UPC · Release
“Brick” The Songs of Ben Folds 1994–2012
Ben Folds, Ben Folds Five
5014797897380
177 tracksReleased 2018-01-01Edsel Records
Last verified:
5014797897380 is the Universal Product Code (UPC barcode) for the release ““Brick” The Songs of Ben Folds 1994–2012” by Ben Folds, Ben Folds Five, released 2018-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 177 tracks, each with its own ISRC. Tracks include USCN39500001, USCN39500002, USCN39500003.
Format
501GS1 prefix
4797Company prefix
89738Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC“Brick” The Songs of Ben Folds 1994–2012
ISRC142 recordings
ISWC120 works
IPI6 songwriters
Track List (177)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jackson Cannery | Ben Folds Five | T-910.407.479-5 | |
| 2 | Philosophy | Ben Folds Five | — | |
| 3 | Julianne | Ben Folds Five | T-700.112.113-9 | |
| 4 | Where’s Summer B.? | Ben Folds Five | — | |
| 5 | Alice Childress | Ben Folds Five | — | |
| 6 | Underground | Ben Folds Five | — | |
| 7 | Sports & Wine | Ben Folds Five | — | |
| 8 | Uncle Walter | Ben Folds Five | — | |
| 9 | Best Imitation of Myself | Ben Folds Five | — | |
| 10 | Video | Ben Folds Five | T-700.076.374-8 | |
| 11 | The Last Polka | Ben Folds Five | T-700.112.112-8 | |
| 12 | Boxing | Ben Folds Five | — | |
| 13 | Eddie Walker | — | ||
| 14 | Tom and Mary (studio) | — | ||
| 15 | Dick Holster | — | ||
| 16 | Emaline (studio) | — | ||
| 17 | Jackson Cannery (original 7” version) | — | ||
| 2-1 | One Angry Dwarf and 200 Solemn Faces | Ben Folds Five | T-070.249.239-4 | |
| 2-2 | Fair | Ben Folds Five | T-910.407.713-6 | |
| 2-3 | Brick | Ben Folds Five | T-070.942.164-6 | |
| 2-4 | Song for the Dumped | Ben Folds Five | T-070.249.238-3 | |
| 2-5 | Selfless, Cold and Composed | Ben Folds Five | T-071.001.299-9 | |
| 2-6 | Kate | Ben Folds Five | — | |
| 2-7 | Smoke | Ben Folds Five | T-910.407.715-8 | |
| 2-8 | Cigarette | Ben Folds Five | T-700.134.156-8 | |
| 2-9 | Steven’s Last Night in Town | Ben Folds Five | T-071.017.665-0 | |
| 2-10 | Battle of Who Could Care Less | Ben Folds Five | T-070.249.498-1 | |
| 2-11 | Missing the War | Ben Folds Five | T-700.120.286-6 | |
| 2-12 | Evaporated | Ben Folds Five | T-700.120.287-7 | |
| 3-2 | For All the Pretty People | — | ||
| 3-3 | Mitchell Lane (single b-side - 1997) | Ben Folds Five | — | |
| 3-4 | All Shook Up | — | ||
| 3-5 | Champagne Supernova (live at LA2, London 26 November 1996) | — | ||
| 3-6 | Theme From Dr. Pyser (live at LA2, London 26 November 1996) | — | ||
| 3-7 | Hava Nagila | — | ||
| 3-8 | For Those of Ya’ll Who Wear Fannie Packs | — | ||
| 3-11 | Missing the War (live at Gaston Hall, Georgetown University 04 December 1997) | — | ||
| 3-12 | She Don’t Use Jelly (Lounge‐A‐Palooza) | Ben Folds Five | T-918.312.877-0 | |
| 3-13 | Smoke (live on “Morning Becomes Eclectic” KCRW / Los Angeles, 17 July 1997) | — | ||
| 3-15 | Video Killed the Radio Star | Ben Folds Five | T-010.470.465-5 | |
| 3-17 | Bad Idea | Ben Folds Five | T-700.128.244-8 | |
| 3-18 | Air | Ben Folds Five | — | |
| 4-1 | Narcolepsy | Ben Folds Five | — | |
| 4-2 | Don’t Change Your Plans | Ben Folds Five | T-910.408.218-0 | |
| 4-3 | Mess | Ben Folds Five | T-910.408.308-1 | |
| 4-4 | Magic | Ben Folds Five | T-918.114.460-5 | |
