UPC · Release
Various Artists
Last verified:
5014797895195 is the Universal Product Code (UPC barcode) for the release “100 Hits: Jazz” by Various Artists, released 2016-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include QZR8K2122001, USC4R1705856, USBN28900073.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 52nd Street Theme | — | ||
| 2 | Just One of Those Things | — | ||
| 3 | Remember | — | ||
| 4 | Cheek to Cheek | — | ||
| 5 | Anthropology | — | ||
| 6 | This Nearly Was Mine | Cecil Taylor | T-031.593.603-8 | |
| 7 | Peri’s Scope | Bill Evans Trio | — | |
| 8 | My Funny Valentine | Chet Baker | T-070.110.849-7 | |
| 9 | Weirdo | Miles Davis Quartet | — | |
| 10 | The Lady Is a Tramp | — | ||
| 11 | Giant Steps | John Coltrane | T-070.234.217-3 | |
| 12 | Mangolina | — | ||
| 13 | Horacescope | — | ||
| 14 | Willow Weep for Me | Thelonious Monk | T-070.200.285-4 | |
| 15 | Django | — | ||
| 16 | Ecorah | — | ||
| 17 | The Ripper | — | ||
| 18 | The Cylinder | — | ||
| 19 | Splinter | — | ||
| 20 | Epistrophy (alternate take) | Thelonious Monk, John Coltrane | T-070.049.520-0 | |
| 2-1 | Watermelon Man | Herbie Hancock | T-700.077.621-8 | |
| 2-2 | Soul Bossa Nova | Quincy Jones and His Orchestra | T-071.286.789-4 | |
| 2-3 | There Is No Greater Love | — | ||
| 2-4 | Misty | — | ||
| 2-5 | You’re Mine You | — | ||
| 2-6 | Velodrome | — | ||
| 2-7 | Ghana | Donald Byrd | T-700.016.139-9 | |
| 2-8 | Spain | — | ||
| 2-9 | Mr. Smith Goes to Town | — | ||
| 2-10 | Titora | Yusef Lateef | — | |
| 2-11 | Subconscious Lee | — | ||
| 2-12 | Blues for Herky | — | ||
| 2-13 | Reflections | Thelonious Monk Trio | T-700.057.164-4 | |
| 2-14 | Street of Dreams | — | ||
| 2-15 | Embraceable You | — | ||
| 2-16 | I’ll Close My Eyes | — | ||
| 2-17 | When I Fall in Love | — | ||
| 2-18 | Second Genesis | — | ||
| 2-19 | John S. | Sonny Rollins | T-904.654.723-3 | |
| 2-20 | Cool Eyes | — | ||
| 3-1 | More West | — | ||
| 3-2 | The Preacher | Horace Silver, The Jazz Messengers | T-901.295.250-0 | |
| 3-3 | The Sphinx | Ornette Coleman | T-071.970.244-9 | |
| 3-4 | Baubles Bangles and Beads | — | ||
| 3-5 | Repetition | Wes Montgomery | T-070.126.434-7 | |
| 3-6 | Comin’ Home Baby | Herbie Mann | — | |
| 3-7 | Hymn of the Orient | — | ||
| 3-8 | Three for the Festival | — | ||
| 3-9 | Far Cry | Eric Dolphy, Booker Little | T-070.253.997-6 | |
| 3-10 | Every Time We Say Goodbye | John Coltrane | T-070.049.895-8 | |
| 3-11 | Pierre et Béatrice | Art Blakey & The Jazz Messengers | — | |
| 3-12 | Once in a While | — | ||
| 3-13 | Spring Cannon | — | ||
| 3-14 | For the Fat Man | — | ||
| 3-15 | Miss Bliss | — | ||
| 3-16 | Ahmed’s Blues | — | ||
| 3-17 | Dr. Free‐Zee | — | ||
| 3-18 | Let’s Get Lost | — | ||
| 3-19 | Ungawa | — | ||
| 3-20 | Air Conditioning | — | ||
| 4-1 | African Waltz | Cannonball Adderley | T-911.053.469-5 | |
| 4-2 | Lullaby of Birdland | — | ||
| 4-3 | That's All | Ben Webster | T-071.017.360-6 | |
| 4-4 | But Beautiful | — | ||
| 4-5 | In the Still of the Night | — | ||
| 4-6 | Taking a Chance on Love | — | ||
| 4-7 | I Cover the Warerfont | — | ||
| 4-8 | Sonny Sounds | — | ||
| 4-9 | While We’re Young | — | ||
| 4-10 | Yesterdays | — | ||
| 4-11 | Mack the Knife | Louis Armstrong | T-071.314.125-3 | |
| 4-12 | Just Friends | Charlie Parker and Strings | — | |
| 4-13 | Now’s the Time | — | ||
| 4-14 | Dig Dis | — | ||
| 4-15 | Black Orpheus | — | ||
