UPC · Release
The Albums, Vol 2 N–Z
UK Subs
5014797897731
257 tracksReleased 2018-01-01Edsel Records
Last verified:
5014797897731 is the Universal Product Code (UPC barcode) for the release “The Albums, Vol 2 N–Z” by UK Subs, released 2018-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 257 tracks, each with its own ISRC. Tracks include USA561310122, USA561310097, QM6XS1575719.
Format
501GS1 prefix
4797Company prefix
89773Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Albums, Vol 2 N–Z
ISRC3 recordings
ISWC38 works
Track List (257)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dumfux | — | ||
| 2 | Killertime | — | ||
| 3 | Jodie Foster | — | ||
| 4 | Here Comes Alex | — | ||
| 5 | Ozone Death | — | ||
| 6 | Strangeways | — | ||
| 7 | Joyride | — | ||
| 8 | Believe in Yourself | — | ||
| 9 | Down on the Farm | — | ||
| 10 | Mohawk Radio | — | ||
| 11 | Brixton | — | ||
| 12 | Reaper | — | ||
| 13 | All the People | — | ||
| 14 | Squat the World | — | ||
| 15 | Lydia | — | ||
| 16 | Bailiffs | — | ||
| 17 | Space Patrol | — | ||
| 2-1 | Let’s Get Drunk | — | ||
| 2-2 | Shove It | — | ||
| 2-3 | DF 118 | — | ||
| 2-4 | Solutions | — | ||
| 2-5 | Public Address | — | ||
| 2-6 | Revolving Boys | — | ||
| 2-7 | One of the Girls | — | ||
| 2-8 | Darkness | — | ||
| 2-9 | Not So Secret Wars | — | ||
| 2-10 | Infidel | — | ||
| 2-11 | MPRI | — | ||
| 2-12 | Nazi Cunts | — | ||
| 2-13 | God Bless Amerikkka | — | ||
| 2-14 | Y.D.M.S. | — | ||
| 2-15 | The Great Northern Disaster | — | ||
| 2-16 | Ode to Completion | — | ||
| 3-1 | I Couldn’t Be You | — | ||
| 3-2 | Tomorrow’s Girls | — | ||
| 3-3 | Disease | — | ||
| 3-4 | C.I.D. | — | ||
| 3-5 | Stranglehold | — | ||
| 3-6 | World War | — | ||
| 3-7 | TV Blues | — | ||
| 3-8 | Another Kind of Blues | — | ||
| 3-9 | All I Wanna Know | — | ||
| 3-10 | Totters | — | ||
| 3-11 | Killer | — | ||
| 3-12 | Crash Course | — | ||
| 3-13 | Lady Esquire | — | ||
| 3-14 | I.O.D. | — | ||
| 3-15 | Emotional Blackmail | — | ||
| 4-1 | Jump on It | — | ||
| 4-2 | Your Ego | — | ||
| 4-3 | War on the Pentagon, Parts 1 & 2 | UK Subs | — | |
| 4-4 | Quintessentials | — | ||
| 4-5 | State of Alert | — | ||
| 4-6 | The Day of the Dead | — | ||
| 4-7 | AK47 | — | ||
| 4-8 | Media Man | — | ||
| 4-9 | Mouth on a Stick | — | ||
| 4-10 | Outside Society | — | ||
| 4-11 | Bitter & Twisted | — | ||
| 4-12 | Accident Prone | — | ||
| 4-13 | Killer Cops | — | ||
| 4-14 | Psychosis | — | ||
| 4-15 | Squat 96 | — | ||
| 4-16 | Dunblane | — | ||
| 5-1 | Cyberjunk | — | ||
| 5-2 | Rebel Radio | — | ||
| 5-3 | Power Corrupts | — | ||
| 5-4 | Preacher | — | ||
| 5-5 | Riot | — | ||
| 5-6 | Chemical War | — | ||
| 5-7 | Paradise Burning | — | ||
| 5-8 | House of Cards | — | ||
| 5-9 | Human Rights | — | ||
| 5-10 | Guilty Man | — | ||
| 5-11 | Lost Not Found | — | ||
| 5-12 | Music for the Deaf | — | ||
| 5-13 | Beggars & Bums | — | ||
| 5-14 | My Little Red Book | — | ||
| 5-15 | Flat Earth Society | — | ||
| 6-1 | Police State | — | ||
| 6-2 | Speak for Yourself | — | ||
| 6-3 | Self Destruct | UK Subs | T-010.861.259-4 | |