| 4-5 | Hospital Song | Ben Folds Five | — | |
| 4-6 | Army | Ben Folds Five | T-070.943.209-6 | |
| 4-7 | Your Redneck Past | Ben Folds Five | T-700.166.650-0 | |
| 4-8 | Your Most Valuable Possession | Ben Folds Five | — | |
| 4-9 | Regrets | Ben Folds Five | — | |
| 4-10 | Jane | Ben Folds Five | — | |
| 4-11 | Lullabye | Ben Folds Five | — | |
| 4-12 | (Theme From) Dr. Pyser | — | ||
| 4-13 | Birds | — | ||
| 4-14 | Leather Jacket | Ben Folds Five | — | |
| 4-15 | Don’t Change Your Plans (radio edit) | — | ||
| 5-1 | Annie Waits | Ben Folds | T-071.436.511-3 | |
| 5-2 | Zak and Sara | Ben Folds | T-071.436.512-4 | |
| 5-3 | Still Fighting It | Ben Folds | T-071.665.277-5 | |
| 5-4 | Gone | Ben Folds | T-071.436.513-5 | |
| 5-5 | Fred Jones, Part 2 | Ben Folds | T-071.436.514-6 | |
| 5-6 | The Ascent of Stan | Ben Folds | — | |
| 5-7 | Losing Lisa | Ben Folds | — | |
| 5-8 | Carrying Cathy | Ben Folds | T-071.436.516-8 | |
| 5-9 | Not the Same | Ben Folds | T-071.665.352-9 | |
| 5-10 | Hiro’s Song | — | ||
| 5-11 | Rockin’ the Suburbs | Ben Folds | T-071.665.174-9 | |
| 5-12 | Fired | Ben Folds | T-071.436.517-9 | |
| 5-13 | The Luckiest | Ben Folds | — | |
| 6-1 | Rockin’ the Suburbs (radio edit) | — | ||
| 6-2 | Girl | — | ||
| 6-3 | Make Me Mommy | — | ||
| 6-4 | One Down | — | ||
| 6-5 | The Secret Life of Morgan Davis | — | ||
| 6-6 | Zak and Sara (Cold live at the Chapel) | — | ||
| 6-7 | Boxing (Cold live at the Chapel) | — | ||
| 6-8 | Bizarre Christmas Incident | Ben Folds | T-071.636.623-2 | |
| 6-9 | Lonely Christmas Eve | — | ||
| 6-10 | Protection | — | ||
| 7-1 | One Angry Dwarf and 200 Solemn Faces | Ben Folds | — | |
| 7-2 | Zak and Sara | Ben Folds | — | |
| 7-3 | Silver Street | Ben Folds | — | |
| 7-4 | Best Imitation of Myself | Ben Folds | — | |
| 7-5 | Not the Same | Ben Folds | — | |
| 7-6 | Jane | Ben Folds | — | |
| 7-7 | One Down | Ben Folds | — | |
| 7-8 | Fred Jones, Part 2 | Ben Folds, John McCrea | T-071.436.514-6 | |
| 7-9 | Brick | Ben Folds | T-070.942.164-6 | |
| 7-10 | Narcolepsy | Ben Folds | — | |
| 7-11 | Army | Ben Folds | — | |
| 7-12 | The Last Polka | Ben Folds | — | |
| 7-13 | Tiny Dancer | Ben Folds | T-070.183.697-6 | |
| 7-14 | Rock This Bitch | Ben Folds | — | |
| 7-15 | Philosophy (inc. Misirlou) | Ben Folds | — | |
| 7-16 | The Luckiest | Ben Folds | — | |
| 7-17 | Emaline | Ben Folds | — | |
| 8-1 | Bastard | Ben Folds | T-072.175.703-4 | |
| 8-2 | You to Thank | Ben Folds | T-072.175.704-5 | |
| 8-3 | Jesusland | Ben Folds | T-072.175.705-6 | |
| 8-4 | Landed | Ben Folds | — | |
| 8-5 | Gracie | Ben Folds | T-072.175.707-8 | |
| 8-6 | Trusted | Ben Folds | T-072.175.708-9 | |
| 8-7 | Give Judy My Notice | Ben Folds | T-071.810.995-5 | |
| 8-8 | Late | Ben Folds | T-072.175.709-0 | |
| 8-9 | Sentimental Guy | Ben Folds | T-072.175.710-3 | |
| 8-10 | Time | Ben Folds | T-072.175.711-4 | |
| 8-11 | Prison Food | Ben Folds | T-072.175.712-5 | |
| 9-1 | In Between Days | Ben Folds | T-010.307.878-9 | |
| 9-2 | Gone | Ben Folds | — | |
| 9-3 | Hiro’s Song | Ben Folds | — | |
| 9-4 | You to Thank | Ben Folds | T-072.175.704-5 | |
| 9-5 | Weather Channel Music | Ben Folds | — | |
| 9-6 | Evaporated | Ben Folds | — | |
| 9-7 | There’s Always Someone Cooler Than You | Ben Folds | — | |
| 9-8 | Rockin’ the Suburbs | Ben Folds | — | |
