UPC · Release
The Albums 1981–87
Anti-Nowhere League
Last verified:
5013929605107 is the Universal Product Code (UPC barcode) for the release “The Albums 1981–87” by Anti-Nowhere League, released 2018-02-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC. Tracks include GBBLY0702642, GBBLY0702644, GBBLY0702626.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (51)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | We Are the League | Anti-Nowhere League | — | |
| 2 | Animal | — | ||
| 3 | Woman | Anti-Nowhere League | — | |
| 4 | Can’t Stand Rock ’n’ Roll | — | ||
| 5 | (We Will Not) Remember You | — | ||
| 6 | Snowman | — | ||
| 7 | Streets of London | Anti-Nowhere League | T-902.256.059-4 | |
| 9 | ’reck‐a‐Nowhere | — | ||
| 10 | World War III | — | ||
| 11 | Nowhere Man | — | ||
| 2-1 | Let’s Break the Law | Anti-Nowhere League | — | |
| 2-2 | Streets of London | Anti-Nowhere League | T-902.256.059-4 | |
| 2-3 | Let the Country Feed You | Anti-Nowhere League | — | |
| 2-4 | We Will Survive | Anti-Nowhere League | — | |
| 2-5 | I Hate People | Anti-Nowhere League | — | |
| 2-6 | Snowman | Anti-Nowhere League | — | |
| 2-7 | For You | Anti-Nowhere League | — | |
| 2-8 | Going Down | Anti-Nowhere League | — | |
| 2-9 | Woman | Anti-Nowhere League | — | |
| 2-10 | Can’t Stand Rock ’n’ Roll | Anti-Nowhere League | — | |
| 2-11 | So What | Anti-Nowhere League | T-911.668.662-5 | |
| 2-12 | Reck a Nowhere | Anti-Nowhere League | — | |
| 2-13 | Paint It Black | Anti-Nowhere League | T-070.242.817-8 | |
| 2-14 | We Are the League | Anti-Nowhere League | — | |
| 3-1 | Crime | — | ||
| 3-2 | Atomic Harvest | — | ||
| 3-3 | On the Waterfront | — | ||
| 3-4 | Branded | — | ||
| 3-5 | (I Don’t Believe) This Is My England | — | ||
| 3-6 | Johannesburg | — | ||
| 3-7 | The Shining | — | ||
| 3-8 | Working for the Company | — | ||
| 3-9 | System | — | ||
| 3-10 | The Curtain | — | ||
| 4-1 | So What | — | ||
| 4-2 | Noddy | — | ||
| 4-3 | I Hate... People | Anti-Nowhere League | — | |
| 4-4 | Let’s Break the Law (single version) | — | ||
| 4-5 | Woman (single version) | — | ||
| 4-6 | Rocker | Anti-Nowhere League | — | |
| 4-9 | For You | Anti-Nowhere League | T-072.299.109-4 | |
| 4-10 | Ballad of J.J. Decay | Anti-Nowhere League | — | |
| 4-12 | Out on the Wasteland | Anti-Nowhere League | — | |
| 4-13 | We Will Survive | Anti-Nowhere League | — | |
| 4-14 | Queen and Country | Anti-Nowhere League | — | |
| 4-15 | The Russians Are Coming (demo) | — | ||
| 4-16 | Branded (demo) | — | ||
| 4-17 | Going Down (demo) | — | ||
| 4-18 | Those Summer Days (demo) | — | ||
| 4-19 | Westside (demo) | — | ||
| 4-20 | On the Waterfront (demo) | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Let’s Break the Law (remix) | Anti-Nowhere League | — |
| Animal | Anti-Nowhere League | — |
| Let the Country Feed You | Anti-Nowhere League | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5013929605107?
5013929605107 is a Universal Product Code (UPC) assigned to The Albums 1981–87 by Anti-Nowhere League. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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