UPC · Release
Gotta Get a Good Thing Goin’: Black Music in Britain in the Sixties
Various Artists
Last verified:
5013929430938 is the Universal Product Code (UPC barcode) for the release “Gotta Get a Good Thing Goin’: Black Music in Britain in the Sixties” by Various Artists, released 2022-01-01 on Strawberry (26). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 115 tracks, each with its own ISRC. Tracks include GBBLY2203959, GBF076824780, GBAYE6800325.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (115)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gotta Get a Good Thing Goin’ | Soul Brothers | — | |
| 2 | Nothing but a Heartache | The Flirtations | T-010.319.668-4 | |
| 3 | Serving a Sentence of Life | Carl Douglas | T-010.474.829-9 | |
| 4 | Springtime | Jimmy Thomas | — | |
| 5 | This Heart of Mine | Jimmy James & the Vagabonds | T-700.071.972-4 | |
| 6 | Come on Home | Jackie Edwards | T-010.861.772-6 | |
| 7 | One Way Ticket | Chris Rayburn | T-070.918.097-1 | |
| 8 | Coming Home to You | Herbie Goins, The Night-Timers | T-070.026.828-5 | |
| 9 | Waterfall | Jimmy Cliff | T-070.207.293-2 | |
| 10 | I Can’t Break the Habit | The Ferris Wheel | — | |
| 11 | Michael | Geno Washington & The Ram Jam Band | — | |
| 12 | Don’t You Pass Me By | Cleo Laine | — | |
| 13 | Whose Little Girl Are You | Danny Williams | — | |
| 14 | Picture Me Gone | Madeline Bell | — | |
| 15 | Some Lovin’ | Watson T. Browne, The Explosive | — | |
| 16 | If You Knew | Ebony Keyes | — | |
| 17 | Take It Easy | Sugar Simone | — | |
| 18 | The Real Thing | Kim D | — | |
| 19 | Looky, Looky | The Brothers Grimm | — | |
| 20 | Ain’t Love Good, Ain’t Love Proud | Lucas & The Mike Cotton Sound | T-070.222.270-5 | |
| 21 | Ask the Lonely | The Fantastics | T-070.880.688-5 | |
| 22 | Drowning in My Own Despair | Oliver Norman | — | |
| 23 | Gonna Work out Fine | Owen Gray | — | |
| 24 | Lookin’ for Love | John L. Watson & The Hummelflugs | T-070.241.842-5 | |
| 25 | Movin’ Away | Kenny Lynch | T-909.610.197-2 | |
| 26 | Let’s Go Somewhere | Root, Jenny Jackson | — | |
| 27 | What Love Brings | Kenny Bernard | — | |
| 28 | Yes I Do | Ram John Holder | T-909.838.726-9 | |
| 29 | Turn Me On | Hoagy Benson | T-910.978.718-0 | |
| 2-1 | A Man Without a Face | The Chants | T-070.051.322-9 | |
| 2-2 | Walk on Gilded Splinters | Marsha Hunt | — | |
| 2-3 | New Direction | The Foundations | — | |
| 2-4 | Baby Your Phrasing Is Bad | Caleb | — | |
| 2-5 | Stoned out of It | John Fitch and Associates | — | |
| 2-6 | Bring Back Your Love (to Me) | Simon K & The Meantimers | — | |
| 2-7 | Can’t We Be Friends | The Sugarlumps | — | |
| 2-8 | Move Me | Flamma Sherman | — | |
| 2-9 | What Greater Love | Jack Hammer | — | |
| 2-10 | There Is | The Shadrocks, Little John | T-070.247.218-1 | |
| 2-11 | Only a Fool | Clyde McPhatter | — | |
| 2-12 | I’m So Clean | Ronnie Jones | T-316.842.908-7 | |
| 2-13 | Get Down With It / I Can’t Get No Satisfaction | This 'n' That | T-010.072.181-0 | |
| 2-14 | But It’s Alright | J.J. Jackson | T-070.013.871-1 | |
| 2-15 | Swing a Ling Pt. 1 | Ernest Ranglin, The G.B.S | — | |
| 2-16 | Hurt | Norma Lee | T-070.077.189-6 | |
| 2-17 | Too Much of a Woman | The Corduroys | — | |
| 2-18 | I Don’t Want | Errol Dixon | — | |
| 2-19 | Giving Up on Love | Sonny Childe | — | |
| 2-20 | Have You Ever Had the Blues (alternate take) | Ray Gates | T-700.020.083-1 | |
| 2-21 | I Know Some Day | Paula and The Jetliners | — | |
| 2-22 | Motown Feeling | Maynell Wilson | — | |
| 2-23 | Kiss Me, Kiss Me | B.B. James & Derv | — | |
| 2-24 | Take It or Leave It | Blue Rivers and His Maroons | — | |
| 2-25 | I’m Living Good | McFarthing Kissoon | — | |
| 2-26 | Confusion | Laris McLennon | T-914.877.590-0 | |
| 2-27 | Sock It to ’em, J.B. | Freddy Mack | — | |
| 2-28 | That Man | The Reaction | — | |
| 3-1 | African Velvet | Black Velvet | — | |