| 9-9 | Radio Jingles for Tokyo’s Inter-FM | Ben Folds | — | |
| 9-10 | Side of the Road | Ben Folds | T-906.759.092-5 | |
| 10-1 | In Between Days | Ben Folds | T-010.307.878-9 | |
| 10-2 | All U Can Eat | Ben Folds | — | |
| 10-3 | Songs of Love | Ben Folds | T-901.643.458-5 | |
| 10-4 | There’s Always Someone Cooler Than You | Ben Folds | — | |
| 10-5 | Learn to Live With What You Are | Ben Folds | — | |
| 10-6 | Bitches Ain’t Shit | Ben Folds | T-904.306.738-5 | |
| 10-7 | Adelaide | Ben Folds | — | |
| 10-8 | Rent a Cop | Ben Folds | — | |
| 10-9 | Get Your Hands Off My Woman | Ben Folds, Corn Mo | T-010.095.052-4 | |
| 10-10 | Bruised | Ben Folds | T-071.828.836-8 | |
| 10-11 | Dog | Ben Folds | — | |
| 10-12 | Still | — | ||
| 10-15 | Family of Me | Ben Folds | T-072.789.588-6 | |
| 10-16 | Heist | Ben Folds | T-072.789.589-7 | |
| 10-17 | Lost in the Supermarket | Ben Folds | T-011.401.602-2 | |
| 10-18 | Still | Ben Folds | T-072.789.591-1 | |
| 10-20 | Still (reprise) | Ben Folds | T-070.928.279-0 | |
| 11-1 | Hiroshima (B B B Benny Hit His Head) | Ben Folds | T-902.028.031-3 | |
| 11-2 | Dr. Yang | Ben Folds | T-902.028.032-4 | |
| 11-3 | The Frown Song | Ben Folds | T-902.028.033-5 | |
| 11-4 | You Don’t Know Me | Ben Folds, Regina Spektor | T-902.028.034-6 | |
| 11-5 | Before Cologne | Ben Folds | T-902.028.035-7 | |
| 11-6 | Cologne | Ben Folds | T-902.028.036-8 | |
| 11-7 | Errant Dog | Ben Folds | T-902.028.037-9 | |
| 11-8 | Free Coffee | Ben Folds | T-902.028.038-0 | |
| 11-9 | Bitch Went Nuts | Ben Folds | T-902.028.039-1 | |
| 11-10 | Brainwascht | Ben Folds | T-902.028.040-4 | |
| 11-11 | Effington | Ben Folds | T-902.028.041-5 | |
| 11-12 | Kylie From Connecticut | Ben Folds | T-902.028.042-6 | |
| 11-13 | Black Glasses | — | ||
| 12-1 | Effington | Ben Folds | T-902.028.041-5 | |
| 12-2 | The Frown Song | Ben Folds | T-902.028.033-5 | |
| 12-3 | Dr. Yang | Ben Folds | T-902.028.032-4 | |
| 12-4 | You Don’t Know Me | Ben Folds, Regina Spektor | T-902.028.034-6 | |
| 12-5 | Free Coffee | Ben Folds | T-306.405.278-0 | |
| 12-6 | Cologne | — | ||
| 12-7 | Bitch Went Nutz | Ben Folds | — | |
| 12-8 | Hiroshima (B B B Benny Hit His Head) | — | ||
| 12-9 | Kylie From Connecticut | Ben Folds | — | |
| 12-10 | Errant Dog | Ben Folds | T-902.028.037-9 | |
| 12-11 | Brainwascht | Ben Folds | — | |
| 12-13 | Bitch Went Nutz | Ben Folds | — | |
| 12-14 | Way to Normal | — | ||
| 12-15 | Free Coffee Town | — | ||
| 12-16 | Lovesick Dianostician | — | ||
| 12-17 | Frowne Song (Feeble Anthem) | — | ||
| 12-18 | You Don't Know Me | Ben Folds, Regina Spektor | — | |
| 12-20 | Brainwashed | Ben Folds | — | |
| 13-1 | Erase Me | Ben Folds Five | — | |
| 13-2 | Michael Praytor, Five Years Later | Ben Folds Five | — | |
| 13-3 | Sky High | Ben Folds Five | T-908.996.762-4 | |
| 13-4 | The Sound of the Life of the Mind | Ben Folds Five | — | |
| 13-5 | On Being Frank | Ben Folds Five | — | |
| 13-6 | Draw a Crowd | Ben Folds Five | — | |
| 13-7 | Do It Anyway | Ben Folds Five | — | |
| 13-8 | Hold That Thought | Ben Folds Five | — | |
| 13-9 | Away When You Were Here | Ben Folds Five | — | |
| 13-10 | Thank You for Breaking My Heart | Ben Folds Five | — | |
| 13-11 | House | — |
Philosophy
Ben Folds Five
—
Where’s Summer B.?
