UPC · Release
Couldn’t Get It Right … Plus
Climax Blues Band
Last verified:
5014661022238 is the Universal Product Code (UPC barcode) for the release “Couldn’t Get It Right … Plus” by Climax Blues Band, released 1988-01-01 on See For Miles Records Ltd.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Couldn’t Get It Right | — | ||
| 2 | Berlin Blues | — | ||
| 3 | Chasing Change | — | ||
| 4 | Losin’ the Humbles | — | ||
| 5 | Shopping Bag People | — | ||
| 6 | Sense of Direction | — | ||
| 7 | Before You Reach the Grave | — | ||
| 8 | Reaching Out | — | ||
| 9 | Right Now | — | ||
| 10 | Cobra | — | ||
| 11 | Rollin’ Home | — | ||
| 12 | Sav’ry Gravy | — | ||
| 13 | Sky High | — | ||
| 14 | Loosen Up | — | ||
| 15 | Running Out of Time | — | ||
| 16 | Mr Goodtime | — | ||
| 17 | I Am Constant | — | ||
| 18 | Mighty Fire | — |
Credits Graph
People also ask
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What is UPC 5014661022238?
5014661022238 is a Universal Product Code (UPC) assigned to Couldn’t Get It Right … Plus by Climax Blues Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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