UPC · Album
Ammonia Avenue
The Alan Parsons Project
Last verified:
5013929480506 is the Universal Product Code (UPC barcode) for the release “Ammonia Avenue” by The Alan Parsons Project, released 2020-03-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include USAR10800191, USAR10800192, USAR10800193.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Don’t Answer Me (early rough mix) | The Alan Parsons Project | USAR10800191 |
| You Don’t Believe (demo) | The Alan Parsons Project | USAR10800192 |
| Since the Last Goodbye (Chris Rainbow vocal overdubs) | The Alan Parsons Project | USAR10800193 |
| Since the Last Goodbye (Eric guide vocal / rough mix) | The Alan Parsons Project | USAR10800194 |
| You Don’t Believe (instrumental tribute to The Shadows) | The Alan Parsons Project | USAR10800195 |
| Dancing on a Highwire / Spotlight (work in progress) | The Alan Parsons Project | USAR10800196 |
| Ammonia Avenue, Part 1 (Eric demo vocal / rough mix) | The Alan Parsons Project | USAR10800197 |
| Ammonia Avenue (orchestral overdub) | The Alan Parsons Project | USAR10800198 |
| Prime Time (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400453 |
| One Good Reason (Eric’s songwriting diary 1) | The Alan Parsons Project | USAR12400454 |
| One Good Reason (Eric’s songwriting diary 2) | The Alan Parsons Project | USAR12400455 |
| One Good Reason (Eric’s songwriting diary 3) | The Alan Parsons Project | USAR12400456 |
| One Good Reason (Eric’s songwriting diary 4) | The Alan Parsons Project | USAR12400457 |
| Since the Last Goodbye (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400458 |
| Don’t Answer Me (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400459 |
| Dancing on a Highwire (Eric’s songwriting diary 1) | The Alan Parsons Project | USAR12400460 |
| Dancing on a Highwire (Eric’s songwriting diary 2) | The Alan Parsons Project | USAR12400461 |
| Dancing on a Highwire (Eric’s songwriting diary 3) | The Alan Parsons Project | USAR12400462 |
| Ammonia Avenue (Eric’s songwriting diary 1) | The Alan Parsons Project | USAR12400463 |
| Ammonia Avenue (Eric’s songwriting diary 2) | The Alan Parsons Project | USAR12400464 |
| Ammonia Avenue (Eric’s songwriting diary 3) | The Alan Parsons Project | USAR12400465 |
| Ammonia Avenue (Eric’s songwriting diary 4) | The Alan Parsons Project | USAR12400466 |
| Don’t Take Chances with Me (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400467 |
| You’ll Be Surprised (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400468 |
| Wish I Was Miles Away (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400469 |
| Toby’s Theme (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400470 |
| Amelie’s Theme (Eric’s songwriting diary) | The Alan Parsons Project | USAR12400471 |
| Ammonia Avenue Radio Advert | The Alan Parsons Project | USAR12400472 |
| Prime Time (Eric Woolfson demo vocal on rough mix) | The Alan Parsons Project | USAR12400473 |
| Prime Time (Musos Experimenting) | The Alan Parsons Project | USAR12400474 |
| Let Me Go Home (rough backing track) | The Alan Parsons Project | USAR12400475 |
| One Good Reason (Eric Woolfson vocal with rough mix) | The Alan Parsons Project | USAR12400476 |
| One Good Reason (rough backing track) | The Alan Parsons Project | USAR12400477 |
| Since the Last Goodbye (rough backing track) | The Alan Parsons Project | USAR12400478 |
| Don’t Answer Me (Eric Woolfson vocal with rough mix) | The Alan Parsons Project | USAR12400479 |
| Don’t Answer Me (Musos Experimenting) | The Alan Parsons Project | USAR12400480 |
| Don’t Answer Me (Backing before Phil Spector treatment and alt sax solo) | The Alan Parsons Project | USAR12400481 |
| Dancing on a High Wire (Eric Woolfson demo vocals on rough backing track) | The Alan Parsons Project | USAR12400482 |
| You Don’t Believe (Alan Parsons demo vocal on rough mix) | The Alan Parsons Project | USAR12400483 |
| Ammonia Avenue (Eric Woolfson demo vocal with orchestral rough mix) | The Alan Parsons Project | USAR12400484 |
| Ammonia Avenue (Chris Rainbow backing vocals) | The Alan Parsons Project | USAR12400485 |
| Ammonia Avenue (instrumental section rough mix) | The Alan Parsons Project | USAR12400486 |
| Ammonia Avenue (Eric Woolfson piano takes) | The Alan Parsons Project | USAR12400487 |
| AP 1 (previously unreleased backing track) | The Alan Parsons Project | USAR12400488 |
| Don’t Answer Me | The Alan Parsons Project | USAR18400007 |
| Pipeline | The Alan Parsons Project | USAR18400150 |
| Dancing on a Highwire | The Alan Parsons Project | USAR18400156 |
| Let Me Go Home | The Alan Parsons Project | USAR18400157 |
| One Good Reason | The Alan Parsons Project | USAR18400159 |
| Since the Last Goodbye | The Alan Parsons Project | USAR18400160 |
| Prime Time | The Alan Parsons Project | USAR19700023 |
| Don’t Answer Me | The Alan Parsons Project | USAR19700024 |
| You Don’t Believe | The Alan Parsons Project | USAR19700025 |
What other identifiers does this connect to?
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People also ask
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What is UPC 5013929480506?
5013929480506 is a Universal Product Code (UPC) assigned to Ammonia Avenue by The Alan Parsons Project. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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