Ben Folds Five
—
Alice Childress
Ben Folds Five
—
Underground
Ben Folds Five
—
Sports & Wine
Ben Folds Five
—
Uncle Walter
Ben Folds Five
—
Best Imitation of Myself
Ben Folds Five
—
Boxing
Ben Folds Five
—
Eddie Walker
—
Tom and Mary (studio)
—
Dick Holster
—
Emaline (studio)
—
Jackson Cannery (original 7” version)
—
Kate
Ben Folds Five
—
For All the Pretty People
—
Mitchell Lane (single b-side - 1997)
Ben Folds Five
—
All Shook Up
—
Champagne Supernova (live at LA2, London 26 November 1996)
—
Theme From Dr. Pyser (live at LA2, London 26 November 1996)
—
Hava Nagila
—
For Those of Ya’ll Who Wear Fannie Packs
—
Missing the War (live at Gaston Hall, Georgetown University 04 December 1997)
—
Smoke (live on “Morning Becomes Eclectic” KCRW / Los Angeles, 17 July 1997)
—
Air
Ben Folds Five
—
Narcolepsy
Ben Folds Five
—
Hospital Song
Ben Folds Five
—
Your Most Valuable Possession
Ben Folds Five
—
Regrets
Ben Folds Five
—
Jane
Ben Folds Five
—
Lullabye
Ben Folds Five
—
(Theme From) Dr. Pyser
—
Birds
—
Leather Jacket
Ben Folds Five
—
Don’t Change Your Plans (radio edit)
—
The Ascent of Stan
Ben Folds
—
Losing Lisa
Ben Folds
—
Hiro’s Song
—
The Luckiest
Ben Folds
—
Rockin’ the Suburbs (radio edit)
—
Girl
—
Make Me Mommy
—
One Down
—
The Secret Life of Morgan Davis
—
Zak and Sara (Cold live at the Chapel)
—
Boxing (Cold live at the Chapel)
—
Lonely Christmas Eve
—
Protection
—
One Angry Dwarf and 200 Solemn Faces
Ben Folds
—
Zak and Sara
Ben Folds
—
Silver Street
Ben Folds
—
Best Imitation of Myself
Ben Folds
—
Not the Same
Ben Folds
—
Jane
Ben Folds
—
One Down
Ben Folds
—
Narcolepsy
Ben Folds
—
Army
Ben Folds
—
The Last Polka
Ben Folds
—
Rock This Bitch
Ben Folds
—
Philosophy (inc. Misirlou)
Ben Folds
—
The Luckiest
Ben Folds
—
Emaline
Ben Folds
—
Landed
Ben Folds
—
Gone
Ben Folds
—
Hiro’s Song
Ben Folds
—
Weather Channel Music
Ben Folds
—
Evaporated
Ben Folds
—
There’s Always Someone Cooler Than You
Ben Folds
—
Rockin’ the Suburbs
Ben Folds
—
Radio Jingles for Tokyo’s Inter-FM
Ben Folds
—
All U Can Eat
Ben Folds
—
There’s Always Someone Cooler Than You
Ben Folds
—
Learn to Live With What You Are
Ben Folds
—
Adelaide
Ben Folds
—
Rent a Cop
Ben Folds
—
Dog
Ben Folds
—
Still
—
Black Glasses
—
Cologne
—
Bitch Went Nutz
Ben Folds
—
Hiroshima (B B B Benny Hit His Head)
—
Kylie From Connecticut
Ben Folds
—
Brainwascht
Ben Folds
—
Bitch Went Nutz
Ben Folds
—
Way to Normal
—
Free Coffee Town
—
Lovesick Dianostician
—
Frowne Song (Feeble Anthem)
—
You Don't Know Me
Ben Folds, Regina Spektor
—
Brainwashed
Ben Folds
—
Erase Me
Ben Folds Five
—
Michael Praytor, Five Years Later
Ben Folds Five
—
The Sound of the Life of the Mind
Ben Folds Five
—
On Being Frank
Ben Folds Five
—
Draw a Crowd
Ben Folds Five
—
Do It Anyway
Ben Folds Five
—
Hold That Thought
Ben Folds Five
—
Away When You Were Here
Ben Folds Five
—
Thank You for Breaking My Heart
Ben Folds Five
—
House
