UPC · Release
I Can't Fade Away: The Rockburgh Years, 1978-1984
Iain Matthews
5013929784604
106 tracksReleased 2022-01-01Lemon Recordings
Last verified:
5013929784604 is the Universal Product Code (UPC barcode) for the release “I Can't Fade Away: The Rockburgh Years, 1978-1984” by Iain Matthews, released 2022-01-01 on Lemon Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 106 tracks, each with its own ISRC.
Format
501GS1 prefix
3929Company prefix
78460Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCI Can't Fade Away: The Rockburgh Years, 1978-1984
IPI2 songwriters
Track List (106)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gimme An Inch Girl | — | ||
| 2 | Don't Hang Up Your Dancing Shoes | — | ||
| 3 | King Of The Night | — | ||
| 4 | Man In The Station | — | ||
| 5 | Let There Be Blues | — | ||
| 6 | Carefully Taught | — | ||
| 7 | Stealin' Home | — | ||
| 8 | Shake It | — | ||
| 9 | Yank & Mary / Smile | — | ||
| 10 | Slip Away | — | ||
| 11 | Sail My Soul | — | ||
| 12 | Sing Senorita (Out-take) | — | ||
| 13 | Let There Be Blues (Demo, Seattle, 1978) | — | ||
| 14 | Let Me Live Until I See You Again (Demo, Seattle, 1978) | — | ||
| 15 | Shake It (Live, BBC Radio One In Concert) | — | ||
| 16 | Just One Look (Live, BBC Radio One In Concert) | — | ||
| 17 | Stealin' Home (Live, BBC Radio One In Concert) | — | ||
| 18 | Man In The Station (Live, BBC Radio One In Concert) | — | ||
| 19 | King Of The Night (Live, BBC Radio One In Concert) | — | ||
| 20 | Payday (Live, BBC Radio One In Concert) | — | ||
| 2-1 | You Don't See Me | — | ||
| 2-2 | Survival | — | ||
| 2-3 | Heatwave | — | ||
| 2-4 | Home Somewhere | — | ||
| 2-5 | Crying In The Night | — | ||
| 2-6 | The Baby She's On The Street | — | ||
| 2-7 | Hearts On The Line | — | ||
| 2-8 | Anna | — | ||
| 2-9 | Lies | — | ||
| 2-10 | Runaway | — | ||
| 2-11 | You Don't See Me (Live, Paradise Theater, Boston, 1979) | — | ||
| 2-12 | Heatwave (Live) | — | ||
| 2-13 | Lies (Live) | — | ||
| 2-14 | No Reply (Live) | — | ||
| 2-15 | Hearts On The Line (Live) | — | ||
| 3-1 | I Survived The 70's | — | ||
| 3-2 | She May Call You Up Tonight | — | ||
| 3-3 | I Can't Fade Away | — | ||
| 3-4 | The Hurt | — | ||
| 3-5 | Driftwood From Disaster | — | ||
| 3-6 | Why Am I? | — | ||
| 3-7 | No Time At All (See How They Run) | — | ||
| 3-8 | For The Lonely Hunter | — | ||
| 3-9 | See Me | — | ||
| 3-10 | Civilisation | — | ||
| 3-11 | What Do I Do? | — | ||
| 3-12 | The Hurt Stayed (Songwriting Demo) | — | ||
| 3-13 | In No Time At All (Songwriting Demo) | — | ||
| 3-14 | For The Lonely Hunter (Live, Orleans, June 1980) | — | ||
| 3-15 | I Can't Fade Away (Live, Orleans, June 1980) | — | ||
| 3-16 | She May Call You Up Tonight (Live, Orleans, June 1980) | — | ||
| 3-17 | The Hurt (Live, Orleans, June 1980) | — | ||
| 3-18 | Driftwood From Disaster (Live, Orleans, June 1980) | — | ||
| 3-19 | No Time At All (See How They Run) [Live, Orleans, June 1980] | — | ||
| 3-20 | Civilisation (Live, Orleans, June 1980) | — | ||
| 3-21 | Payday (Live, Orleans, June 1980) | — | ||
| 4-1 | Shorting Out | — | ||
| 4-2 | Views (Dance Goes On) | — | ||
| 4-3 | Wild Places | — | ||
| 4-4 | Indiscreet | — | ||
| 4-5 | Wish | — | ||
| 4-6 | Driver | — | ||
| 4-7 | Tomorrow Falls On Saturday | — | ||
| 4-8 | Fear Strikes Out | — | ||
| 4-9 | Over Under Sideways Down | — | ||
| 4-10 | Room Service | — | ||
| 4-11 | Why Don't We Work On All This (Songwriting Demo) | — | ||
| 4-12 | Work On All This | — | ||
| 4-13 | Better Not Stay (Demo, 1981) | — | ||
| 4-14 | What Do You Wish You Could Be (Songwriting Demo) | — | ||
| 4-15 | Perfect Timing (Songwriting Demo) | — | ||
| 4-16 | Voices (Demo) | — | ||
| 4-17 | Action (Demo) | — | ||
| 4-18 | Change (Demo) | — | ||
| 4-19 | On The Beach (Out-take) | — | ||
| 5-1 | Stealin' Home (Live, Brussels, 1979) | — | ||
| 5-2 | Just One Look (Live, Brussels, 1979) | — | ||
| 5-3 | Lonely Hunter (Live, Brussels, 1979) | — | ||
| 5-4 | These Days (Live, Brussels, 1979) | — | ||
| 5-5 | Man In The Station (Live, Brussels, 1979) | — | ||
| 5-6 | Don't Hang Up Your Dancing Shoes (Live, Brussels, 1979) | — | ||
| 5-7 | Gimme An Inch Girl (Live, Brussels, 1979) | — | ||
| 5-8 | Call The Tune (Live, Brussels, 1979) | — | ||
| 5-9 | Shake It (Live, Brussels, 1979) | — | ||
| 5-10 | Payday (Live, Brussels, 1979) | — | ||
| 5-11 | Slip Away (Live, Brussels, 1979) | — | ||
| 5-12 | Brown Eyed Girl (Live, Brussels, 1979) | — | ||
| 5-13 | Sights In Manhattan (Demo, 1982) | — | ||
| 5-14 | Views (Dance Goes On) [Demo, 1982] | — | ||
| 5-15 | Indiscreet (Demo, 1982) | — | ||
| 5-16 | Out Of My Range (Demo, 1982) | — | ||
| 6-1 | Shake It (Live, Huntingdon, West Virginia, 1978) | — | ||
| 6-2 | Stealin' Home (Live, Lonestar Café, New York, 1979) | — | ||
| 6-3 | Gimme An Inch Girl (Live, Lonestar Café, New York, 1979) | — | ||
| 6-4 | King Of The Night (Live, Norman, Oklahoma, 1978) | — | ||
| 6-5 | Man In The Station (Live, Universal Ampitheater, Los Angeles, August 1988) | — | ||
| 6-6 | Don't Hang Up Your Dancing Shoes (Live, USA, 1978) | — | ||
| 6-7 | Call The Tune (Live, Boston, Massachusetts, 1979) | — | ||
| 6-8 | Payday (Live, Norman, Oklahoma, 1978) | — | ||
| 6-9 | I Can't Fade Away (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-10 | Indiscreet (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-11 | Shorting Out (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-12 | Work On All This (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-13 | Wild Places (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-14 | Civilisation (Live, Rolling Stone, Milan, 1984) | — | ||
| 6-15 | Mr Soul (Live, Rolling Stone, Milan, 1984) | — |
Gimme An Inch Girl
—
Don't Hang Up Your Dancing Shoes
—
King Of The Night
—
Man In The Station
—
Let There Be Blues
—
Carefully Taught
—
Stealin' Home
—
Shake It
—
Yank & Mary / Smile
—
Slip Away
—
Sail My Soul
—
Sing Senorita (Out-take)
—
Let There Be Blues (Demo, Seattle, 1978)
—
Let Me Live Until I See You Again (Demo, Seattle, 1978)
—
Shake It (Live, BBC Radio One In Concert)
—
Just One Look (Live, BBC Radio One In Concert)
—
Stealin' Home (Live, BBC Radio One In Concert)
—
Man In The Station (Live, BBC Radio One In Concert)
—
King Of The Night (Live, BBC Radio One In Concert)
—
Payday (Live, BBC Radio One In Concert)
—
You Don't See Me
—
Survival
—
Heatwave
—
Home Somewhere
—
Crying In The Night
—
The Baby She's On The Street
—
Hearts On The Line
—
Anna
—
Lies
—
Runaway
—
You Don't See Me (Live, Paradise Theater, Boston, 1979)
—
Heatwave (Live)
—
Lies (Live)
—
No Reply (Live)
—
Hearts On The Line (Live)
—
I Survived The 70's
—
She May Call You Up Tonight
—
I Can't Fade Away
—
The Hurt
—
Driftwood From Disaster
—
Why Am I?
—
No Time At All (See How They Run)
—
For The Lonely Hunter
—
See Me
—
Civilisation
—
What Do I Do?
—
The Hurt Stayed (Songwriting Demo)
—
In No Time At All (Songwriting Demo)
—
For The Lonely Hunter (Live, Orleans, June 1980)
—
I Can't Fade Away (Live, Orleans, June 1980)
—
She May Call You Up Tonight (Live, Orleans, June 1980)
—
The Hurt (Live, Orleans, June 1980)
—
Driftwood From Disaster (Live, Orleans, June 1980)
—
No Time At All (See How They Run) [Live, Orleans, June 1980]
—
Civilisation (Live, Orleans, June 1980)
—
Payday (Live, Orleans, June 1980)
—
Shorting Out
—
Views (Dance Goes On)
—
Wild Places
—
Indiscreet
—
Wish
—
Driver
—
Tomorrow Falls On Saturday
—
Fear Strikes Out
—
Over Under Sideways Down
—
Room Service
—
Why Don't We Work On All This (Songwriting Demo)
—
Work On All This
—
Better Not Stay (Demo, 1981)
—
What Do You Wish You Could Be (Songwriting Demo)
—
Perfect Timing (Songwriting Demo)
—
Voices (Demo)
—
Action (Demo)
—
Change (Demo)
—
On The Beach (Out-take)
—
Stealin' Home (Live, Brussels, 1979)
—
Just One Look (Live, Brussels, 1979)
—
Lonely Hunter (Live, Brussels, 1979)
—
These Days (Live, Brussels, 1979)
—
Man In The Station (Live, Brussels, 1979)
—
Don't Hang Up Your Dancing Shoes (Live, Brussels, 1979)
—
Gimme An Inch Girl (Live, Brussels, 1979)
—
Call The Tune (Live, Brussels, 1979)
—
Shake It (Live, Brussels, 1979)
—
Payday (Live, Brussels, 1979)
—
Slip Away (Live, Brussels, 1979)
—
Brown Eyed Girl (Live, Brussels, 1979)
—
Sights In Manhattan (Demo, 1982)
—
Views (Dance Goes On) [Demo, 1982]
—
Indiscreet (Demo, 1982)
—
Out Of My Range (Demo, 1982)
—
Shake It (Live, Huntingdon, West Virginia, 1978)
—
Stealin' Home (Live, Lonestar Café, New York, 1979)
—
Gimme An Inch Girl (Live, Lonestar Café, New York, 1979)
—
King Of The Night (Live, Norman, Oklahoma, 1978)
—
Man In The Station (Live, Universal Ampitheater, Los Angeles, August 1988)
—
Don't Hang Up Your Dancing Shoes (Live, USA, 1978)
—
Call The Tune (Live, Boston, Massachusetts, 1979)
—
Payday (Live, Norman, Oklahoma, 1978)
—
I Can't Fade Away (Live, Rolling Stone, Milan, 1984)
—
Indiscreet (Live, Rolling Stone, Milan, 1984)
—
Shorting Out (Live, Rolling Stone, Milan, 1984)
—
Work On All This (Live, Rolling Stone, Milan, 1984)
—
Wild Places (Live, Rolling Stone, Milan, 1984)
—
Civilisation (Live, Rolling Stone, Milan, 1984)
—
Mr Soul (Live, Rolling Stone, Milan, 1984)
—
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What is UPC 5013929784604?
5013929784604 is a Universal Product Code (UPC) assigned to I Can't Fade Away: The Rockburgh Years, 1978-1984 by Iain Matthews. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 106 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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