The History of Country Music: The Seventies, Volume One

UPC · Release

The History of Country Music: The Seventies, Volume One

Various Artists

5014587072126
36 tracksReleased 1993-01-01Kenwest Music

Last verified:

5014587072126 is the Universal Product Code (UPC barcode) for the release The History of Country Music: The Seventies, Volume One by Various Artists, released 1993-01-01 on Kenwest Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include USRN18100038, USMR17210019, USSM19932672.

Format

501GS1 prefix
4587Company prefix
07212Product
6Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe History of Country Music: The Seventies, Volume One
ISRC10 recordings
ISWC37 works
IPI28 songwriters

Track List (36)

Hello Darlin’
Hello Darlin’
I Ain’t Never
I Ain’t Never
The Happiest Girl in the Whole USA
The Happiest Girl in the Whole USA
All for the Love of Sunshine
All for the Love of Sunshine
CHANTILLY LACE
JERRY LEE LEWIS, JERRY LEE LEWIS, JAPE RICHARDSON, VARIOUS ARTIST, VARIOUS ARTISTS
Country Bumpkin
Country Bumpkin
Wasted Days and Wasted Nights
Wasted Days and Wasted Nights
Riding My Thumb to Mexico
Riding My Thumb to Mexico
The Year That Clayton Delaney Died
The Year That Clayton Delaney Died
Only One Love in My Life
Only One Love in My Life
On My Knees
Charlie Rich, Janie Fricke
Luckenbach Texas (Back to the Basics of Love)
Luckenbach Texas (Back to the Basics of Love)
She Never Knew Me
She Never Knew Me
Georgia on My Mind
Georgia on My Mind
Rose Garden
Rose Garden
Linda on My Mind
Linda on My Mind
THERE MUST BE MORE TO LOVE THAN THIS
THERE MUST BE MORE TO LOVE THAN THIS
JERRY LEE LEWIS
The Most Beautiful Girl
The Most Beautiful Girl
Coca Cola Cowboy
Coca Cola Cowboy
The Teddy Bear Song
The Teddy Bear Song
I’m a Ramblin’ Man
I’m a Ramblin’ Man
Eleven Roses
Eleven Roses
Rub It In
Rub It In
Golden Tears
Golden Tears
You’re My Best Friend
You’re My Best Friend
Sunday Morning Coming Down
Sunday Morning Coming Down
El Paso City
El Paso City
You Can’t Be a Beacon (If You’re Light Don’t Shine)
You Can’t Be a Beacon (If You’re Light Don’t Shine)
Secret Love
Secret Love

Credits Graph

People also ask

What is UPC 5014587072126?
UPC 5014587072126 is the Universal Product Code (barcode) for "The History of Country Music: The Seventies, Volume One" by Various Artists, released on Kenwest Music.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5014587072126?
UPC 5014587072126 contains 36 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 5014587072126?

5014587072126 is a Universal Product Code (UPC) assigned to The History of Country Music: The Seventies, Volume One by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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