UPC · Release
In a Bunch…
Bananarama
Last verified:
5014797893474 is the Universal Product Code (UPC barcode) for the release “In a Bunch…” by Bananarama, released 2015-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 163 tracks, each with its own ISRC. Tracks include GBAAP0200663, GBAAP8200015, GBAAP0000059.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (163)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aie A Mwana | Bananarama | — | |
| 3 | Aie a Mwana (Dubwana) | — | ||
| 5 | Aie a Mwana (U.S. dub) | — | ||
| 2-1 | T’Aint What You Do (It’s the Way That You Do It) | The Fun Boy Three, Bananarama | T-070.177.786-7 | |
| 2-2 | The “Funrama” Theme | — | ||
| 2-3 | It Ain’t What You Do… / Just Do It | — | ||
| 3-1 | Really Saying Something | Bananarama, Fun Boy Three | T-070.234.475-9 | |
| 3-2 | Give Us Back Our Cheap Fares | — | ||
| 3-7 | Really Saying Something (U.S. instrumental) | — | ||
| 4-1 | Shy Boy | Bananarama | T-010.302.085-4 | |
| 4-2 | Don’t Call Us… | — | ||
| 4-7 | Shy Boy (U.S. dub) | — | ||
| 4-8 | Shy Boy (instrumental) | — | ||
| 5-1 | He’s Got Tact | — | ||
| 5-3 | He’s Got Tact (original version) | — | ||
| 5-4 | He’s Got Tact (instrumental) | — | ||
| 6-1 | Cheers Then | Bananarama | — | |
| 6-2 | Girl About Town | — | ||
| 6-5 | Cheers Then (instrumental) | — | ||
| 7-1 | Na Na Hey Hey Kiss Him Goodbye | Bananarama | T-071.679.875-2 | |
| 7-2 | Tell Tale Signs | — | ||
| 7-4 | Na Na Hey Hey (Kiss Him Goodbye) (Na (Dub) Hey) | — | ||
| 7-7 | Na Na Hey Hey (Kiss Him Goodbye) (instrumental) | — | ||
| 8-1 | Cruel Summer | Bananarama | T-011.288.089-3 | |
| 8-2 | Cruel Summer (Cruel dub) | — | ||
| 8-4 | Cruel Summer (Summer dub) | — | ||
| 8-5 | Cairo | Bananarama | T-927.096.192-7 | |
| 9-1 | Robert de Niro’s Waiting | Bananarama | T-010.483.044-5 | |
| 9-2 | Push! | Bananarama | T-900.226.770-1 | |
| 9-5 | Robert De Niro’s Waiting… (instrumental) | — | ||
| 10-1 | Rough Justice | Bananarama | T-010.483.200-9 | |
| 10-2 | Live Now | Bananarama | T-011.302.920-1 | |
| 10-4 | Rough Justice (album version) | — | ||
| 10-6 | Rough Justice (instrumental) | — | ||
| 11-1 | King of the Jungle | Bananarama | T-010.483.201-0 | |
| 11-5 | King of the Jungle (instrumental) | — | ||
| 12-4 | The Wild Life (album version) | — | ||
| 12-5 | The Wild Life (7″ edit) | — | ||
| 12-6 | The Wild Life (instrumental) | — | ||
| 13-1 | Hot Line to Heaven | — | ||
| 13-2 | State I’m In | Bananarama | T-011.587.325-0 | |
| 13-3 | Hot Line to Heaven (album version) | — | ||
| 13-5 | Hot Line to Heaven | Bananarama | — | |
| 13-6 | Hot Line to Heaven (instrumental) | — | ||
| 13-7 | State I’m In (instrumental) | — | ||
| 13-8 | Hot Line to Heaven (radio 1 jingles) | — | ||
| 14-1 | Do Not Disturb | Bananarama | — | |
| 14-2 | Ghost | — | ||
| 14-4 | Do Not Disturb (instrumental) | — | ||
| 14-5 | Do Not Disturb (Bananamix) | — | ||
| 14-8 | Do Not Disturb (radio 1 jingles) | — | ||
| 15-1 | Venus | — | ||
| 15-2 | White Train | — | ||
| 15-4 | Venus (dub) | — | ||
| 15-6 | Venus (Hellfire dub) | — | ||
| 15-11 | Venus (radio 1 jingles) | — | ||
| 16-1 | More Than Physical | Bananarama | T-011.329.663-1 | |
| 16-2 | Scarlett | — | ||
| 16-4 | More Than Physical (dub) | — | ||
