UPC · Release
The History of Jazz: 100 Jazz Hits as Featured in the Celebrated TV Series
Various Artists
Last verified:
5014293370820 is the Universal Product Code (UPC barcode) for the release “The History of Jazz: 100 Jazz Hits as Featured in the Celebrated TV Series” by Various Artists, released 2001-01-01 on Prism Leisure. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USBJN0920007, DEU240800868, DEU240800871.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tiger Rag | — | ||
| 2 | Keep Off the Grass | — | ||
| 3 | Snake Rag | — | ||
| 4 | Wild Cat Blues | — | ||
| 5 | The One I Love Belongs to Somebody Else | — | ||
| 6 | Shanghai Shuffle | — | ||
| 7 | Grandpa’s Spells | — | ||
| 8 | Stomp Time Blues | — | ||
| 9 | Clarinet Marmalade | — | ||
| 10 | Singin’ the Blues | Frankie Trumbauer and His Orchestra | T-914.831.970-4 | |
| 11 | Back Water Blues | — | ||
| 12 | Wild Man Blues | Louis Armstrong and His Hot Seven | T-070.200.175-9 | |
| 13 | Potato Head Blues | Louis Armstrong and His Hot Seven | T-070.273.309-2 | |
| 14 | Creole Love Call | — | ||
| 15 | Black and Tan Fantasy | — | ||
| 16 | Lonely Melody | — | ||
| 17 | Sugar | — | ||
| 18 | Kansas City Stomps | — | ||
| 19 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 20 | The Mooche | — | ||
| 21 | Mahogany Hall Stomp | Louis Armstrong and His Savoy Ballroom Five | T-901.129.193-3 | |
| 22 | Blue Devil Blues | — | ||
| 23 | St. Louis Blues | — | ||
| 24 | Sugar Foot Stomp | — | ||
| 25 | Lazy River | Louis Armstrong & His Orchestra | T-070.095.195-6 | |
| 2-1 | Star Dust | Louis Armstrong and His Orchestra | T-031.563.049-9 | |
| 2-2 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | Duke Ellington & His Orchestra | T-071.064.010-0 | |
| 2-3 | Moten Swing | — | ||
| 2-4 | Sophisticated Lady | — | ||
| 2-5 | Down South Camp Meeting | — | ||
| 2-6 | Rock and Rye | — | ||
| 2-7 | Blue Skies | — | ||
| 2-8 | King Porter Stomp | Benny Goodman and His Orchestra | T-070.092.517-2 | |
| 2-9 | Sing Me a Swing Song (and Let Me Dance) | — | ||
| 2-10 | Organ Grinder’s Swing | — | ||
| 2-11 | Who? | — | ||
| 2-12 | Shoe Shine Boy | — | ||
| 2-13 | Shine | — | ||
| 2-14 | Stompin’ at the Savoy | — | ||
| 2-15 | Song of India | Tommy Dorsey | — | |
| 2-16 | Caravan | — | ||
| 2-17 | One O’Clock Jump | — | ||
| 2-18 | Harlem Congo | Chick Webb and His Orchestra | — | |
| 2-19 | J’Attendrai (Tournerai) | — | ||
| 2-20 | Little Joe From Chicago | Andy Kirk and His Twelve Clouds of Joy | T-911.817.994-5 | |
| 2-21 | Sent for You Yesterday | — | ||
| 2-22 | Don’t Be That Way | — | ||
| 2-23 | I Let a Song Go Out of My Heart | — | ||
| 2-24 | A‐Tisket, A‐Tasket | Chick Webb and His Orchestra, Ella Fitzgerald | T-902.841.722-3 | |
| 2-25 | When the Saints Go Marching In | — | ||
| 3-1 | Begin the Beguine | — | ||
| 3-2 | Prelude to a Kiss | — | ||
| 3-3 | Jumpin’ at the Woodside | — | ||
| 3-4 | Finger Buster | — | ||
| 3-5 | Grand Terrace Shuffle | — | ||
| 3-6 | Cherokee | — | ||
| 3-7 | In the Mood | Glenn Miller | T-070.906.423-2 | |
| 3-8 | Lester Leaps In | — | ||
| 3-9 | Body and Soul | — | ||
| 3-10 | Your Feet’s Too Big | — | ||
| 3-11 | Bouncing with Bean | — | ||
| 3-12 | Grand Slam (Boy Meets Goy) | — | ||
| 3-13 | Cotton Tail | — | ||
| 3-14 | Perdido Street Blues | — | ||
| 3-15 | Day Dream | — | ||
| 3-16 | Baby Dear | — | ||
| 3-17 | On the Alamo | — | ||
| 3-18 | Drum Boogie | — | ||
| 3-19 | Take the ‘’A’’ Train | — | ||
| 3-20 | Swingmatism | — | ||
| 3-21 | God Bless the Child | — | ||
| 3-22 | Solitude | — | ||
| 3-23 | I’m Coming Virginia | — | ||
| 3-24 | American Patrol | — | ||
| 3-25 | I’ve Got a Gal in Kalamazoo | — | ||
| 4-1 | Gut Stomp | — | ||
| 4-2 | I Got Rhythm | — | ||
| 4-3 | Midnight Symphony | — | ||
| 4-4 | Blue ’N’ Boogie | — | ||
| 4-5 | Strange Fruit | — | ||
| 4-6 | Groovin’ High | — | ||
| 4-7 | Dizzy Atmosphere | — | ||
| 4-8 | Summertime | — | ||
| 4-9 | Salt Peanuts | — | ||
| 4-10 | Lover Man | — | ||
| 4-11 | Hot House | — | ||
| 4-12 | Re‐Boppers – Ko‐Ko | — | ||
| 4-13 | Yardbird Suite | — | ||
| 4-14 | Oop Bop Sh’Bam | — | ||
| 4-15 | Bebop | — | ||
| 4-16 | Bebop in Pastel | — | ||
| 4-17 | Lady Be Good | — | ||
| 4-18 | Rockin’ Chair | — | ||
| 4-19 | Bird of Paradise | — | ||
| 4-20 | Embraceable You | — | ||
| 4-21 | Fats Blows | — | ||
| 4-22 | Manteca | — | ||
| 4-23 | Epistrophy | — | ||
| 4-24 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 4-25 | Indiana (Back Home Again in Indiana) | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Song of India | Tommy Dorsey | — |
| Song of India | Tommy Dorsey | — |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Harlem Congo | Chick Webb and His Orchestra | — |
| Harlem Congo | Chick Webb and His Orchestra | — |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
+53 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+35 more
Credits Graph
People also ask
Verified on
What is UPC 5014293370820?
5014293370820 is a Universal Product Code (UPC) assigned to The History of Jazz: 100 Jazz Hits as Featured in the Celebrated TV Series by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm