sonata for Flute, Viola & Harp, L. 137: III. Finale
Melos Ensemble, Osian Ellis
—
Agon – Ballet for Twelve Dancers: Pas‐de‐quatre
—
Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre
—
Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre
—
Agon – Ballet for Twelve Dancers: Prélude
—
Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step
—
Agon – Ballet for Twelve Dancers: Gaillarde
—
Agon – Ballet for Twelve Dancers: Coda
—
Agon – Ballet for Twelve Dancers: Interlude
—
Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois
—
Agon – Ballet for Twelve Dancers: Bransle Gay
—
Agon – Ballet for Twelve Dancers: Bransle Double
—
Agon – Ballet for Twelve Dancers: Interlude
—
Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda
—
Agon – Ballet for Twelve Dancers: Four Duos
—
Agon – Ballet for Twelve Dancers: Four Trios – Coda
—
Three Piano Pieces op. 11. No. 1: Mässig
—
Two Movements From Symphony No. 1, op. 23: Quasi l’istesso
—
Two Movements From Symphony No. 1, op. 23: Allegro molto
—
Forlorn Hope Fancy
—
Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau
—
Symphony op. 21: Ruhig schreitend
—
Symphony op. 21: Variationen
—
Le Marteau sans maître (The Hammer Without a Master): No. 1: Avant l’artisanat furieux
—
Polifonica‐Monodia‐Ritmica for Ensemble
—
Amores for Prepared Piano and Percussion: Solo for Prepared Piano
—
Amores for Prepared Piano and Percussion: Trio (Nine Tom‐Toms, Pod Rattle)
—
Amores for Prepared Piano and Percussion: Trio (Seven Wood Blocks, Not Chinese)
—
Amores for Prepared Piano and Percussion: Solo for Prepared Piano
—
Le Banquet céleste
—
Re: Person I Knew
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059607617000000006302165100000000705356690000000081062772000000008146531X00000000818975690000000108716781000000010939870300000001103176750000000110934796
+27 more
000000011450792700000001177196850000000117783476000000011880185900000001195505530000000120191498000000012095618X0000000121022741000000012114424700000001211810990000000121217610000000012122429800000001212390510000000121291220000000012135134200000001214189490000000121425807000000012142884800000001214624210000000121468794000000012156871X000000012280792X000000012280979X00000001228409650000000122841423000000035408605X0000000368618774
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What is UPC 5013929335738?
5013929335738 is a Universal Product Code (UPC) assigned to A Revolution in Sound (Pop Culture and the Classical Avant‐Garde) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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