UPC · Release
Strange Worlds: Collection 1980–2010
Stuart “Woolly” Wolstenholme
Last verified:
5013929473607 is the Universal Product Code (UPC barcode) for the release “Strange Worlds: Collection 1980–2010” by Stuart “Woolly” Wolstenholme, released 2018-01-01 on Esoteric Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sail Away | — | ||
| 2 | Quiet Islands | — | ||
| 3 | A Prospect of Whitby | — | ||
| 4 | Lives on the Line | — | ||
| 5 | Patriots | — | ||
| 6 | Gates of Heaven (14/18) | — | ||
| 7 | American Excess | — | ||
| 8 | Maestoso – A Hymn in the Roof of the World | — | ||
| 9 | Waveform | — | ||
| 10 | Even the Night (live in Vienna 1982) | — | ||
| 11 | Has to Be a Reason (live in Vienna 1982) | — | ||
| 2-1 | Deceivers All | — | ||
| 2-2 | Has to Be a Reason | — | ||
| 2-3 | Down the Line | — | ||
| 2-4 | All Get Burned | — | ||
| 2-5 | Too Much, Too Loud, Too Late | — | ||
| 2-6 | Even the Night | — | ||
| 2-7 | The Will to Fly | — | ||
| 2-8 | The Sunday Bells | — | ||
| 2-9 | Open | — | ||
| 2-10 | Why Remain | — | ||
| 2-11 | Sail Away (demo) | — | ||
| 2-12 | A Prospect of Whitby (demo) | — | ||
| 2-13 | Patriots (demo) | — | ||
| 2-14 | Quiet Islands (demo) | — | ||
| 2-15 | American Excess (live in Vienna) | — | ||
| 2-16 | Lives on the Line (live in Vienna) | — | ||
| 2-17 | Deceivers All (demo) | — | ||
| 2-18 | Bootham Park Elegy | — | ||
| 3-1 | The Bells, the Bells! | — | ||
| 3-2 | Blood & Bones | — | ||
| 3-3 | A Waiting Game | — | ||
| 3-4 | It’s You (sixties mix) | — | ||
| 3-5 | Souk | — | ||
| 3-6 | One Drop in a Dry World | — | ||
| 3-7 | ANSS | — | ||
| 3-8 | The End of the Road | — | ||
| 3-9 | Explorers | — | ||
| 3-10 | 2 am | — | ||
| 3-11 | The Starving People of the World All Thank You for Your Time | — | ||
| 3-12 | Carpet | — | ||
| 4-1 | Abendrot | — | ||
| 4-2 | The Bells, the Bells! | — | ||
| 4-3 | Deceivers All | — | ||
| 4-4 | Has to Be a Reason | — | ||
| 4-5 | In Search of England | — | ||
| 4-6 | The Iron Maiden | — | ||
| 4-7 | Sunday Bells | — | ||
| 4-8 | Poor Wages | — | ||
| 4-9 | The Poet / After the Day | — | ||
| 4-10 | The Will to Fly | — | ||
| 4-11 | A Prospect of Whitby | — | ||
| 4-12 | Harbour | — | ||
| 4-13 | Early Morning | — | ||
| 4-14 | Big Organ End | — | ||
| 5-1 | Coming Soon to a Cinema Near You | — | ||
| 5-2 | Through a Storm | — | ||
| 5-3 | Love Is… | — | ||
| 5-4 | A Lark | — | ||
| 5-5 | That’s the Price You Pay | — | ||
| 5-6 | The Iceman Cometh | — | ||
| 5-7 | Hebden Bridge | — | ||
| 5-8 | Loot | — | ||
| 5-9 | Harp and Carp | — | ||
| 5-10 | Birds | — | ||
| 5-11 | Location, Location, Location | — | ||
| 5-12 | Abendrot | — | ||
| 5-13 | Marsch Burleske | — | ||
| 5-14 | Pas de deux | — | ||
| 5-15 | A Scene From a London Flat | — | ||
| 6-1 | Caterwauling | — | ||
| 6-2 | Soldier of Fortune | — | ||
| 6-3 | The Road to Nowhere | — | ||
| 6-4 | Matilda Yarrow | — | ||
| 6-5 | The Collector | — | ||
| 6-6 | Closure | — | ||
| 6-7 | Always | — | ||
| 6-8 | I Don’t Like You | — | ||
| 6-9 | Tonight Could Be the Night | — | ||
| 6-10 | Shoes | — | ||
| 6-11 | Strange Worlds | — | ||
| 6-12 | Quicksand | — | ||
| 6-13 | Blossom Hill | — | ||
| 6-14 | Pills | — | ||
| 7-1 | Your Starter for Ten | — | ||
| 7-2 | The Streets of This Town | — | ||
| 7-3 | Brian Maclean | — | ||
| 7-4 | The Angelus | — | ||
| 7-5 | Faith, Hope & Charity | — | ||
| 7-6 | Hiraeth | — | ||
| 7-7 | The Light at the End of the World | — | ||
| 7-8 | Wagon | — | ||
| 7-9 | Madrigal | — | ||
| 7-10 | A Stolen Life | — | ||
| 7-11 | Alone | — | ||
| 7-12 | Bill Song | — | ||
| 7-13 | A Funny Kind of Blue | — | ||
| 7-14 | Day Song | — | ||
| 7-15 | Sleeping | — | ||
| 7-16 | Romanze | — | ||
| 7-17 | It’s a Dream (Robbie’s Song) | — | ||
| 7-18 | Winter World (For Chloe) | — | ||
| 7-19 | Bethlehem | — | ||
| 7-20 | Death in Oldham | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5013929473607?
5013929473607 is a Universal Product Code (UPC) assigned to Strange Worlds: Collection 1980–2010 by Stuart “Woolly” Wolstenholme. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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