UPC · Release
Various Artists
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5013929335936 is the Universal Product Code (UPC barcode) for the release “I’d Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture, Volume Two” by Various Artists, released 2021-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include GBBLY2106859, GBBLY2106860, GBBLY1803155.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Planets, Op. 32: Mars, the Bringer of War (Allegro) | BBC Symphony Orchestra, Malcolm Sargent | — | |
| 2 | To Begin at the Beginning, from Under Milk Wood - A Play for Voices | Richard Burton | — | |
| 3 | Greensleeves | John Coltrane | T-700.018.610-9 | |
| 4 | Time on Our Hands (Titles and City Music) | Delia Derbyshire | — | |
| 5 | Spirits | Albert Ayler Quartet | — | |
| 6 | The Picture of Dorian Gray - Scene One | Hurd Hatfield | — | |
| 7 | Aria with Fontana Mix | Cathy Berberian | — | |
| 8 | Excerpts from Free Jazz: A Collective Improvisation: Ensemble Introduction to Charlie Haden | Ornette Coleman Double Quartet | — | |
| 9 | Excerpts from Free Jazz: A Collective Improvisation: Ensemble Introduction to Scott LaFaro | Ornette Coleman Double Quartet | — | |
| 10 | Advice to Medics | Sun Ra | — | |
| 11 | The Raven | Basil Rathbone | — | |
| 12 | Objets étendus from Étude aux Objets | Pierre Schaeffer | — | |
| 13 | Alice Through the Looking Glass: Tweedledum and Tweedledee, including The Walrus and the Carpenter | Jane Asher, Deryck Guyler, Carleton Hobbs, Margaretta Scott | — | |
| 14 | Variations sur une Flûte Mexicaine (excerpt) | Pierre Schaeffer | — | |
| 15 | I’m Walking Backwards for Christmas | The Goons | — | |
| 2-1 | Malaguena | Carlos Montoya | — | |
| 2-2 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 2-3 | Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — | |
| 2-4 | Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-5 | Vier letzte Lieder: September: Der Garten trauert | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-6 | Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-7 | Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-8 | Selections from the Nursery Suite: Aubade | London Philharmonic Orchestra, Adrian Boult | T-010.475.197-4 | |
| 2-9 | Selections from the Nursery Suite: The Wagon Passes | Edward Elgar | — | |
| 2-10 | The Gordian Knot Untied, Z. 597: Overture | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-11 | The Gordian Knot Untied, Z. 597: Air (Moderato) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-12 | The Gordian Knot Untied, Z. 597: Rondeau Minuet | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-13 | The Gordian Knot Untied, Z. 597: Air (Allegro) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-14 | The Gordian Knot Untied, Z. 597: Jig | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-15 | The Gordian Knot Untied, Z. 597: Chaconne | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-16 | The Gordian Knot Untied, Z. 597: Air (Allegro) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-17 | The Gordian Knot Untied, Z. 597: Minuet | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-18 | Preludes, Book I, L. 117: La cathédrale engloutie (Profondément calme) | Walter Gieseking | — | |
| 2-19 | My Robin is to the Greenwood Gone | Eastman-Rochester "Pops" Orchestra, Frederick Fennell | — | |
| 2-20 | Vetcheryai Rado | Ensemble of the Bulgarian Republic | — | |
| 2-21 | Polegnale e Todora | Ensemble of the Bulgarian Republic | — | |
| 2-22 | Fantasia on a Theme of Thomas Tallis | Peter Beaven, Max Gilbert, David Martin, Louis Willoughby, The Boyd Neel String Orchestra, Boyd Neel | — | |
| 3-1 | L’Histoire du Soldat - Suite de Concert: Marche du soldat - Airs de marche | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-2 | L’Histoire du Soldat - Suite de Concert: Premier tableau: Airs by a Stream | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-3 | L’Histoire du Soldat - Suite de Concert: Deuxième tableau: Pastorale | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-4 | L’Histoire du Soldat - Suite de Concert: Marche Royale | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-5 | L’Histoire du Soldat - Suite de Concert: Petit concert | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-6 | L’Histoire du Soldat - Suite de Concert: Trois danses: Tango, valse, ragtime | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-7 | L’Histoire du Soldat - Suite de Concert: Danse du Diable | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-8 | L’Histoire du Soldat - Suite de Concert: Grand choral | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-9 | L’Histoire du Soldat - Suite de Concert: Marche triomphale du Diable | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-10 | Five Pieces for Orchestra, Op. 16: Vorgefühle | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-11 | Five Pieces for Orchestra, Op. 16: Vergangenes | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-12 | Five Pieces for Orchestra, Op. 16: Sommermorgen an einem See | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-13 | Five Pieces for Orchestra, Op. 16: Peripetie | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-14 | Five Pieces for Orchestra, Op. 16: Das obligate Rezitativ | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-15 | Turkey: Automobile on mountain road - Central Anatolian Dance | Deben Bhattacharya | — | |
