UPC · Release
AD 1979–1981 The Gem Years
UK Subs
Last verified:
5014797891029 is the Universal Product Code (UPC barcode) for the release “AD 1979–1981 The Gem Years” by UK Subs, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 90 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (90)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | C.I.D. | — | ||
| 2 | I Couldn’t Be You | — | ||
| 3 | I Live in a Car | — | ||
| 4 | Tomorrow’s Girls | — | ||
| 5 | Killer | — | ||
| 6 | World War | — | ||
| 7 | Rockers | — | ||
| 8 | I.O.D. | — | ||
| 9 | T.V. Blues | — | ||
| 10 | Blues | — | ||
| 11 | Lady Esquire | — | ||
| 12 | All I Wanna Know | — | ||
| 13 | Crash Course | — | ||
| 14 | Young Criminals | — | ||
| 15 | B.1.C. | — | ||
| 16 | Disease | — | ||
| 17 | Stranglehold | — | ||
| 2-1 | You Can’t Take It Anymore | — | ||
| 2-2 | Brand New Age | — | ||
| 2-3 | Public Servant | — | ||
| 2-4 | Warhead | — | ||
| 2-5 | Barbie’s Dead | — | ||
| 2-6 | Organised Crime | — | ||
| 2-7 | Rat Race | — | ||
| 2-8 | Emotional Blackmail | — | ||
| 2-9 | Kicks | — | ||
| 2-10 | Teenage | — | ||
| 2-11 | Dirty Girls | — | ||
| 2-12 | 500 cc | — | ||
| 2-13 | Bomb Factory | — | ||
| 2-14 | Emotional Blackmail II | — | ||
| 3-1 | C.I.D. | — | ||
| 3-2 | I Couldn’t Be You | — | ||
| 3-3 | I Live in a Car | — | ||
| 3-4 | Tomorrow’s Girls | — | ||
| 3-5 | Left for Dead | — | ||
| 3-6 | Kicks | — | ||
| 3-7 | Rat Race | — | ||
| 3-8 | New York State Police | — | ||
| 3-9 | Warhead | — | ||
| 3-10 | Public Servant | — | ||
| 3-11 | Telephone Numbers | — | ||
| 3-12 | Organised Crime | — | ||
| 3-13 | Rockers | — | ||
| 3-14 | Brand New Age | — | ||
| 3-15 | Dirty Girls | — | ||
| 3-16 | The Same Thing | — | ||
| 3-17 | Crash Course | — | ||
| 3-18 | Teenage | — | ||
| 3-19 | Killer | — | ||
| 3-20 | Emotional Blackmail | — | ||
| 3-21 | I.O.D. | — | ||
| 3-22 | Lady Esquire | — | ||
| 3-23 | Blues | — | ||
| 3-24 | Young Criminals | — | ||
| 4-1 | You Don’t Belong | — | ||
| 4-2 | So What | — | ||
| 4-3 | Confrontation | — | ||
| 4-4 | Fatal | — | ||
| 4-5 | Time and Matter | — | ||
| 4-6 | Violent City | — | ||
| 4-7 | Too Tired | — | ||
| 4-8 | Party in Paris | — | ||
| 4-9 | Gangster | — | ||
| 4-10 | Face the Machine | — | ||
| 4-11 | New Order | — | ||
| 4-12 | Just Another Jungle | — | ||
| 4-13 | Collision Cult | — | ||
| 5-1 | Stranglehold | — | ||
| 5-2 | World War | — | ||
| 5-3 | Rockers | — | ||
| 5-4 | Tomorrow’s Girls | — | ||
| 5-5 | Scum of the Earth | — | ||
| 5-6 | Telephone Numbers | — | ||
| 5-7 | She’s Not There | — | ||
| 5-8 | Kicks | — | ||
| 5-9 | Victim | — | ||
| 5-10 | The Same Thing | — | ||
| 5-11 | Warhead | — | ||
| 5-12 | The Harper | — | ||
| 5-13 | Waiting for the Man | — | ||
| 5-14 | Teenage | — | ||
| 5-15 | Left for Dead | — | ||
| 5-16 | New York State Police | — | ||
| 5-17 | Party in Paris | — | ||
| 5-18 | Fall of the Empire | — | ||
| 5-19 | Keep On Running (Til You Burn) | — | ||
| 5-20 | Perfect Girl | — | ||
| 5-21 | Ice Age | — | ||
| 5-22 | Party in Paris (French version) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5014797891029?
5014797891029 is a Universal Product Code (UPC) assigned to AD 1979–1981 The Gem Years by UK Subs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 90 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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