| 6-4 | Captain Scarlet | — | ||
| 6-5 | Thunderbird Wine | — | ||
| 6-6 | Hey Santa | — | ||
| 6-8 | Down on the Farm | — | ||
| 6-9 | Another Typical City | — | ||
| 6-10 | Planet I | — | ||
| 6-11 | Drag Me Down | — | ||
| 6-12 | Here Comes Alex | — | ||
| 6-13 | Ozone Death | — | ||
| 6-14 | Strangeways | — | ||
| 6-15 | DF 118 | — | ||
| 6-16 | Solutions | — | ||
| 6-17 | Outside Society | — | ||
| 6-18 | Bitter & Twisted | — | ||
| 6-19 | Squat ’96 | — | ||
| 6-20 | Riot | — | ||
| 7-1 | Endangered Species | — | ||
| 7-2 | New York State Police | — | ||
| 7-3 | Time & Matter | — | ||
| 7-4 | Countdown | — | ||
| 7-5 | Tomorrow’s Girls | — | ||
| 7-6 | Emotional Blackmail | — | ||
| 7-7 | Crash Course | — | ||
| 7-8 | Organized Crime | — | ||
| 7-9 | Warhead | — | ||
| 7-10 | Confrontation | — | ||
| 7-11 | C.I.D. | — | ||
| 7-12 | Party in Paris | — | ||
| 7-13 | I Live in a Car | — | ||
| 7-14 | Down on the Farm | — | ||
| 7-15 | Stranglehold | — | ||
| 7-16 | Limo Life | — | ||
| 8-1 | Last Man Standing | — | ||
| 8-2 | Soho | — | ||
| 8-3 | Spoils of War | — | ||
| 8-4 | 3rd World England | — | ||
| 8-5 | Universal | — | ||
| 8-6 | Hollywood | — | ||
| 8-7 | The Dark | — | ||
| 8-8 | Fragile | — | ||
| 8-9 | White Lie | — | ||
| 8-10 | Don’t Blame Islam | — | ||
| 8-11 | Cross Fire | — | ||
| 8-12 | Papers Lie | — | ||
| 8-13 | Custody | — | ||
| 8-14 | Devolution | — | ||
| 8-15 | On My Way | — | ||
| 9-1 | Livin’ Dead | — | ||
| 9-2 | Squat 96 | — | ||
| 9-3 | Emotional Blackmail | — | ||
| 9-4 | Cyberjunk | — | ||
| 9-5 | State of Alert | — | ||
| 9-6 | Mouth on a Stick | — | ||
| 9-7 | New York State Police | — | ||
| 9-8 | Organised Crime | — | ||
| 9-9 | Quintessentials | — | ||
| 9-10 | Works | — | ||
| 9-11 | Sensitive Boys | — | ||
| 9-12 | Ice Age | — | ||
| 9-13 | Crash Course | — | ||
| 9-14 | Tomorrow’s Girls | — | ||
| 9-15 | Warhead | — | ||
| 9-16 | Riot | — | ||
| 9-17 | Stranglehold | — | ||
| 9-18 | I Couldn’t Be You | — | ||
| 9-19 | Limo Life | — | ||
| 9-20 | Punk Rock ist nicht tot | — | ||
| 10-1 | Creation | — | ||
| 10-2 | Tokyo Rose | — | ||
| 10-3 | Hell Is Other People | — | ||
| 10-4 | The Axe | — | ||
| 10-5 | Radio Unfriendly | — | ||
| 10-6 | This Chaos | — | ||
| 10-7 | Guru | — | ||
| 10-8 | Eighteen Wheels | — | ||
| 10-9 | Children of the Flood | — | ||
| 10-10 | All Blurs Into One | — | ||
| 10-11 | Blood | — | ||
| 10-12 | Rock ’n’ Roll Whore | — | ||
| 10-13 | Strychnine | — | ||
| 10-14 | Robot Age | — | ||
| 11-1 | Implosion 77 | — | ||
| 11-2 | Coalition Government Blues | — | ||
| 11-3 | Speed | — | ||
| 11-4 | Rabid | — | ||
| 11-5 | Monkeys | — | ||
| 11-6 | Black Power Salute | — | ||
| 11-7 | Las Vegas Wedding | — | ||
| 11-8 | Stare at the Sun | — | ||
| 11-9 | Garden of Good and Evil | — | ||
| 11-10 | Workers Revolution | — | ||
| 11-11 | Wreckin’ Ball | — | ||
| 11-12 | Detox | — | ||
| 11-13 | Failed State | — | ||
| 11-14 | Momento Mori | — | ||
| 11-15 | Angel of Eighth Avenue | — | ||
| 11-16 | Confessions of a Dangerous Mind | — | ||
| 11-17 | Metamorphosis | — | ||
| 11-18 | Sleeping Rough | — | ||
