UPC · Album
The Chillout Album 2: The Essential Late Night Mix
Various Artists
Credit Chain
Track List (22)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Papua New Guinea | The Future Sound of London | DEC689400510 |
| Connected | Stereo MC’s | GBAAN9200080 |
| Hug My Soul | Saint Etienne | GBAAW9500258 |
| Whatever, Whenever | Groove Armada | GBAHK9900061 |
| Love Theme | Vangelis | GBAHS0104435 |
| Tape Loop | Morcheeba | GBAHS0300588 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | GBAHT9400251 |
| Missing | Everything but the Girl | GBAHT9500251 |
| Love Theme | Vangelis | GBAKW8901003 |
| Walk Like a Panther (7″ version) | The All Seeing I, Tony Christie | GBANR9800124 |
| Anywhere | Dubstar | GBAYE9500037 |
| Hug My Soul | Saint Etienne | GBBBN0102254 |
| Drifting Away (Paradiso mix) | Faithless | GBBXH9920120 |
| Sometimes | Les Rythmes Digitales, Nik Kershaw | GBCFC9900011 |
| Saltwater (Mothership mix) | Chicane, Maíre Brennan | GBCUY9900004 |
| Papua New Guinea | The Future Sound of London | GBELY0600030 |
| Hug My Soul | Saint Etienne | GBUM70811391 |
| Love Theme | Vangelis | NLF050390207 |
| Missing | Everything but the Girl | UKLT91300041 |
| Light My Fire | Shirley Bassey | USCA27000177 |
| Light My Fire | Shirley Bassey | USEM39400066 |
| Trouble Man | Marvin Gaye | USMO17200014 |
Linked Identifiers
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
What is UPC 5014469530768?
5014469530768 is a Universal Product Code (UPC) assigned to The Chillout Album 2: The Essential Late Night Mix by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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