| 3-2 | London Here I Come | Rico’s Combo | — | |
| 3-3 | My Love and I | Millie | T-011.318.523-1 | |
| 3-4 | Bar Tender | Laurel Aitken, The Blue Beats | T-073.151.505-1 | |
| 3-5 | Work It Up | Winston Groovy | — | |
| 3-6 | Jezebel | Pat Rhoden | — | |
| 3-7 | Cutting Blade | King Horror | — | |
| 3-8 | You Better Be Gone | Beresford Ricketts, The Blue Beats | — | |
| 3-9 | Worried Over Me | The Classics | — | |
| 3-10 | That Girl She Done Me Wrong | Sonny and the Daffodils | — | |
| 3-11 | Children Get Ready | The Brixton Market | T-011.700.250-2 | |
| 3-12 | Show Me How (to Milk a Cow) | Tony Washington & the D.C's | — | |
| 3-13 | Musical Feet | Joe's All Stars | — | |
| 3-14 | One More Try | The Fabulous Blue Beats | — | |
| 3-15 | Boss Sound | The Rudies | — | |
| 3-16 | Another Man | Bobby Johnson and The Atoms | — | |
| 3-17 | Scandal in Brixton Market | Laurel & Girlie | — | |
| 3-18 | Hey Jude | Ambrose Campbell | T-010.433.495-3 | |
| 3-19 | Girl Come See | Sugar 'N' Dandy | — | |
| 3-20 | Kent People | Gruvy Beats | — | |
| 3-21 | There I Go | The Bluebeaters | — | |
| 3-22 | Pony Ride | Winston, Pat, The Brother Dan All Stars | T-904.770.283-0 | |
| 3-23 | Coronation Street | Top Grant | — | |
| 3-24 | Call Collect | Seven Letters | T-903.895.247-5 | |
| 3-25 | Fleet Street | Dimples and Eddie, Rico’s Combo | — | |
| 3-26 | Everything Is Go | Cab Kaye | — | |
| 3-27 | King Cricket | Cy Grant | — | |
| 3-28 | Run Thru the Park | The Barnaby Rudge Hip Band | — | |
| 3-29 | Please Think of Me | Rupert & The Red Devils | T-010.008.981-3 | |
| 4-1 | Sunshine | Shirley Bassey | T-010.770.407-3 | |
| 4-2 | Spinning Wheel | Maxine Nightingale | T-071.017.319-5 | |
| 4-3 | Breakfast in Bed | Peter Straker | T-070.233.137-0 | |
| 4-4 | I’m Waiting for the Day | Peanut | T-307.336.872-2 | |
| 4-5 | They Killed the King | Mel Turner | T-072.605.379-7 | |
| 4-6 | Heartache Hurry on by | Joy Marshall | — | |
| 4-7 | You’re My Girl | Eldridge Devlin | — | |
| 4-8 | To Know Him Is to Love Him | Cleo | T-070.247.382-2 | |
| 4-9 | You | Lorraine Child | — | |
| 4-10 | Watch the Stars | Dorris Henderson, John Renbourn | — | |
| 4-11 | Rock Me Daddy | Mable Hillery | — | |
| 4-12 | Get Your Head Happy | Champion Jack Dupree, T.S. McPhee | — | |
| 4-13 | Keep Your Hand out of My Pocket | Otis Spann | — | |
| 4-14 | All Night | Screamin’ Jay Hawkins | — | |
| 4-15 | Liggin’ | Joe Harriott Quintet | — | |
| 4-16 | Rora Rora Majo Omo Pupa | Flash Domincii, The Supersonics | — | |
| 4-17 | Green Onions | Shake Keane | T-070.234.358-5 | |
| 4-18 | Enjoy Yourself | The New Orleans Knights | T-070.049.469-4 | |
| 4-19 | Problem Girl | The Chariots | — | |
| 4-20 | Imitation of Love | The Southlanders | — | |
| 4-21 | Bossa Nova Boogie | Winifred Atwell | — | |
| 4-22 | Hold Me, Thrill Me, Kiss Me | Emile Ford & The Big Six | T-071.062.774-9 | |
| 4-23 | I Ain’t Mad at You | Howie Casey & the Seniors | — | |
| 4-24 | Chicka’roo | Ricky Wayne, The Fabulous Flee-Rekkers | — | |
| 4-25 | The Rhythm of the World | Ray Ellington | T-070.243.162-6 | |
| 4-26 | Soon You’ll Be Gone | The Ray King Soul Band | — | |
| 4-27 | Lucilla | Fitzroy Coleman and His Guitars | — | |
| 4-28 | Love Bug | Davy Jones | — | |
| 4-29 | Coronation Street | Geoff Love and His Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+48 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+27 more
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People also ask
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What is UPC 5013929430938?
5013929430938 is a Universal Product Code (UPC) assigned to Gotta Get a Good Thing Goin’: Black Music in Britain in the Sixties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 115 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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