| 4-16 | Blue and Sentimental | — | ||
| 4-17 | Body and Soul | — | ||
| 4-18 | Have You Met Miss Jones? | — | ||
| 4-19 | Stardust | — | ||
| 4-20 | Autumn in New York | — | ||
| 5-1 | The Opener | — | ||
| 5-2 | The Wailing Boat | — | ||
| 5-3 | Port of Call (take 2) | Cecil Taylor | T-700.054.735-5 | |
| 5-4 | Palo Alto | — | ||
| 5-5 | Tem d’amore | — | ||
| 5-6 | Afrodisia | Kenny Dorham | T-070.880.566-6 | |
| 5-7 | Just for You | — | ||
| 5-8 | If There’s Soemone Lovelier Than You | — | ||
| 5-9 | The Last Time I Saw Paris | — | ||
| 5-10 | Tuesday at Two | Chico Hamilton | T-909.958.201-1 | |
| 5-11 | Why Are We Afraid? | — | ||
| 5-12 | The Twitch | Quincy Jones | T-700.075.152-2 | |
| 5-13 | Chazzanova | — | ||
| 5-14 | Strike Up the Band | — | ||
| 5-15 | G’Wan Train | — | ||
| 5-16 | Nobody Knows the Trouble I’ve Seen | — | ||
| 5-17 | Gonna Set Your Soul on Fire | — | ||
| 5-18 | The Disguise | Ornette Coleman | — | |
| 5-19 | Mingus Fingus No. 2 | — | ||
| 5-20 | A Morning in Paris | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| HEAVYWEIGHT CHAMPION: THE COMPLETE ATLANTIC RECORDINGS | JOHN COLTRANE,ART TAYLOR,JOHN COLTRANE,NESUHI ERTEGUN,PAUL CHAMBERS,PHIL IEHLE,TOM DOWD,TOMMY FLANAGAN | T-311.898.483-7 |
| Watermelon Man | Herbie Hancock | T-072.755.063-1 |
| Weirdo | Miles Davis Quartet | — |
| Peri’s Scope | Bill Evans Trio | — |
| Titora | Yusef Lateef | — |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | JOHN COLTRANE,THELONIOUS MONK,WILBUR WARE,RAY COPELAND,ART BLAKEY,GIGI GRYCE,COLEMAN HAWKINS | T-070.049.520-0 |
| EVERYTIME WE SAY GOODBYE STEREO 2022 REMASTER | JOHN COLTRANE | T-070.049.895-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5014797895195 is a Universal Product Code (UPC) assigned to 100 Hits: Jazz by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5014797895195 is the Universal Product Code (UPC barcode) for the release “100 Hits: Jazz” by Various Artists, released 2016-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include QZR8K2122001, USC4R1705856, USBN28900073.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 52nd Street Theme | — | ||
| 2 | Just One of Those Things | — | ||
| 3 | Remember | — | ||
| 4 | Cheek to Cheek | — | ||
| 5 | Anthropology | — | ||
| 6 | This Nearly Was Mine | Cecil Taylor | T-031.593.603-8 | |
| 7 | Peri’s Scope | Bill Evans Trio | — | |
| 8 | My Funny Valentine | Chet Baker | T-070.110.849-7 | |
| 9 | Weirdo | Miles Davis Quartet | — | |
| 10 | The Lady Is a Tramp | — | ||
| 11 | Giant Steps | John Coltrane | T-070.234.217-3 | |
| 12 | Mangolina | — | ||
| 13 | Horacescope | — | ||
| 14 | Willow Weep for Me | Thelonious Monk | T-070.200.285-4 | |
| 15 | Django | — | ||
| 16 | Ecorah | — | ||
| 17 | The Ripper | — | ||
| 18 | The Cylinder | — | ||
| 19 | Splinter | — | ||
| 20 | Epistrophy (alternate take) | Thelonious Monk, John Coltrane | T-070.049.520-0 | |
| 2-1 | Watermelon Man | Herbie Hancock | T-700.077.621-8 | |
| 2-2 | Soul Bossa Nova | Quincy Jones and His Orchestra | T-071.286.789-4 | |
| 2-3 | There Is No Greater Love | — | ||
| 2-4 | Misty | — | ||
| 2-5 | You’re Mine You | — | ||
| 2-6 | Velodrome | — | ||
| 2-7 | Ghana | Donald Byrd | T-700.016.139-9 | |
| 2-8 | Spain | — | ||
| 2-9 | Mr. Smith Goes to Town | — | ||
| 2-10 | Titora | Yusef Lateef | — | |
| 2-11 | Subconscious Lee | — | ||
| 2-12 | Blues for Herky | — | ||
| 2-13 | Reflections | Thelonious Monk Trio | T-700.057.164-4 | |
