UPC · Release
Concentus II - The John Wetton Live Collection Volume Two
John Wetton
5013929958197
124 tracksReleased 2025-01-01Spirit Of Unicorn Music
Last verified:
5013929958197 is the Universal Product Code (UPC barcode) for the release “Concentus II - The John Wetton Live Collection Volume Two” by John Wetton, released 2025-01-01 on Spirit Of Unicorn Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC.
Format
501GS1 prefix
3929Company prefix
95819Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCConcentus II - The John Wetton Live Collection Volume Two
ISWC20 works
IPI2 songwriters
Track List (124)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | Heat of the Moment | — | ||
| 3 | Don't Cry | — | ||
| 4 | Right Where I Wanted to Be | — | ||
| 5 | Rendezvous 6:02 | — | ||
| 6 | Caught in the Crossfire | — | ||
| 7 | Easy Money | — | ||
| 8 | In the Dead of Night | — | ||
| 9 | Thirty Years | — | ||
| 10 | Only Time Will Tell | — | ||
| 11 | Did It All for Love | — | ||
| 2-1 | Hold Me Now | — | ||
| 2-2 | Starless | — | ||
| 2-3 | Book of Saturday | — | ||
| 2-4 | Crime of Passion | — | ||
| 2-5 | Battle Lines | — | ||
| 2-6 | Open Your Eyes | — | ||
| 2-7 | The Smile Has Left Your Eyes | — | ||
| 2-8 | Sole Survivor | — | ||
| 3-1 | Intro | — | ||
| 3-2 | Don't Cry | — | ||
| 3-3 | Voice of America | — | ||
| 3-4 | Hold Me Now | — | ||
| 3-5 | Book of Saturday | — | ||
| 3-6 | Thirty Years | — | ||
| 3-7 | Only Time Will Tell | — | ||
| 3-8 | Crime of Passion | — | ||
| 3-9 | Caught in the Crossfire | — | ||
| 3-10 | Easy Money | — | ||
| 3-11 | In the Dead of Night | — | ||
| 3-12 | Battle Lines | — | ||
| 3-13 | Starless | — | ||
| 3-14 | Rendezvous 6:02 | — | ||
| 3-15 | Open Your Eyes | — | ||
| 3-16 | Sole Survivor | — | ||
| 3-17 | The Smile Has Left Your Eyes | — | ||
| 3-18 | Heat of the Moment | — | ||
| 4-1 | Sole Survivor | — | ||
| 4-2 | I Can't Lie Anymore | — | ||
| 4-3 | Battle Lines | — | ||
| 4-4 | John Young's Keyboard Solo | — | ||
| 4-5 | Thirty Years | — | ||
| 4-6 | Rendezvous 6:02 | — | ||
| 4-7 | Thomas Lang's Drum Solo | — | ||
| 4-8 | Easy Money | — | ||
| 4-9 | In the Dead of Night | — | ||
| 4-10 | Heat of the Moment | — | ||
| 4-11 | The Smile Has Left Your Eyes | — | ||
| 4-12 | The Night Watch | — | ||
| 4-13 | Only Time Will Tell | — | ||
| 5-1 | The Circle of St. Giles | — | ||
| 5-2 | The Last Thing on My Mind | — | ||
| 5-3 | Sole Survivor | — | ||
| 5-4 | I Can't Lie Anymore | — | ||
| 5-5 | Battle Lines | — | ||
| 5-6 | John Young's Keyboard Solo | — | ||
| 5-7 | Arkangel | — | ||
| 5-8 | Emma | — | ||
| 5-9 | The Smile Has Left Your Eyes | — | ||
| 5-10 | The Night Watch | — | ||
| 5-11 | Thirty Years | — | ||
| 5-12 | Hold Me Now | — | ||
| 5-13 | Only Time Will Tell | — | ||
| 5-14 | Rendezvous 6:02 | — | ||
| 5-15 | Thomas Lang's Drum Solo | — | ||
| 6-1 | Easy Money | — | ||
| 6-2 | In the Dead of Night | — | ||
| 6-3 | After All | — | ||
| 6-4 | Heat of the Moment | — | ||
| 6-5 | Starless | — | ||
| 6-6 | Don't Cry | — | ||
| 6-7 | The Celtic Cross | — | ||
| 6-8 | Blues Was on My Mind (April 05, 1997) | — | ||
| 7-1 | Intro - Guitar Concerto | — | ||
| 7-2 | The Last Thing on My Mind | — | ||
| 7-3 | Sole Survivor | — | ||
| 7-4 | Book of Saturday | — | ||
| 7-5 | Emma | — | ||
| 7-6 | Martin Orford Keyboard Solo - 'Tatras' | — | ||
| 7-7 | In the Dead of Night | — | ||
| 7-8 | Bygosh!! | — | ||
| 7-9 | Easy Money | — | ||
| 7-10 | Rendezvous 6:02 | — | ||
| 7-11 | The Birth of Igor | — | ||
| 7-12 | After All | — | ||
| 7-13 | Starless | — | ||
| 7-14 | The Night Watch | — | ||
| 7-15 | Suzanne | — | ||
| 8-1 | Intro | — | ||
| 8-2 | Boof of Saturday | — | ||
| 8-3 | Heat of the Moment | — | ||
