UPC · Release
A Portrait of the Andrews Sisters
The Andrews Sisters
Last verified:
5014797204010 is the Universal Product Code (UPC barcode) for the release “A Portrait of the Andrews Sisters” by The Andrews Sisters, released 1997-01-01 on Gallerie. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 48 tracks, each with its own ISRC. Tracks include GB2R51201634, USMC13966498, GB8XC1427507.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (48)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Beat Me Daddy, Eight to the Bar | The Andrews Sisters | T-903.284.998-2 | |
| 2 | Oh, Johnny! Oh, Johnny! Oh! | The Andrews Sisters | T-901.136.172-1 | |
| 3 | Pennsylvania 6-5000 | — | ||
| 4 | The Ferryboat Serenade | — | ||
| 5 | The Beer Barrel Polka | — | ||
| 6 | South American Way | — | ||
| 7 | Sha-Sha | — | ||
| 8 | Where Have We Met Before? | — | ||
| 9 | Don’t Fence Me In | Bing Crosby, The Andrews Sisters, Vic Schoen and His Orchestra | T-070.039.701-8 | |
| 10 | Just a Simple Melody | — | ||
| 11 | Hold Tight—Hold Tight (Want Some Sea Food Mama) | The Andrews Sisters, Jimmy Dorsey and His Orchestra | T-901.136.348-7 | |
| 12 | Let’s Have Another One | — | ||
| 13 | The Woodpecker Song | — | ||
| 14 | Scrub Me Mama With a Boogie Beat | — | ||
| 15 | The Jumpin' Jive | — | ||
| 16 | Rhumboogie | — | ||
| 17 | Short’nin’ Bread | — | ||
| 18 | Well, All Right | — | ||
| 19 | Ciribiribin | — | ||
| 20 | (I've Got a Guy in) Kalamazoo | — | ||
| 21 | Billy Boy | — | ||
| 22 | Chico's Love Song | — | ||
| 23 | Down by the O-hi-o | — | ||
| 24 | Rum and Coca Cola | The Andrews Sisters | T-070.127.409-0 | |
| 2-1 | Boogie Woogie Bugle Boy | The Andrews Sisters | T-070.257.575-4 | |
| 2-2 | I Want My Mama | — | ||
| 2-3 | Begin the Beguine | — | ||
| 2-4 | Pagan Love Song | — | ||
| 2-5 | When a Prince of a Fella Meets a Cinderella | — | ||
| 2-6 | Oh! Ma Ma! (The Butcher Boy) | — | ||
| 2-7 | Chattanooga Choo Choo | The Andrews Sisters | T-070.024.519-7 | |
| 2-8 | Ooooo-Oh Boom | — | ||
| 2-9 | Ti-Pi-Tin | — | ||
| 2-10 | Strip Polka (Take It Off! Take It Off!) | — | ||
| 2-11 | Joseph Joseph | — | ||
| 2-12 | Nice Work If You Can Get It | — | ||
| 2-13 | Say “Si si” (Para vigo me voy) | The Andrews Sisters | T-070.243.389-3 | |
| 2-14 | Yodellin' Jive | — | ||
| 2-15 | Don’t Sit Under the Apple Tree (With Anyone Else but Me) | The Andrews Sisters | T-070.039.759-6 | |
| 2-16 | Why Talk About Love? | — | ||
| 2-17 | Bei mir bist du schön | The Andrews Sisters, Vic Schoen and His Orchestra | T-801.470.970-8 | |
| 2-18 | The Cock-Eyed Mayor of Kaunakakai | — | ||
| 2-19 | I’ll Be With You in Apple Blossom Time | The Andrews Sisters | T-914.758.581-7 | |
| 2-20 | Hit the Road | — | ||
| 2-21 | You Don’t Know How Much You Can Suffer | — | ||
| 2-22 | I Love You Much Too Much | — | ||
| 2-23 | Is You Is, or Is You Ain’t, My Baby | — | ||
| 2-24 | Straighten Up and Fly Right | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5014797204010?
5014797204010 is a Universal Product Code (UPC) assigned to A Portrait of the Andrews Sisters by The Andrews Sisters. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 48 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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