| 2-14 | Street of Dreams | — | ||
| 2-15 | Embraceable You | — | ||
| 2-16 | I’ll Close My Eyes | — | ||
| 2-17 | When I Fall in Love | — | ||
| 2-18 | Second Genesis | — | ||
| 2-19 | John S. | Sonny Rollins | T-904.654.723-3 | |
| 2-20 | Cool Eyes | — | ||
| 3-1 | More West | — | ||
| 3-2 | The Preacher | Horace Silver, The Jazz Messengers | T-901.295.250-0 | |
| 3-3 | The Sphinx | Ornette Coleman | T-071.970.244-9 | |
| 3-4 | Baubles Bangles and Beads | — | ||
| 3-5 | Repetition | Wes Montgomery | T-070.126.434-7 | |
| 3-6 | Comin’ Home Baby | Herbie Mann | — | |
| 3-7 | Hymn of the Orient | — | ||
| 3-8 | Three for the Festival | — | ||
| 3-9 | Far Cry | Eric Dolphy, Booker Little | T-070.253.997-6 | |
| 3-10 | Every Time We Say Goodbye | John Coltrane | T-070.049.895-8 | |
| 3-11 | Pierre et Béatrice | Art Blakey & The Jazz Messengers | — | |
| 3-12 | Once in a While | — | ||
| 3-13 | Spring Cannon | — | ||
| 3-14 | For the Fat Man | — | ||
| 3-15 | Miss Bliss | — | ||
| 3-16 | Ahmed’s Blues | — | ||
| 3-17 | Dr. Free‐Zee | — | ||
| 3-18 | Let’s Get Lost | — | ||
| 3-19 | Ungawa | — | ||
| 3-20 | Air Conditioning | — | ||
| 4-1 | African Waltz | Cannonball Adderley | T-911.053.469-5 | |
| 4-2 | Lullaby of Birdland | — | ||
| 4-3 | That's All | Ben Webster | T-071.017.360-6 | |
| 4-4 | But Beautiful | — | ||
| 4-5 | In the Still of the Night | — | ||
| 4-6 | Taking a Chance on Love | — | ||
| 4-7 | I Cover the Warerfont | — | ||
| 4-8 | Sonny Sounds | — | ||
| 4-9 | While We’re Young | — | ||
| 4-10 | Yesterdays | — | ||
| 4-11 | Mack the Knife | Louis Armstrong | T-071.314.125-3 | |
| 4-12 | Just Friends | Charlie Parker and Strings | — | |
| 4-13 | Now’s the Time | — | ||
| 4-14 | Dig Dis | — | ||
| 4-15 | Black Orpheus | — | ||
| 4-16 | Blue and Sentimental | — | ||
| 4-17 | Body and Soul | — | ||
| 4-18 | Have You Met Miss Jones? | — | ||
| 4-19 | Stardust | — | ||
| 4-20 | Autumn in New York | — | ||
| 5-1 | The Opener | — | ||
| 5-2 | The Wailing Boat | — | ||
| 5-3 | Port of Call (take 2) | Cecil Taylor | T-700.054.735-5 | |
| 5-4 | Palo Alto | — | ||
| 5-5 | Tem d’amore | — | ||
| 5-6 | Afrodisia | Kenny Dorham | T-070.880.566-6 | |
| 5-7 | Just for You | — | ||
| 5-8 | If There’s Soemone Lovelier Than You | — | ||
| 5-9 | The Last Time I Saw Paris | — | ||
| 5-10 | Tuesday at Two | Chico Hamilton | T-909.958.201-1 | |
| 5-11 | Why Are We Afraid? | — | ||
| 5-12 | The Twitch | Quincy Jones | T-700.075.152-2 | |
| 5-13 | Chazzanova | — | ||
| 5-14 | Strike Up the Band | — | ||
| 5-15 | G’Wan Train | — | ||
| 5-16 | Nobody Knows the Trouble I’ve Seen | — | ||
| 5-17 | Gonna Set Your Soul on Fire | — | ||
| 5-18 | The Disguise | Ornette Coleman | — | |
| 5-19 | Mingus Fingus No. 2 | — | ||
| 5-20 | A Morning in Paris | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| HEAVYWEIGHT CHAMPION: THE COMPLETE ATLANTIC RECORDINGS | JOHN COLTRANE,ART TAYLOR,JOHN COLTRANE,NESUHI ERTEGUN,PAUL CHAMBERS,PHIL IEHLE,TOM DOWD,TOMMY FLANAGAN | T-311.898.483-7 |
| Watermelon Man | Herbie Hancock | T-072.755.063-1 |
| Weirdo | Miles Davis Quartet | — |
| Peri’s Scope | Bill Evans Trio | — |
| Titora | Yusef Lateef | — |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | JOHN COLTRANE,THELONIOUS MONK,WILBUR WARE,RAY COPELAND,ART BLAKEY,GIGI GRYCE,COLEMAN HAWKINS | T-070.049.520-0 |
| EVERYTIME WE SAY GOODBYE STEREO 2022 REMASTER | JOHN COLTRANE | T-070.049.895-8 |
