UPC · Release
Broadway: 154 Original Recordings
Various Artists
Last verified:
5014293682725 is the Universal Product Code (UPC barcode) for the release “Broadway: 154 Original Recordings” by Various Artists, released 2002-01-01 on Prism Leisure. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 154 tracks, each with its own ISRC. Tracks include GB8XC1049514, USMC15180858, USUMC0000083.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (154)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture | — | ||
| 2 | Another Op’nin’ Another Show | — | ||
| 3 | Why Can’t You Behave? | — | ||
| 4 | Wunderbar | — | ||
| 5 | So in Love | — | ||
| 6 | We Open in Venice | — | ||
| 7 | Tom, Dick or Harry | — | ||
| 8 | I’ve Come to Wive It Wealthily in Padua | — | ||
| 9 | I Hate Men | — | ||
| 10 | Were Thine That Special Face | — | ||
| 11 | Too Darn Hot | — | ||
| 12 | Where Is the Life That Late I Led? | — | ||
| 13 | Always True to You (in My Fashion) | — | ||
| 14 | Bianca | — | ||
| 15 | So in Love (reprise) | — | ||
| 16 | Brush Up Your Shakespeare | — | ||
| 17 | I Am Ashamed That Women Are So Simple | — | ||
| 18 | Finale | — | ||
| 19 | Why Can’t You Behave? (1951 original London cast) | — | ||
| 20 | Wunderbar (1951 original London cast) | — | ||
| 21 | So in Love (1951 original London cast) | — | ||
| 22 | I Hate Men (1951 original London cast) | — | ||
| 23 | Were Thine That Special Face (1951 original London cast) | — | ||
| 24 | Always True to You (in My Fashion) (1951 original London cast) | — | ||
| 25 | Where Is the Life That Late I Led? (1951 original London cast) | — | ||
| 26 | Brush Up Your Shakespeare (1951 original London cast) | — | ||
| 2-1 | Overture | — | ||
| 2-2 | Dites‐moi | — | ||
| 2-3 | A Cockeyed Optimist | — | ||
| 2-4 | Twin Soliloquies (Wonder How It Feels) | — | ||
| 2-5 | Some Enchanted Evening | — | ||
| 2-6 | Bloody Mary | — | ||
| 2-7 | There Is Nothin’ Like a Dame | — | ||
| 2-8 | Bali Ha’i | — | ||
| 2-9 | I’m Gonna Wash That Man Right Outa My Hair | — | ||
| 2-10 | A Wonderful Guy | — | ||
| 2-11 | Younger Than Springtime | — | ||
| 2-12 | Happy Talk | — | ||
| 2-13 | Honey Bun | — | ||
| 2-14 | You’ve Got to Be Carefully Taught | — | ||
| 2-15 | This Nearly Was Mine | — | ||
| 2-16 | Finale | — | ||
| 2-17 | Some Enchanted Evening | — | ||
| 2-18 | I’m Gonna Wash That Man Right Outa My Hair | — | ||
| 2-19 | Happy Talk | — | ||
| 2-20 | Bali Ha’i | — | ||
| 3-1 | Doin’ What Comes Natur’lly | — | ||
| 3-2 | The Girl That I Marry | — | ||
| 3-3 | You Can’t Get a Man With a Gun | — | ||
| 3-4 | They Say It’s Wonderful | — | ||
| 3-5 | Moonshine Lullaby | — | ||
| 3-6 | My Defenses Are Down | — | ||
| 3-7 | I’m an Indian Too | — | ||
| 3-8 | I Got Lost in His Arms | — | ||
| 3-9 | Who Do You Love, I Hope | — | ||
| 3-10 | I Got the Sun in the Morning | — | ||
| 3-11 | Anything You Can Do | — | ||
| 3-12 | There’s No Business Like Show Business | — | ||
| 3-13 | The Girl That I Marry / They Say It’s Wonderful / There’s No Business Like Show Business (1947 London cast) | — | ||
| 3-14 | You Can’t Get a Man With a Gun / My Defences Are Down / I Got Lost in His Arms (1947 London cast) | — | ||
| 3-15 | Moonshine Lullaby / They Say It’s Wonderful / Doin’ What Come Natur’lly (1947 London cast) | — | ||
| 3-16 | Who Do You Love, I Hope / Anything You Can Do / I’m a Bad, Bad Man / I Got the Sun in the Morning (1947 London cast) | — | ||
| 4-1 | Overture | — | ||
| 4-2 | Oh, What a Beautiful Mornin’ | Alfred Drake | T-070.158.385-8 | |
| 4-3 | The Surrey With the Fringe on Top | — | ||
| 4-4 | Kansas City | — | ||
| 4-5 | I Cain’t Say No | — | ||
| 4-6 | Many a New Day | — | ||
| 4-7 | People Will Say We’re in Love | — | ||
| 4-8 | Pore Jud Is Daid | — | ||
| 4-9 | Out of My Dreams | — | ||
| 4-10 | All ’er Nothin’ | — | ||
| 4-11 | Oklahoma | — | ||
| 4-12 | Finale | — | ||
| 4-13 | Oh, What a Beautiful Mornin’ / The Surrey With the Fringe on Top / Out of My Dreams (1947 original London cast) | — | ||
| 4-14 | Kansas City / I Cain’t Say No / People Will Say We’re in Love (1947 original London cast) | — | ||
| 4-15 | The Farmer Dance (The Farmer and the Cowman) / Pore Jud Is Daid / It’s a Scandal, It’s an Outrage (1947 original London cast) | — | ||
| 4-16 | Many a New Day / All ’er Nothin’ / Oklahoma (1947 original London cast) | — | ||
| 5-1 | Overture | — | ||
| 5-2 | I Whistle a Happy Tune | — | ||
| 5-3 | My Lord and Master | — | ||
| 5-4 | Hello, Young Lovers | Gertrude Lawrence | T-070.073.200-8 | |
| 5-5 | March of the Siamese Children | — | ||
| 5-6 | A Puzzlement | — | ||
| 5-7 | Getting to Know You | Gertrude Lawrence | T-070.064.036-3 | |
| 5-8 | We Kiss in a Shadow | — | ||
| 5-9 | Shall I Tell You What I Think of You? | — | ||
| 5-10 | Something Wonderful | — | ||
| 5-11 | I Have Dreamed | — | ||
| 5-12 | Shall We Dance? | — | ||
| 5-13 | Hello, Young Lovers | — | ||
| 5-14 | Getting to Know You | — | ||
| 5-15 | We Kiss in a Shadow | — | ||
| 6-1 | The Carousel Waltz | — | ||
| 6-2 | You’re a Queer One, Julie Jordan / Mister Snow | — | ||
| 6-3 | If I Loved You | — | ||
| 6-4 | Soliloquy | — | ||
| 6-5 | June Is Bustin’ Out All Over | — | ||
| 6-6 | When the Children Are Asleep | — | ||
| 6-7 | Blow High, Blow Low | — | ||
| 6-8 | This Was a Real Nice Clambake | — | ||
| 6-9 | There’s Nothin’ So Bad for a Woman / What’s the Use of Wond’rin’ | — | ||
| 6-10 | The Highest Judge of All | — | ||
| 6-11 | You’ll Never Walk Alone | — | ||
| 6-12 | June Is Bustin’ Out All Over | — | ||
| 6-13 | Mister Snow | — | ||
| 6-14 | When the Children Are Asleep | — | ||
| 6-15 | If I Loved You | — | ||
| 6-16 | A Real Nice Clambake | — | ||
| 6-17 | Blow High, Blow Low | — | ||
| 6-18 | What’s the Use of Wond’rin’ | — | ||
| 6-19 | Soliloquy | — | ||
| 6-20 | You’ll Never Walk Alone | — | ||
| 7-1 | Runyonland Music / Fugue for Tinhorns / Follow the Fold | — | ||
| 7-2 | The Oldest Established Permanent Floating Crap Game in New York | — | ||
| 7-3 | I’ll Know | — | ||
| 7-4 | A Bushel and a Peck | — | ||
| 7-5 | Adelaide’s Lament | — | ||
| 7-6 | Guys and Dolls | — | ||
| 7-7 | If I Were a Bell | — | ||
| 7-8 | My Time of Day | — | ||
| 7-9 | I’ve Never Been in Love Before | — | ||
| 7-10 | Take Back Your Mink | — | ||
| 7-11 | More I Cannot Wish You | — | ||
| 7-12 | Luck Be a Lady Tonight | — | ||
| 7-13 | Sue Me | — | ||
| 7-14 | Sit Down, You’re Rockin’ the Boat | — | ||
| 7-15 | Marry the Man Today | — | ||
| 7-16 | Finale: Reprise: Guys and Dolls | — | ||
| 7-17 | A Bushel and a Peck | Perry Como, Betty Hutton, Mitchell Ayres | T-070.012.832-0 | |
| 7-18 | If I Were a Bell | — | ||
| 7-19 | I’ve Never Been in Love Before | — | ||
| 7-20 | Luck Be a Lady Tonight | — | ||
| 8-1 | Overture | — | ||
| 8-2 | Cotton Blossom | — | ||
| 8-3 | Make Believe | — | ||
| 8-4 | Ol’ Man River | — | ||
| 8-5 | Can’t Help Lovin’ Dat Man | — | ||
| 8-6 | Life Upon the Wicked Stage | — | ||
| 8-7 | You Are Love | — | ||
| 8-8 | Why Do I Love You? | — | ||
| 8-9 | Bill | — | ||
| 8-10 | Nobody Else But Me | — | ||
| 8-11 | Cotton Blossom (1928 London cast) | — | ||
| 8-12 | Make Believe (1928 London cast) | — | ||
| 8-13 | Ol’ Man River (1928 London cast) | — | ||
| 8-14 | Can’t Help Lovin’ Dat Man (1928 London cast) | — | ||
| 8-15 | Queenie’s Bally‐Hoo (1928 London cast) | — | ||
| 8-16 | You Are Love (1928 London cast) | — | ||
| 8-17 | Why Do I Love You? (1928 London cast) | — | ||
| 8-18 | In Dahomey (1928 London cast) | — | ||
| 8-19 | Bill (1928 London cast) | — | ||
| 8-20 | Dance the Night Away (1928 London cast) | — | ||
| 8-21 | I Still Suits Me | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
What is UPC 5014293682725?
5014293682725 is a Universal Product Code (UPC) assigned to Broadway: 154 Original Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 154 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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