UPC · Release
Love and Fury: The Holloway Road Sessions 1962-1966
The Tornados
5013929790834
131 tracksReleased 2023-01-01Cherry Red
Last verified:
5013929790834 is the Universal Product Code (UPC barcode) for the release “Love and Fury: The Holloway Road Sessions 1962-1966” by The Tornados, released 2023-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 131 tracks, each with its own ISRC.
Format
501GS1 prefix
3929Company prefix
79083Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLove and Fury: The Holloway Road Sessions 1962-1966
ISWC5 works
IPI2 songwriters
Track List (131)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Telstar (alternate edit) | — | ||
| 2 | Telstar (backing track) | — | ||
| 3 | Telstar (pre-overdubs / original speed) | — | ||
| 4 | Red Roses and a Sky of Blue | — | ||
| 5 | Red Roses and a Sky of Blue (backing take 9) | — | ||
| 6 | Chasing Moonbeams (original speed) | — | ||
| 7 | Earthy | — | ||
| 8 | Swinging Beefeater (original speed) | — | ||
| 9 | Swinging Beefeater (alternate version 1) | — | ||
| 10 | Swinging Beefeater (alternate version 2) | — | ||
| 11 | Theme From a Summer Place (original Speed / no SFX) | — | ||
| 12 | Love and Fury (take 1) | — | ||
| 13 | Love and Fury (pre-overdubs) | — | ||
| 14 | Love and Fury (guitar overdub take 4) | — | ||
| 15 | Dreamin’ on a Cloud (extended fade) | — | ||
| 16 | Ridin’ the Wind (alternate version mix 2) | — | ||
| 17 | Ridin’ the Wind (backing take 7) | — | ||
| 18 | The Breeze and I (original speed) | — | ||
| 19 | Jungle Fever (extended ending) | — | ||
| 20 | Jungle Fever (backing track) | — | ||
| 21 | Jungle Fever (pre-FX) | — | ||
| 22 | Popeye Twist | — | ||
| 23 | Popeye Twist (backing track) | — | ||
| 2-1 | Indian Brave (extended fade out) | — | ||
| 2-2 | Flycatcher | — | ||
| 2-3 | Dreams Do Come True | — | ||
| 2-4 | Dreams Do Come True (backing track) | — | ||
| 2-5 | Lullaby for Giulia (original speed) | — | ||
| 2-6 | Lullaby for Giulia (backing take 3) | — | ||
| 2-7 | Costa Monger (original speed) | — | ||
| 2-8 | Costa Monger (backing take 2) | — | ||
| 2-9 | Lonely Paradise (original speed) | — | ||
| 2-10 | Lonely Paradise (backing track) | — | ||
| 2-11 | Chattanooga Choo Choo (original speed) | — | ||
| 2-12 | Rip It Up | — | ||
| 2-13 | Rip It Up (vocal take 2) | — | ||
| 2-14 | Alan’s Tune (original speed) | — | ||
| 2-15 | Alan’s Tune (backing take 3) | — | ||
| 2-16 | Cootenanny (original speed) | — | ||
| 2-17 | Cootenanny (backing take 10) | — | ||
| 2-18 | Night Rider (original speed / no SFX) | — | ||
| 2-19 | Hymn for Teenagers (original speed) | — | ||
| 2-20 | Hymn for Teenagers (backing take 2) | — | ||
| 3-1 | Telstar (SFX tape) | — | ||
| 3-2 | Telstar (pre-FX sped up version) | — | ||
| 3-3 | Globetrotter (original speed) | — | ||
| 3-4 | Globetrotter (mix #2) | — | ||
| 3-5 | Globetrotter (backing take 5) | — | ||
| 3-6 | Locomotion With Me (original speed / no fade out) | — | ||
| 3-7 | Locomotion With Me (backing take 2) | — | ||
| 3-8 | Robot (mix #4) | — | ||
| 3-9 | Robot (phase 1, take 1) | — | ||
| 3-10 | Robot (phase 2, take 11) | — | ||
| 3-11 | Life on Venus (intro speech session) | — | ||
| 3-12 | Life on Venus (intro SFX take 2) | — | ||
| 3-13 | Life on Venus (rehearsal take) | — | ||
| 3-14 | Life on Venus (backing take 4/5) | — | ||
| 3-15 | Life on Venus (alternate mix) | — | ||
| 3-16 | The Ice Cream Man (original speed) | — | ||
| 3-17 | The Ice Cream Man (backing take 4) | — | ||
| 3-18 | Theme From ‘The Scales of Justice’ (alternate edit) | — | ||
| 3-19 | Theme From ‘The Scales of Justice’ (backing take 2) | — | ||
| 3-20 | Theme From ‘The Scales of Justice’ (backing take 11) | — | ||
| 3-21 | Ready Teddy | — | ||
| 3-22 | My Babe (backing take 3) | — | ||
| 3-23 | Blue Moon of Kentucky (alternate vocal) | — | ||
| 3-24 | Long Tall Sally (lead vocal take 3) | — | ||