| 16-7 | More Than Physical (D.J. edit) | — | ||
| 16-8 | More Than Physical (album version) | — | ||
| 16-11 | More Than Physical (Muscle dub) | — | ||
| 16-12 | More Than Physical (instrumental) | — | ||
| 16-13 | More Than Physical (radio 1 jingles) | — | ||
| 17-1 | A Trick of the Night (#1) | — | ||
| 17-2 | A Cut Above the Rest | Bananarama | T-011.328.107-4 | |
| 17-3 | A Trick of the Night (#2) | — | ||
| 17-4 | Set on You | — | ||
| 17-7 | A Trick of the Night (dub) | — | ||
| 17-8 | A Trick of the Night (instrumental) | — | ||
| 17-15 | A Trick of the Night (U.S. instrumental) | — | ||
| 17-16 | A Trick of the Night (radio 1 jingle) | — | ||
| 18-1 | I Heard a Rumour | Bananarama | T-913.701.389-9 | |
| 18-2 | Clean Cut Boy (Party Size) | — | ||
| 18-4 | I Heard a Rumour (dub) | — | ||
| 18-9 | I Heard a Rumour (Wacky vocal dub) | — | ||
| 18-10 | I Heard a Rumour (instrumental) | — | ||
| 19-1 | Love in the First Degree | Bananarama | T-011.347.112-7 | |
| 19-2 | Mr. Sleaze | Bananarama | T-011.344.073-5 | |
| 19-4 | Love in the First Degree (Escapee instrumental) | — | ||
| 19-5 | Love in the First Degree (Eurobeat style) | Bananarama | T-011.347.112-7 | |
| 19-10 | Mr Sleaze (U.S. instrumental) | — | ||
| 20-1 | I Can’t Help It | Bananarama | T-011.341.608-2 | |
| 20-2 | Ecstasy | — | ||
| 20-4 | Ecstasy (Chicago House Stylee) | — | ||
| 20-6 | Ecstasy (Wild Style) | — | ||
| 20-7 | Ecstasy (edit) | — | ||
| 20-9 | I Can’t Help It (instrumental) | — | ||
| 21-2 | Bad For Me | Bananarama | T-011.347.115-0 | |
| 21-4 | Amnesia (the theme from The Roxy) | — | ||
| 21-7 | Amnesia (the theme from The Roxy) (7″ edit) | — | ||
| 21-10 | Love in the First Degree (house dub) | — | ||
| 21-12 | I Want You Back (instrumental) | — | ||
| 22-1 | Love, Truth and Honesty | Bananarama | T-011.359.952-2 | |
| 22-6 | Love, Truth & Honesty (Hot Power 12″) | — | ||
| 22-7 | Strike It Rich (edit) | — | ||
| 22-8 | Love, Truth & Honesty (Balearacidic dub) | — | ||
| 22-9 | Love, Truth & Honesty (Hot Power dub) | — | ||
| 22-10 | Love, Truth & Honesty (Hot Power edit) | — | ||
| 22-11 | Love, Truth & Honesty (Hot Power 12″ U.S. re‐edit) | — | ||
| 22-13 | Love, Truth & Honesty (instrumental) | — | ||
| 23-1 | Nathan Jones | Bananarama | T-070.242.424-5 | |
| 23-2 | Once in a Lifetime | Bananarama | T-011.347.113-8 | |
| 23-11 | Nathan Jones (Bass Tone dub) | — | ||
| 23-12 | Nathan Jones (Bass Tone Percappella) | — | ||
| 23-15 | Nathan Jones (Dave Ford instrumental) | — | ||
| 24-1 | Help! | Bananarama, Lananeeneenoonoo | T-010.140.359-1 | |
| 24-2 | Help! | — | ||
| 24-4 | Love in the Factory | — | ||
| 24-5 | Help! (instrumental) | — | ||
| 25-3 | Cruel Summer (’89 Swing Beat dub) | Bananarama | T-011.288.089-3 | |
| 25-6 | Cruel Summer (’89 Swing Beat instrumental) | — | ||
| 25-7 | I Heard a Rumour (Corporation dub) | — | ||
| 25-8 | Venus (Desire dub) | — | ||
| 25-9 | Cruel Summer (’89 Swing Beat 7" instrumental) | — | ||
| 25-11 | I Heard a Rumour (Corporation instrumental) | — | ||
| 25-12 | I Heard a Rumour (Drumappella) | — | ||
| 25-13 | I Heard a Rumour (F.B. dub 1) | — | ||
| 25-14 | I Heard a Rumour (F.B. dub 2) | — | ||
| 26-1 | Megarama ’89 (Alan Coulthard’s edit): Cruel Summer / Na Na Hey Hey (Kiss Him Goodbye) / Love in the First Degree / Venus | — | ||
| 26-2 | Megarama ’89 (Dimitri’s edit): Love in the Factory / Cruel Summer / Na Na Hey Hey (Kiss Him Goodbye) / Shy Boy / Venus | — | ||
| 26-5 | The Greatest Hits Megamix: Love, Truth & Honesty / Na Na Hey Hey (Kiss Him Goodbye) / Love in the First Degree / I Can't Help It / I Heard a Rumour / Shy Boy / I Want You Back / Venus | — | ||
| 26-6 | The Greatest Hits Megamix (7" edit): Love, Truth & Honesty / Na Na Hey Hey (Kiss Him Goodbye) / Love in the First Degree / I Heard a Rumour / I Want You Back / Venus | — | ||
| 26-7 | Tempus Fugit Mix: Venus / I Heard a Rumour / Love in the First Degree | — | ||
| 26-8 | Tempus Fugit Mix (instrumental): Venus / I Heard a Rumour / Love in the First Degree | — | ||
| 27-1 | Only Your Love (7‐inch) | — | ||
| 27-4 | Only Your Love (Hardcore instrumental) | — | ||
| 27-5 | Only Your Love (The Monkey Drum Mooch) | — | ||
| 27-7 | Only Your Love (Paris, Texas instrumental) | — | ||
| 27-9 | Only Your Love (Hardcore instrumental edit) | — | ||
| 27-12 | Only Your Love (7‐inch instrumental) | — | ||
| 28-1 | Preacher Man | — | ||
| 28-2 | Megalomaniac | — | ||
| 28-5 | Preacher Man (Shep’s instrumental edit) | — | ||
| 28-7 | Tripping on Your Love (Sweet Exorcist dub) | — | ||
| 28-8 | Preacher Man (bonus beats dub) | — | ||
| 28-9 | Preacher Man (Shep’s instrumental) | — | ||
| 29-1 | Long Train Running | — | ||
| 29-2 | Outta Sight | — | ||
| 29-9 | Long Train Running (instrumental) | — | ||
| 30-1 | Tripping on Your Love (7 inch) | — | ||
| 30-4 | Tripping on Your Love (Indika dub) | — | ||
| 30-5 | Tripping on Your Love (instrumental) | — | ||
| 30-7 | Tripping on Your Love (We’re All Doved‐Up dub) | — | ||
| 30-8 | Tripping on Your Love (Dance Floor Justice instrumental) | — | ||
| 30-10 | Tripping on Your Love (Silky dub) | — | ||
| 30-14 | Tripping on Your Love (Maurice’s dub) | — | ||
| 31-1 | Movin’ On (7‐inch A) | — | ||
| 31-2 | Treat Me Right | Bananarama | T-900.107.898-4 | |
| 31-3 | Movin’ On (Straight No Chaser) | — | ||
| 31-5 | Movin’ On (The Spag‐A‐Nana dub) | — | ||
| 31-12 | Movin’ On (alternative reprise) | — | ||
| 31-13 | Movin’ On (Jumpin’ dub) | — | ||
| 31-14 | Movin’ On (instrumental) | — | ||
| 31-15 | Message From Bananarama | — | ||
| 32-2 | Another Lover | Bananarama | T-011.423.008-8 | |
| 32-3 | Last Thing on My Mind (FXTC dub) | — | ||
| 32-6 | Last Thing on My Mind (Tone’s instrumental) | — | ||
| 32-9 | Last Thing on My Mind (instrumental) | — | ||
| 33-2 | Give It All Up for Love | Bananarama | T-011.423.009-9 | |
| 33-8 | More, More, More (More Tech No Dub) | — | ||
| 33-9 | More, More, More (album instrumental) | — | ||
| 33-10 | More, More, More (7‐inch instrumental) | — |
Additional database matches (26)
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Musical Works (ISWC)
Creative Contributors (ISNI)
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What is UPC 5014797893474?
5014797893474 is a Universal Product Code (UPC) assigned to In a Bunch… by Bananarama. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 163 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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