UPC · Release
Sixties Summer Mix 2
Various Artists
Last verified:
5014469529724 is the Universal Product Code (UPC barcode) for the release “Sixties Summer Mix 2” by Various Artists, released 1998-01-01 on Telstar TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC. Tracks include USMV29900149, DKUM70900195, USF066500010.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’m a Believer | The Monkees | T-070.250.375-0 | |
| 2 | It’s Not Unusual | Tom Jones | T-010.433.788-3 | |
| 3 | I Got You I Feel Good | James Brown | T-700.025.204-2 | |
| 4 | The Loco‐Motion | Little Eva | T-071.000.781-0 | |
| 5 | Think | Aretha Franklin | T-070.247.263-6 | |
| 6 | Everybody Needs Somebody to Love | Solomon Burke | T-901.432.908-9 | |
| 7 | These Boots Are Made for Walking | — | ||
| 8 | The More I See You | — | ||
| 9 | Guaglione | — | ||
| 10 | Needles and Pins | — | ||
| 11 | Waterloo Sunset | — | ||
| 12 | 5‐4‐3‐2‐1 | Manfred Mann | T-010.435.193-0 | |
| 13 | All or Nothing | — | ||
| 14 | Somethin’ Stupid | — | ||
| 15 | The First Cut Is the Deepest | P.P. Arnold | T-900.023.755-8 | |
| 16 | Monday Monday | — | ||
| 17 | Turn! Turn! Turn! (To Everything There Is a Season) | The Byrds | T-070.940.593-5 | |
| 18 | For What It’s Worth | Buffalo Springfield | T-070.881.471-4 | |
| 19 | Aquarius / Let the Sunshine In | — | ||
| 20 | Can’t Take My Eyes Off You | — | ||
| 21 | Bullitt (main title) | Lalo Schifrin | T-070.248.046-3 | |
| 22 | Mas Que Nada | — | ||
| 2-1 | Surfin’ USA | — | ||
| 2-2 | Oh, Pretty Woman | Roy Orbison | T-901.349.006-7 | |
| 2-3 | I Only Want to Be With You | Dusty Springfield | T-010.434.463-9 | |
| 2-4 | All Day and All of the Night | The Kinks | T-010.078.509-8 | |
| 2-5 | Puppet on a String | Sandie Shaw | T-010.942.611-0 | |
| 2-6 | Move on Up | — | ||
| 2-7 | In the Summertime | — | ||
| 2-8 | In the Midnight Hour | — | ||
| 2-9 | Your Love Keeps Lifting Me | — | ||
| 2-10 | Sould Finger | — | ||
| 2-11 | Funky Nassau | — | ||
| 2-12 | Twist and Shout | The Isley Brothers | T-071.214.645-6 | |
| 2-13 | 1‐2‐3 | — | ||
| 2-14 | What I’d Say | — | ||
| 2-15 | You Can Get It If You Really Want | — | ||
| 2-16 | Shapes of Things | — | ||
| 2-17 | Born to Be Wild | — | ||
| 2-18 | I Got You Babe | — | ||
| 2-19 | It’s My Party | Lesley Gore | T-070.079.069-7 | |
| 2-20 | As Tears Go By | — | ||
| 2-21 | Dream a Little Dream of Me | — | ||
| 2-22 | What a Wonderful World | Kenny G, Louis Armstrong | T-070.201.791-1 |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| THINK SINGLE VERSION | ARETHA FRANKLIN | T-070.247.263-6 |
| I Got You (I Feel Good) | James Brown and the Famous Flames | T-700.025.204-2 |
| I'm A Believer | The Monkees | T-070.250.375-0 |
| I Got You (I Feel Good) | James Brown and the Famous Flames | T-700.025.204-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
+36 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 5014469529724?
5014469529724 is a Universal Product Code (UPC) assigned to Sixties Summer Mix 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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