| 11-19 | Souls From Hell | — | ||
| 11-20 | Stop Global War | — | ||
| 11-21 | Four Strong Winds | — | ||
| 11-22 | Higher Tide | — | ||
| 11-23 | The Outsider | — | ||
| 11-24 | Thunders in the Rain | — | ||
| 11-25 | Stormy Day | — | ||
| 11-26 | Little Black Crow | — | ||
| 12-1 | Sick Velveteen | — | ||
| 12-2 | Artificial | — | ||
| 12-3 | Bordeaux Red | — | ||
| 12-4 | Chemical | — | ||
| 12-5 | Deconstruct | — | ||
| 12-6 | Diatribe | — | ||
| 12-7 | Feed the Whore | — | ||
| 12-8 | Heathens | — | ||
| 12-9 | Prime Evil | — | ||
| 12-10 | Rebellion Song | — | ||
| 12-11 | Sin City Blues | — | ||
| 12-12 | Slave | — | ||
| 12-13 | Big Bug | — | ||
| 12-14 | Suicidal Girl | — | ||
| 12-15 | Virus | — | ||
| 12-16 | Cry Wolf | — | ||
| 12-17 | Archaeology | — | ||
| 12-18 | 611 | — | ||
| 13-1 | Polarisation | — | ||
| 13-2 | Oligarchy | — | ||
| 13-3 | I’ve Got a Gun | — | ||
| 13-4 | Evil vs Evil | — | ||
| 13-5 | Proto Feminist | — | ||
| 13-6 | Disclosure | — | ||
| 13-7 | Rise | — | ||
| 13-8 | World War III | — | ||
| 13-9 | Dope Fiend | — | ||
| 13-10 | I Don’t Care | — | ||
| 13-11 | Master Race | — | ||
| 13-12 | Banksy | — | ||
| 13-13 | This Machine | — | ||
| 13-14 | City of the Dead | — | ||
| 13-15 | Maid of Orleans | — | ||
| 13-16 | Zeitgeist | — | ||
| 14-1 | Another Cuba (demo) | — | ||
| 14-2 | Lydia (demo) | — | ||
| 14-3 | Riot | — | ||
| 14-4 | Government Drugs | — | ||
| 14-5 | B.F.D. | — | ||
| 14-6 | Hops n Barley | — | ||
| 14-7 | Betrayal | — | ||
| 14-8 | Nobody Move | — | ||
| 14-9 | Postcard From L.A. | — | ||
| 14-10 | Beer Police | — | ||
| 14-11 | Stay Away | — | ||
| 14-12 | Paradise Burning (extended) | — | ||
| 14-13 | It’s a Scam | — | ||
| 14-14 | Bathroom Messiah | — | ||
| 14-15 | UK Subversives | — | ||
| 14-16 | Terroristos | — | ||
| 14-17 | Phillips Environmental | — | ||
| 15-1 | Reclaim the Street | — | ||
| 15-2 | Metro | — | ||
| 15-3 | Go Home | — | ||
| 15-4 | Something in the Air | — | ||
| 15-5 | The Revolution’s Here | — | ||
| 15-7 | Something in the Air (dub) | — | ||
| 15-8 | Drunken Sailor | — | ||
| 15-9 | Product Supply | — | ||
| 15-10 | Rare Disease | — | ||
| 15-11 | Embryo | — | ||
| 15-12 | 666 Yeah | — | ||
| 15-13 | Straighten Out | — | ||
| 15-14 | Creation | — | ||
| 15-15 | Warhead (2008) | — | ||
| 15-16 | I Live in a Car (2008) | — | ||
| 15-17 | Knuckleduster | — | ||
| 15-19 | Hey Santa Claus! | UK Subs | T-700.021.766-5 |
Dumfux
—
Killertime
—
Jodie Foster
—
Here Comes Alex
—
Ozone Death
—
Strangeways
—
Joyride
—
Believe in Yourself
—
Down on the Farm
—
Mohawk Radio
—
Brixton
—
Reaper
—
All the People
—
Squat the World
—
Lydia
—
Bailiffs
—
Space Patrol
—
Let’s Get Drunk
—
Shove It
—
DF 118
—
Solutions
—
Public Address
—
Revolving Boys
—
One of the Girls
—
Darkness
—
Not So Secret Wars
—
Infidel
—
MPRI
—
Nazi Cunts
—
God Bless Amerikkka
—
Y.D.M.S.
—
The Great Northern Disaster
—
Ode to Completion
—
I Couldn’t Be You
—
Tomorrow’s Girls
—
Disease
—
C.I.D.
—
Stranglehold
—
World War
—
TV Blues
—
Another Kind of Blues
—
All I Wanna Know
—
Totters
—
Killer
—
Crash Course
—
Lady Esquire
—
I.O.D.