| 3-16 | Iran: Rhythm of a Train | Deben Bhattacharya | — | |
| 3-17 | Inda: Raga Zila from Varanasi | Deben Bhattacharya | — | |
| 3-18 | India: Temple Bells and Drums of a Bengali Kali Temple | Deben Bhattacharya | — | |
| 3-19 | String Quartet no. 4, Sz. 91: Allegretto pizzicato | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zöldy | — | |
| 3-20 | San Francisco Scene (The Beat Generation) | Jack Kerouac | — | |
| 3-21 | Bronce Gitano (Soleares) | Sabicas | — | |
| 3-22 | Bolero | Royal Concertgebouw Orchestra, Eduard van Beinum | — | |
| 4-1 | Mass in B minor BWV 232: Osanna in excelsis from the Sanctus | Münchener-Bach Choir, Münchener-Bach Orchestra, Karl Richter | — | |
| 4-2 | Symphony no. 5 in E flat major Op. 82: First Movement: Tempo molto moderato - Largamente - Allegro moderato - Presto | The Philharmonia Orchestra, Herbert von Karajan | — | |
| 4-3 | Introduction by Yehudi Menuhin | Ali Akbar Khan | — | |
| 4-4 | Raga Sindhi Bhairavi | Ali Akbar Khan | — | |
| 4-5 | Matilda, from Cautionary Tales for Children | Hilaire Belloc | — | |
| 4-6 | Jet Song from "West Side Story" | Oscar Peterson Trio | T-070.088.385-7 | |
| 4-7 | Symphony no. 9 in D major: First Movement: Andante comodo | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-8 | You're the Top | Cole Porter | T-070.211.419-9 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I’m Walking Backwards for Christmas | The Goons | — |
| Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: September: Der Garten trauert | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| I’m Walking Backwards for Christmas | The Goons | — |
| Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5013929335936 is a Universal Product Code (UPC) assigned to I’d Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture, Volume Two by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5013929335936 is the Universal Product Code (UPC barcode) for the release “I’d Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture, Volume Two” by Various Artists, released 2021-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include GBBLY2106859, GBBLY2106860, GBBLY1803155.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Planets, Op. 32: Mars, the Bringer of War (Allegro) | BBC Symphony Orchestra, Malcolm Sargent | — | |
| 2 | To Begin at the Beginning, from Under Milk Wood - A Play for Voices | Richard Burton | — | |
| 3 | Greensleeves | John Coltrane | T-700.018.610-9 | |
| 4 | Time on Our Hands (Titles and City Music) | Delia Derbyshire | — | |
| 5 | Spirits | Albert Ayler Quartet | — | |
| 6 | The Picture of Dorian Gray - Scene One | Hurd Hatfield | — | |
| 7 | Aria with Fontana Mix | Cathy Berberian | — | |
| 8 | Excerpts from Free Jazz: A Collective Improvisation: Ensemble Introduction to Charlie Haden | Ornette Coleman Double Quartet | — | |
| 9 | Excerpts from Free Jazz: A Collective Improvisation: Ensemble Introduction to Scott LaFaro | Ornette Coleman Double Quartet | — | |
| 10 | Advice to Medics | Sun Ra | — | |
| 11 | The Raven | Basil Rathbone | — | |
| 12 | Objets étendus from Étude aux Objets | Pierre Schaeffer | — | |
| 13 | Alice Through the Looking Glass: Tweedledum and Tweedledee, including The Walrus and the Carpenter | Jane Asher, Deryck Guyler, Carleton Hobbs, Margaretta Scott | — | |
| 14 | Variations sur une Flûte Mexicaine (excerpt) | Pierre Schaeffer | — | |
| 15 | I’m Walking Backwards for Christmas | The Goons | — | |
| 2-1 | Malaguena | Carlos Montoya | — | |
| 2-2 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 2-3 | Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — | |
| 2-4 | Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-5 | Vier letzte Lieder: September: Der Garten trauert | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-6 | Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-7 | Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — | |
| 2-8 | Selections from the Nursery Suite: Aubade | London Philharmonic Orchestra, Adrian Boult | T-010.475.197-4 | |
| 2-9 | Selections from the Nursery Suite: The Wagon Passes | Edward Elgar | — | |