| 3-25 | Dragonfly (take 7) | — | ||
| 3-26 | Hot Pot | — | ||
| 3-27 | Hot Pot (backing take 5) | — | ||
| 3-28 | Joy Stick (original speed) | — | ||
| 3-29 | Joy Stick (backing take 2) | — | ||
| 3-30 | Joy Stick (alternate version mix #4) | — | ||
| 4-1 | Monte Carlo (original speed) | — | ||
| 4-2 | Monte Carlo (organ take 11) | — | ||
| 4-3 | Blue, Blue, Blue Beat (backing take 1) | — | ||
| 4-4 | Exodus (mix #2) | — | ||
| 4-5 | Blackpool Rock (backing take 5) | — | ||
| 4-6 | Blackpool Rock (organ take 7 with alternate intro) | — | ||
| 4-7 | Granada (mix #7) | — | ||
| 4-8 | Ragunboneman (vocal double take 1) | — | ||
| 4-9 | Ragunboneman (backing take 5) | — | ||
| 4-10 | Early Bird (original speed / no SFX) | — | ||
| 4-11 | Early Bird (backing take 5) | — | ||
| 4-12 | Stompin’ Through the Rye (backing take 3) | — | ||
| 4-13 | Stompin’ Through the Rye (overdubs take 14) | — | ||
| 4-14 | Stingray (bubbles take 1) | — | ||
| 4-15 | Stingray (backing vocals take 1) | — | ||
| 4-16 | Pop Art Goes Mozart (backing track) | — | ||
| 4-17 | Pop Art Goes Mozart (overdubs take 8) | — | ||
| 4-18 | Pop Art Goes Mozart (guitar session) | — | ||
| 4-19 | Pop Art Goes Mozart (overdubs only) | — | ||
| 4-20 | Too Much in Love to Hear (vocal double take 5) | — | ||
| 4-21 | Too Much in Love to Hear (alternate vocal take 3) | — | ||
| 4-22 | Is That a Ship I Hear (backing take 4) | — | ||
| 4-23 | Is That a Ship I Hear (overdubs take 1) | — | ||
| 4-24 | Do You Come Here Often (backing / no organ) | — | ||
| 4-25 | Do You Come Here Often (original speed) | — | ||
| 4-26 | Do You Come Here Often (chat tape) | — | ||
| 5-1 | Telstar (demo 1) | — | ||
| 5-2 | Telstar (demo 2) | — | ||
| 5-3 | Globetrotter (demo) | — | ||
| 5-4 | Globetrotter (demo, phase 2) | — | ||
| 5-5 | Robot (working tape) | — | ||
| 5-6 | Ragunboneman (demo) | — | ||
| 5-7 | Ragunboneman (demo) | — | ||
| 5-8 | Indian Brave (demo) | — | ||
| 5-9 | Is That a Ship I Hear (demo take 6) | — | ||
| 5-10 | Mean Woman Blues | — | ||
| 5-11 | Halfway to Paradise | — | ||
| 5-12 | Go Go Go (Move on Down the Line) | — | ||
| 5-13 | I’ll Never Find Another You | — | ||
| 5-14 | All the Stars in the Sky (original Speed) | — | ||
| 5-15 | Shake Down (backing take 1) | — | ||
| 5-16 | Shake Down (keyboard take 2) | — | ||
| 5-17 | Little Horror (take 17) | — | ||
| 5-18 | Party Spirit | — | ||
| 5-19 | Sidewalk Serenade | — | ||
| 5-20 | Lullaby of the Stars | — | ||
| 5-21 | Alright Alright (take 3) | — | ||
| 5-22 | Hurtin’ Inside (backing take 3) | — | ||
| 5-23 | Hurtin’ Inside (overdubs take 5) | — | ||
| 5-24 | Fortune Teller (backing take 2) | — | ||
| 5-25 | Fortune Teller (overdubs take 8) | — | ||
| 5-26 | You Can Make It If You Try (backing take 4) | — | ||
| 5-27 | You Can Make It If You Try (vocal take 7) | — | ||
| 5-28 | Lawrence of Arabia | — | ||
| 5-29 | No More You and Me (rehearsal take) | — | ||
| 5-30 | No More You and Me (mix #8) | — | ||
| 5-31 | You Always Did What You Wanted (take 2) | — | ||
| 5-32 | You Always Did What You Wanted (take 3) | — |
Telstar (alternate edit)
—
Telstar (backing track)
—
Telstar (pre-overdubs / original speed)
—
Red Roses and a Sky of Blue
—
Red Roses and a Sky of Blue (backing take 9)
—
Chasing Moonbeams (original speed)
—
Earthy
—
Swinging Beefeater (original speed)
—
Swinging Beefeater (alternate version 1)
—
Swinging Beefeater (alternate version 2)
—
Theme From a Summer Place (original Speed / no SFX)
—
Love and Fury (take 1)
—
Love and Fury (pre-overdubs)
—
Love and Fury (guitar overdub take 4)
—
Dreamin’ on a Cloud (extended fade)
—
Ridin’ the Wind (alternate version mix 2)
—
Ridin’ the Wind (backing take 7)
—
The Breeze and I (original speed)
—
Jungle Fever (extended ending)
—
Jungle Fever (backing track)
—
Jungle Fever (pre-FX)
—
Popeye Twist
—
Popeye Twist (backing track)
—
Indian Brave (extended fade out)
—
Flycatcher
—
Dreams Do Come True
—
Dreams Do Come True (backing track)
—
Lullaby for Giulia (original speed)
—
Lullaby for Giulia (backing take 3)
—
Costa Monger (original speed)
—
Costa Monger (backing take 2)
—
Lonely Paradise (original speed)
—
Lonely Paradise (backing track)
—
Chattanooga Choo Choo (original speed)
—
Rip It Up
—
Rip It Up (vocal take 2)
—
Alan’s Tune (original speed)
—
Alan’s Tune (backing take 3)
—
Cootenanny (original speed)
—
Cootenanny (backing take 10)
—
Night Rider (original speed / no SFX)
—
Hymn for Teenagers (original speed)
—
Hymn for Teenagers (backing take 2)
—
Telstar (SFX tape)
—
Telstar (pre-FX sped up version)
—
Globetrotter (original speed)
—
Globetrotter (mix #2)
—
Globetrotter (backing take 5)
—
Locomotion With Me (original speed / no fade out)
—
Locomotion With Me (backing take 2)
—
Robot (mix #4)
—
Robot (phase 1, take 1)
—
Robot (phase 2, take 11)
—
Life on Venus (intro speech session)
—
Life on Venus (intro SFX take 2)
—
Life on Venus (rehearsal take)
—
Life on Venus (backing take 4/5)
—
Life on Venus (alternate mix)
—
The Ice Cream Man (original speed)
—
The Ice Cream Man (backing take 4)
—
Theme From ‘The Scales of Justice’ (alternate edit)
—
Theme From ‘The Scales of Justice’ (backing take 2)
—
Theme From ‘The Scales of Justice’ (backing take 11)
—
Ready Teddy
—
My Babe (backing take 3)
—
Blue Moon of Kentucky (alternate vocal)
—
Long Tall Sally (lead vocal take 3)
—
Dragonfly (take 7)
—
Hot Pot
—
Hot Pot (backing take 5)
—
Joy Stick (original speed)
—
Joy Stick (backing take 2)
—
Joy Stick (alternate version mix #4)
—
Monte Carlo (original speed)
—
Monte Carlo (organ take 11)
—
Blue, Blue, Blue Beat (backing take 1)
—
Exodus (mix #2)
—
Blackpool Rock (backing take 5)
—
Blackpool Rock (organ take 7 with alternate intro)
—
Granada (mix #7)
—
Ragunboneman (vocal double take 1)
—
Ragunboneman (backing take 5)
—
Early Bird (original speed / no SFX)
—
Early Bird (backing take 5)
—
Stompin’ Through the Rye (backing take 3)
—
Stompin’ Through the Rye (overdubs take 14)
—
Stingray (bubbles take 1)
—
Stingray (backing vocals take 1)
—
Pop Art Goes Mozart (backing track)
—
Pop Art Goes Mozart (overdubs take 8)
—
Pop Art Goes Mozart (guitar session)
—
Pop Art Goes Mozart (overdubs only)
—
Too Much in Love to Hear (vocal double take 5)
—
Too Much in Love to Hear (alternate vocal take 3)
—
Is That a Ship I Hear (backing take 4)
—
Is That a Ship I Hear (overdubs take 1)
—
Do You Come Here Often (backing / no organ)
—
Do You Come Here Often (original speed)
—
Do You Come Here Often (chat tape)
—
Telstar (demo 1)
—
Telstar (demo 2)
—
Globetrotter (demo)
—
Globetrotter (demo, phase 2)
—
Robot (working tape)
—
Ragunboneman (demo)
—
Ragunboneman (demo)
—
Indian Brave (demo)
—
Is That a Ship I Hear (demo take 6)
—
Mean Woman Blues
—
Halfway to Paradise
—
Go Go Go (Move on Down the Line)
—
I’ll Never Find Another You
—
All the Stars in the Sky (original Speed)
—
Shake Down (backing take 1)
—
Shake Down (keyboard take 2)
—
Little Horror (take 17)
—
Party Spirit
—
Sidewalk Serenade
—
Lullaby of the Stars
—
Alright Alright (take 3)
—
Hurtin’ Inside (backing take 3)
—
Hurtin’ Inside (overdubs take 5)
—
Fortune Teller (backing take 2)
—
Fortune Teller (overdubs take 8)
—
You Can Make It If You Try (backing take 4)
—
You Can Make It If You Try (vocal take 7)
—
Lawrence of Arabia
—
No More You and Me (rehearsal take)
—
No More You and Me (mix #8)
—
You Always Did What You Wanted (take 2)
—
You Always Did What You Wanted (take 3)
—
What other identifiers does this connect to?
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What is UPC 5013929790834?
5013929790834 is a Universal Product Code (UPC) assigned to Love and Fury: The Holloway Road Sessions 1962-1966 by The Tornados. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 131 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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