| 8-4 | Sole Survivor | — | ||
| 8-5 | Martin Orford Piano Solo - 'Ode to Quilmes' | — | ||
| 8-6 | Battle Lines | — | ||
| 8-7 | Arkangel | — | ||
| 8-8 | The Smile Has Left Your Eyes | — | ||
| 8-9 | Easy Money | — | ||
| 8-10 | Emma | — | ||
| 8-11 | Announcement | — | ||
| 8-12 | Thirty Years | — | ||
| 8-13 | Hold Me Now | — | ||
| 8-14 | Rendezvous 6:02 | — | ||
| 8-15 | The Night Watch | — | ||
| 8-16 | Starless | — | ||
| 9-1 | The Circle of St. Giles | — | ||
| 9-2 | The Last Thing on My Mind | — | ||
| 9-3 | Sole Survivor | — | ||
| 9-4 | Battle Lines | — | ||
| 9-5 | Book of Saturday | — | ||
| 9-6 | Martin Orford Piano Solo - 'Ode to Quilmes' | — | ||
| 9-7 | Emma | — | ||
| 9-8 | The Smile Has Left Your Eyes | — | ||
| 9-9 | Hold Me Now | — | ||
| 9-10 | The Night Watch | — | ||
| 9-11 | Only Time Will Tell | — | ||
| 9-12 | In the Dead of Night | — | ||
| 10-1 | Easy Money | — | ||
| 10-2 | After All | — | ||
| 10-3 | Rendezvous 6:02 | — | ||
| 10-4 | Time Again | — | ||
| 10-5 | Starless | — | ||
| 10-6 | Heat of the Moment | — | ||
| 10-7 | Don'y Cry | — | ||
| 10-8 | The Celtic Cross | — |
Intro
—
Heat of the Moment
—
Don't Cry
—
Right Where I Wanted to Be
—
Rendezvous 6:02
—
Caught in the Crossfire
—
Easy Money
—
In the Dead of Night
—
Thirty Years
—
Only Time Will Tell
—
Did It All for Love
—
Hold Me Now
—
Starless
—
Book of Saturday
—
Crime of Passion
—
Battle Lines
—
Open Your Eyes
—
The Smile Has Left Your Eyes
—
Sole Survivor
—
Intro
—
Don't Cry
—
Voice of America
—
Hold Me Now
—
Book of Saturday
—
Thirty Years
—
Only Time Will Tell
—
Crime of Passion
—
Caught in the Crossfire
—
Easy Money
—
In the Dead of Night
—
Battle Lines
—
Starless
—
Rendezvous 6:02
—
Open Your Eyes
—
Sole Survivor
—
The Smile Has Left Your Eyes
—
Heat of the Moment
—
Sole Survivor
—
I Can't Lie Anymore
—
Battle Lines
—
John Young's Keyboard Solo
—
Thirty Years
—
Rendezvous 6:02
—
Thomas Lang's Drum Solo
—
Easy Money
—
In the Dead of Night
—
Heat of the Moment
—
The Smile Has Left Your Eyes
—
The Night Watch
—
Only Time Will Tell
—
The Circle of St. Giles
—
The Last Thing on My Mind
—
Sole Survivor
—
I Can't Lie Anymore
—
Battle Lines
—
John Young's Keyboard Solo
—
Arkangel
—
Emma
—
The Smile Has Left Your Eyes
—
The Night Watch
—
Thirty Years
—
Hold Me Now
—
Only Time Will Tell
—
Rendezvous 6:02
—
Thomas Lang's Drum Solo
—
Easy Money
—
In the Dead of Night
—
After All
—
Heat of the Moment
—
Starless
—
Don't Cry
—
The Celtic Cross
—
Blues Was on My Mind (April 05, 1997)
—
Intro - Guitar Concerto
—
The Last Thing on My Mind
—
Sole Survivor
—
Book of Saturday
—
Emma
—
Martin Orford Keyboard Solo - 'Tatras'
—
In the Dead of Night
—
Bygosh!!
—
Easy Money
—
Rendezvous 6:02
—
The Birth of Igor
—
After All
—
Starless
—
The Night Watch
—
Suzanne
—
Intro
—
Boof of Saturday
—
Heat of the Moment
—
Sole Survivor
—
Martin Orford Piano Solo - 'Ode to Quilmes'
—
Battle Lines
—
Arkangel
—
The Smile Has Left Your Eyes
—
Easy Money
—
Emma
—
Announcement
—
Thirty Years
—
Hold Me Now
—
Rendezvous 6:02
—
The Night Watch
—
Starless
—
The Circle of St. Giles
—
The Last Thing on My Mind
—
Sole Survivor
—
Battle Lines
—
Book of Saturday
—
Martin Orford Piano Solo - 'Ode to Quilmes'
—
Emma
—
The Smile Has Left Your Eyes
—
Hold Me Now
—
The Night Watch
—
Only Time Will Tell
—
In the Dead of Night
—
Easy Money
—
After All
—
Rendezvous 6:02
—
Time Again
—
Starless
—
Heat of the Moment
—
Don'y Cry
—
The Celtic Cross
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5013929958197?
5013929958197 is a Universal Product Code (UPC) assigned to Concentus II - The John Wetton Live Collection Volume Two by John Wetton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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