UPC · Release
Skinhead Train: The Complete Singles Collection 1969–1970
Laurel Aitken
Last verified:
5013929682702 is the Universal Product Code (UPC barcode) for the release “Skinhead Train: The Complete Singles Collection 1969–1970” by Laurel Aitken, released 2020-01-01 on Pressure Drop. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 135 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (135)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fire in Mi Wire | — | ||
| 2 | Quando quando quando | — | ||
| 3 | Rice and Peas | — | ||
| 4 | Worried Over Me | — | ||
| 5 | Reggae Prayer | — | ||
| 6 | Deliverance Will Come | — | ||
| 7 | The Rise and Fall (of Laurel) | — | ||
| 8 | If You’re Not Black | — | ||
| 9 | Haile Haile (The Lion) | — | ||
| 10 | Call Collect | — | ||
| 11 | Carolina | — | ||
| 12 | Kingston Town | — | ||
| 13 | Donkey Man | — | ||
| 14 | Woppi King | — | ||
| 15 | Mr Soul | — | ||
| 16 | Suffering Still | — | ||
| 17 | Reggae ’69 | — | ||
| 18 | Haile Selasse | — | ||
| 19 | Blues Dance | — | ||
| 20 | Lawd Doctor | — | ||
| 21 | Big Fight in Hell Stadium | — | ||
| 22 | Run Powell Run | — | ||
| 23 | A Message to You | — | ||
| 24 | Save the Last Dance (for Me) | — | ||
| 25 | Walk Right Back | — | ||
| 26 | Don’t Be Cruel | — | ||
| 27 | (Sloop) John B | — | ||
| 2-1 | Island in the Sun | — | ||
| 2-2 | Work It Up | — | ||
| 2-3 | (My Girl) Josephine | — | ||
| 2-4 | Champagne and Wine | — | ||
| 2-5 | Babylon Gone | — | ||
| 2-6 | Shoo Be Do | — | ||
| 2-7 | Landlords and Tenants | — | ||
| 2-8 | Everybody Sufferin’ | — | ||
| 2-9 | Jesse James | — | ||
| 2-10 | Freedom | — | ||
| 2-11 | Pussy Price Gone Up | — | ||
| 2-12 | Gimme Back Me Dollar | — | ||
| 2-13 | Skinhead Train | — | ||
| 2-14 | Kent People – Groovy Beats | — | ||
| 2-15 | Benwood Dick | — | ||
| 2-16 | Apollo 12 (aka Skinhead Invasion) | — | ||
| 2-17 | Scandal in Brixton Market | — | ||
| 2-18 | Frankenstein | — | ||
| 2-19 | I Can’t Stand It | — | ||
| 2-20 | Stupid Married Man | — | ||
| 2-21 | Madam Streggae (aka Soul Jerker) | — | ||
| 2-22 | Think Me No Know | — | ||
| 2-23 | Trombone Man | — | ||
| 2-24 | Pussy Got Thirteen Life | — | ||
| 2-25 | Single Man | — | ||
| 2-26 | Skinhead Wreck the Town | — | ||
| 2-27 | Moon Rock | — | ||
| 2-28 | Merry Xmas | — | ||
| 3-1 | Si Pon You | — | ||
| 3-2 | Every Night | — | ||
| 3-3 | Cut Up Munno | — | ||
| 3-4 | The Vampire | — | ||
| 3-5 | Cutting Blade | — | ||
| 3-6 | Leaving Me Standing | — | ||
| 3-7 | Little Girl | — | ||
| 3-8 | The Hole | — | ||
| 3-9 | Loch Ness Monster | — | ||
| 3-10 | Zion | — | ||
| 3-11 | Funky Chicken, Part 1 | — | ||
| 3-12 | Funky Chicken, Part 2 | — | ||
| 3-13 | Funny, Version 1 | — | ||
| 3-14 | Funny, Version 2 | — | ||
| 3-15 | Sin, Sun and Sex | — | ||
| 3-16 | Hinky Tonk Popcorn | — | ||
| 3-17 | Bongo Man | — | ||
| 3-18 | Reggae Popcorn | — | ||
| 3-19 | The Worm, Part 1 | — | ||
| 3-20 | The Worm, Part 2 | — | ||
| 3-21 | Only You | — | ||
| 3-22 | I Can’t Go On | — | ||
| 3-23 | Funk Monkey, Version 1 | — | ||
| 3-24 | Funky Money, Version 2 | — | ||
| 3-25 | Give Me Back Your Love | — | ||
| 3-26 | Hold Me | — | ||
| 3-27 | Chinee Brush | — | ||
| 3-28 | Real Collie | — | ||
| 3-29 | Loch Ness Monster (alt. take) | — | ||
| 4-1 | The Worm | — | ||
| 4-2 | You Can’t Turn Your Back on Me | — | ||
| 4-3 | Funky Duck | — | ||
| 4-4 | Funkier Than Duck | — | ||
| 4-5 | The Naked City | — | ||
| 4-6 | Wood in the Fire | — | ||
| 4-7 | Mr Popcorn | — | ||
| 4-8 | Share Your Popcorn | — | ||
| 4-9 | I’ve Got (to Have) Your Love | — | ||
| 4-10 | Blue Mink | — | ||
| 4-11 | Souls of Africa | — | ||
| 4-12 | Dallas, Texas | — | ||
| 4-13 | Standing on the Corner | — | ||
| 4-14 | You Send Me | — | ||
| 4-15 | (Who’s Taking You Home) Nobody but Me | — | ||
| 4-16 | Baby Please Don’t Go | — | ||
| 4-17 | Yellow Bird | — | ||
| 4-18 | For Your Love (aka the Best I Can) | — | ||
| 4-19 | I’ll Never Love Any Girl | — | ||
| 4-20 | Take Me Back | — | ||
| 4-22 | Here Is My Heart | — | ||
| 4-23 | Birds and the Bees (aka Young, Gifted and Black) | — | ||
| 4-24 | Election | — | ||
| 4-25 | Tomorrow’s World | — | ||
| 4-26 | Pick My Pocket | — | ||
| 4-28 | The Outlaw | — | ||
| 5-1 | So Much Love | — | ||
| 5-2 | Same Old Feeling | — | ||
| 5-3 | Nobody Else but You | — | ||
| 5-4 | Version of Nobody | — | ||
| 5-5 | Baby I Need Your Loving | — | ||
| 5-6 | Think It Over (1970 version) | — | ||
| 5-7 | Musical Scorcher | — | ||
| 5-8 | Three Dogs Night | — | ||
| 5-9 | Sex Machine | — | ||
| 5-10 | Since You Left | — | ||
| 5-11 | Groovin’ | — | ||
| 5-12 | (Sweet) Sugar Mama | — | ||
| 5-13 | Witchcraft Man | — | ||
| 5-14 | Night in Cairo | — | ||
| 5-15 | Pum Pum Girl | — | ||
| 5-17 | History of Africa | — | ||
| 5-18 | Honey Bee | — | ||
| 5-19 | Pachanga, Part 1 | — | ||
| 5-20 | Pachanga, Part 2 | — | ||
| 5-21 | Tennessee Waltz | — | ||
| 5-22 | Old Man Trouble | — | ||
| 5-23 | Why Can’t I Touch You | — | ||
| 5-24 | (You) Can’t Turn Your Back on Me | — | ||
| 5-25 | Mary’s Boy Child | — | ||
| 5-26 | Mary’s Boy Child (instrumental) | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5013929682702?
5013929682702 is a Universal Product Code (UPC) assigned to Skinhead Train: The Complete Singles Collection 1969–1970 by Laurel Aitken. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 135 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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