| 2-10 | The Gordian Knot Untied, Z. 597: Overture | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-11 | The Gordian Knot Untied, Z. 597: Air (Moderato) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-12 | The Gordian Knot Untied, Z. 597: Rondeau Minuet | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-13 | The Gordian Knot Untied, Z. 597: Air (Allegro) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-14 | The Gordian Knot Untied, Z. 597: Jig | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-15 | The Gordian Knot Untied, Z. 597: Chaconne | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-16 | The Gordian Knot Untied, Z. 597: Air (Allegro) | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-17 | The Gordian Knot Untied, Z. 597: Minuet | Chamber Orchestra of the Hartford Symphony, Fritz Mahler | — | |
| 2-18 | Preludes, Book I, L. 117: La cathédrale engloutie (Profondément calme) | Walter Gieseking | — | |
| 2-19 | My Robin is to the Greenwood Gone | Eastman-Rochester "Pops" Orchestra, Frederick Fennell | — | |
| 2-20 | Vetcheryai Rado | Ensemble of the Bulgarian Republic | — | |
| 2-21 | Polegnale e Todora | Ensemble of the Bulgarian Republic | — | |
| 2-22 | Fantasia on a Theme of Thomas Tallis | Peter Beaven, Max Gilbert, David Martin, Louis Willoughby, The Boyd Neel String Orchestra, Boyd Neel | — | |
| 3-1 | L’Histoire du Soldat - Suite de Concert: Marche du soldat - Airs de marche | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-2 | L’Histoire du Soldat - Suite de Concert: Premier tableau: Airs by a Stream | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-3 | L’Histoire du Soldat - Suite de Concert: Deuxième tableau: Pastorale | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-4 | L’Histoire du Soldat - Suite de Concert: Marche Royale | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-5 | L’Histoire du Soldat - Suite de Concert: Petit concert | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-6 | L’Histoire du Soldat - Suite de Concert: Trois danses: Tango, valse, ragtime | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-7 | L’Histoire du Soldat - Suite de Concert: Danse du Diable | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-8 | L’Histoire du Soldat - Suite de Concert: Grand choral | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-9 | L’Histoire du Soldat - Suite de Concert: Marche triomphale du Diable | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-10 | Five Pieces for Orchestra, Op. 16: Vorgefühle | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-11 | Five Pieces for Orchestra, Op. 16: Vergangenes | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-12 | Five Pieces for Orchestra, Op. 16: Sommermorgen an einem See | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-13 | Five Pieces for Orchestra, Op. 16: Peripetie | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-14 | Five Pieces for Orchestra, Op. 16: Das obligate Rezitativ | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 3-15 | Turkey: Automobile on mountain road - Central Anatolian Dance | Deben Bhattacharya | — | |
| 3-16 | Iran: Rhythm of a Train | Deben Bhattacharya | — | |
| 3-17 | Inda: Raga Zila from Varanasi | Deben Bhattacharya | — | |
| 3-18 | India: Temple Bells and Drums of a Bengali Kali Temple | Deben Bhattacharya | — | |
| 3-19 | String Quartet no. 4, Sz. 91: Allegretto pizzicato | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zöldy | — | |
| 3-20 | San Francisco Scene (The Beat Generation) | Jack Kerouac | — | |
| 3-21 | Bronce Gitano (Soleares) | Sabicas | — | |
| 3-22 | Bolero | Royal Concertgebouw Orchestra, Eduard van Beinum | — | |
| 4-1 | Mass in B minor BWV 232: Osanna in excelsis from the Sanctus | Münchener-Bach Choir, Münchener-Bach Orchestra, Karl Richter | — | |
| 4-2 | Symphony no. 5 in E flat major Op. 82: First Movement: Tempo molto moderato - Largamente - Allegro moderato - Presto | The Philharmonia Orchestra, Herbert von Karajan | — | |
| 4-3 | Introduction by Yehudi Menuhin | Ali Akbar Khan | — | |
| 4-4 | Raga Sindhi Bhairavi | Ali Akbar Khan | — | |
| 4-5 | Matilda, from Cautionary Tales for Children | Hilaire Belloc | — | |
| 4-6 | Jet Song from "West Side Story" | Oscar Peterson Trio | T-070.088.385-7 | |
| 4-7 | Symphony no. 9 in D major: First Movement: Andante comodo | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-8 | You're the Top | Cole Porter | T-070.211.419-9 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I’m Walking Backwards for Christmas | The Goons | — |
| Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: September: Der Garten trauert | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | — |
| I’m Walking Backwards for Christmas | The Goons | — |
| Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — |
