UPC · Release
The History of Country Music: The Fifties, Volume One
Various Artists
Last verified:
5014587071723 is the Universal Product Code (UPC barcode) for the release “The History of Country Music: The Fifties, Volume One” by Various Artists, released 1993-01-01 on Kenwest Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEU240526762, USMC14975543, USMC15487157.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Crazy Arms (1956) | — | ||
| 2 | Rhumba Boogie (1951) | — | ||
| 3 | Let Old Mother Nature Have Her Way (1951) | — | ||
| 4 | Jambalaya (on the Bayou) | Hank Williams, His Drifting Cowboys | T-070.241.327-1 | |
| 5 | Always Late (with Your Kisses) (1951) | — | ||
| 6 | Gambler’s Guitar | — | ||
| 7 | Chattanoogie Shoe Shine Boy | Red Foley | T-070.243.212-9 | |
| 8 | I Take the Chance (1956) | — | ||
| 9 | IN THE JAILHOUSE NOW | Webb Pierce | T-070.906.394-4 | |
| 10 | Cattle Call | Eddy Arnold | T-070.024.218-7 | |
| 11 | White Lightning (1959) | — | ||
| 12 | It Wasn’t God Who Made Honky Tonk Angels (1952) | — | ||
| 13 | Slow Poke (1951) | — | ||
| 14 | Mexican Joe | Jim Reeves | T-070.242.167-7 | |
| 15 | So Many Times (1958) | — | ||
| 16 | Singing the Blues | Marty Robbins | T-070.940.240-3 | |
| 17 | Golden Rocket (1952) | — | ||
| 18 | Blue Suede Shoes | Carl Perkins | T-900.301.723-0 | |
| 2-1 | The Story of My Life | Marty Robbins | T-070.137.917-0 | |
| 2-2 | I Let the Stars Get in My Eyes (Answer Song) (1953) | — | ||
| 2-3 | Let Me Go Lover (1954) | — | ||
| 2-4 | Four Walls (1957) | — | ||
| 2-5 | I Wanna Play House With You | Eddy Arnold, The Tennessee Plowboy and his Guitar | T-070.904.620-7 | |
| 2-6 | (When You Feel Like You’re in Love) Don’t Just Stand There (1952) | — | ||
| 2-7 | I Want to Be With You Always (1951) | — | ||
| 2-8 | Birmingham Bounce (1950) | — | ||
| 2-9 | I Forgot More Than You’ll Ever Know [1953] | — | ||
| 2-10 | There You Go (1956) | — | ||
| 2-11 | Hey Sheriff (1958) | — | ||
| 2-12 | Your Cheatin’ Heart | Hank Williams | T-070.248.357-5 | |
| 2-13 | When It’s Springtime in Alaska (It’s Forty Below) (1959) | — | ||
| 2-14 | City Lights (1958) | — | ||
| 2-15 | WHY BABY WHY | Red Sovine, Webb Pierce | T-070.247.998-8 | |
| 2-16 | Blue Blue Day (1957) | — | ||
| 2-17 | I Walk the Line (1956) | — | ||
| 2-18 | One by One (1954) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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What is UPC 5014587071723?
5014587071723 is a Universal Product Code (UPC) assigned to The History of Country Music: The Fifties, Volume One by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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