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Song for the Dumped (Japanese version) | Ben Folds Five | T-070.249.238-3 |
| All U Can Eat | Ben Folds | — |
| Rock Star | Ben Folds | — |
| Rockin’ the Suburbs (’Over the Hedge’ version) | Ben Folds, William Shatner | — |
| Cologne (piano orchestra version) | Ben Folds | — |
| Hiroshima | Ben Folds | — |
| Cologne (Piano Orchestra Version) | Ben Folds | — |
Ben Folds Five
All U Can Eat
Ben Folds
—
Rock Star
Ben Folds
—
Rockin’ the Suburbs (’Over the Hedge’ version)
Ben Folds, William Shatner
—
Cologne (piano orchestra version)
Ben Folds
—
Hiroshima
Ben Folds
—
Cologne (Piano Orchestra Version)
Ben Folds
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.095.052-4T-010.307.878-9T-010.470.465-5T-010.095.052-4T-010.307.878-9T-010.470.465-5T-011.496.025-6T-011.525.538-3T-070.183.697-6T-070.249.238-3
+110 more
T-070.249.239-4T-070.249.498-1T-070.942.164-6T-070.943.209-6T-070.183.697-6T-070.249.238-3T-070.249.239-4T-070.249.498-1T-070.942.164-6T-070.943.209-6T-071.001.299-9T-071.017.665-0T-071.436.511-3T-071.436.512-4T-071.436.513-5T-071.436.514-6T-071.436.516-8T-071.436.517-9T-071.636.623-2T-071.665.174-9T-071.665.352-9T-071.810.995-5T-071.001.299-9T-071.017.665-0T-071.436.511-3T-071.436.512-4T-071.436.513-5T-071.436.514-6T-071.436.516-8T-071.436.517-9T-071.436.520-4T-071.636.623-2T-071.665.174-9T-071.665.352-9T-071.810.995-5T-072.175.703-4T-072.175.704-5T-072.175.705-6T-072.175.707-8T-072.175.708-9T-072.175.709-0T-072.175.710-3T-072.175.711-4T-072.175.712-5T-072.789.588-6T-072.789.589-7T-072.789.591-1T-072.175.703-4T-072.175.704-5T-072.175.705-6T-072.175.707-8T-072.175.708-9T-072.175.709-0T-072.175.710-3T-072.175.711-4T-072.175.712-5T-072.789.588-6T-072.789.589-7T-072.789.591-1T-700.076.374-8T-700.112.112-8T-700.112.113-9T-700.120.286-6T-700.120.287-7T-700.128.244-8T-700.134.156-8T-700.166.650-0T-700.076.374-8T-700.112.112-8T-700.112.113-9T-700.120.286-6T-700.120.287-7T-700.128.244-8T-700.134.156-8T-700.151.650-5T-700.166.650-0T-902.028.031-3T-902.028.032-4T-902.028.033-5T-902.028.034-6T-902.028.035-7T-902.028.036-8T-902.028.037-9T-902.028.038-0T-902.028.039-1T-902.028.040-4T-902.028.041-5T-902.028.042-6T-902.028.031-3T-902.028.032-4T-902.028.033-5T-902.028.034-6T-902.028.035-7T-904.306.738-5T-906.759.092-5T-910.407.479-5T-910.407.713-6T-910.408.218-0T-918.312.877-0T-011.401.602-2T-070.249.238-3T-070.928.279-0T-071.665.277-5T-071.828.836-8T-306.405.278-0T-901.643.458-5T-908.996.762-4T-910.407.715-8T-910.408.308-1T-918.114.460-5
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What is UPC 5014797897380?
5014797897380 is a Universal Product Code (UPC) assigned to “Brick” The Songs of Ben Folds 1994–2012 by Ben Folds, Ben Folds Five. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 177 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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