—
Emotional Blackmail
—
Jump on It
—
Your Ego
—
War on the Pentagon, Parts 1 & 2
UK Subs
—
Quintessentials
—
State of Alert
—
The Day of the Dead
—
AK47
—
Media Man
—
Mouth on a Stick
—
Outside Society
—
Bitter & Twisted
—
Accident Prone
—
Killer Cops
—
Psychosis
—
Squat 96
—
Dunblane
—
Cyberjunk
—
Rebel Radio
—
Power Corrupts
—
Preacher
—
Riot
—
Chemical War
—
Paradise Burning
—
House of Cards
—
Human Rights
—
Guilty Man
—
Lost Not Found
—
Music for the Deaf
—
Beggars & Bums
—
My Little Red Book
—
Flat Earth Society
—
Police State
—
Speak for Yourself
—
Captain Scarlet
—
Thunderbird Wine
—
Hey Santa
—
Down on the Farm
—
Another Typical City
—
Planet I
—
Drag Me Down
—
Here Comes Alex
—
Ozone Death
—
Strangeways
—
DF 118
—
Solutions
—
Outside Society
—
Bitter & Twisted
—
Squat ’96
—
Riot
—
Endangered Species
—
New York State Police
—
Time & Matter
—
Countdown
—
Tomorrow’s Girls
—
Emotional Blackmail
—
Crash Course
—
Organized Crime
—
Warhead
—
Confrontation
—
C.I.D.
—
Party in Paris
—
I Live in a Car
—
Down on the Farm
—
Stranglehold
—
Limo Life
—
Last Man Standing
—
Soho
—
Spoils of War
—
3rd World England
—
Universal
—
Hollywood
—
The Dark
—
Fragile
—
White Lie
—
Don’t Blame Islam
—
Cross Fire
—
Papers Lie
—
Custody
—
Devolution
—
On My Way
—
Livin’ Dead
—
Squat 96
—
Emotional Blackmail
—
Cyberjunk
—
State of Alert
—
Mouth on a Stick
—
New York State Police
—
Organised Crime
—
Quintessentials
—
Works
—
Sensitive Boys
—
Ice Age
—
Crash Course
—
Tomorrow’s Girls
—
Warhead
—
Riot
—
Stranglehold
—
I Couldn’t Be You
—
Limo Life
—
Punk Rock ist nicht tot
—
Creation
—
Tokyo Rose
—
Hell Is Other People
—
The Axe
—
Radio Unfriendly
—
This Chaos
—
Guru
—
Eighteen Wheels
—
Children of the Flood
—
All Blurs Into One
—
Blood
—
Rock ’n’ Roll Whore
—
Strychnine
—
Robot Age
—
Implosion 77
—
Coalition Government Blues
—
Speed
—
Rabid
—
Monkeys
—
Black Power Salute
—
Las Vegas Wedding
—
Stare at the Sun
—
Garden of Good and Evil
—
Workers Revolution
—
Wreckin’ Ball
—
Detox
—
Failed State
—
Momento Mori
—
Angel of Eighth Avenue
—
Confessions of a Dangerous Mind
—
Metamorphosis
—
Sleeping Rough
—
Souls From Hell
—
Stop Global War
—
Four Strong Winds
—
Higher Tide
—
The Outsider
—
Thunders in the Rain
—
Stormy Day
—
Little Black Crow
—
Sick Velveteen
—
Artificial
—
Bordeaux Red
—
Chemical
—
Deconstruct
—
Diatribe
—
Feed the Whore
—
Heathens
—
Prime Evil
—
Rebellion Song
—
Sin City Blues
—
Slave
—
Big Bug
—
Suicidal Girl
—
Virus
—
Cry Wolf
—
Archaeology
—
611
—
Polarisation
—
Oligarchy
—
I’ve Got a Gun
—
Evil vs Evil
—
Proto Feminist
—
Disclosure
—
Rise
—
World War III
—
Dope Fiend
—
I Don’t Care
—
Master Race
—
Banksy
—
This Machine
—
City of the Dead
—
Maid of Orleans
—
Zeitgeist
—
Another Cuba (demo)
—
Lydia (demo)
—
Riot
—
Government Drugs
—
B.F.D.
—
Hops n Barley
—
Betrayal
—
Nobody Move
—
Postcard From L.A.
—
Beer Police
—
Stay Away
—
Paradise Burning (extended)
—
It’s a Scam
—
Bathroom Messiah
—
UK Subversives
—
Terroristos
—
Phillips Environmental
—
Reclaim the Street
—
Metro
—
Go Home
—
Something in the Air
—
The Revolution’s Here
—
Something in the Air (dub)
—
Drunken Sailor
—
Product Supply
—
Rare Disease
—
Embryo
—
666 Yeah
—
Straighten Out
—
Creation
—
Warhead (2008)
—
I Live in a Car (2008)
—
Knuckleduster
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.147.504-0T-010.158.043-1T-010.181.876-1T-010.184.577-5T-010.471.997-2T-010.472.204-4T-010.473.748-5T-010.474.671-5T-010.475.003-9T-010.475.162-3
+28 more
T-010.480.417-2T-010.480.425-2T-010.480.430-9T-010.480.431-0T-010.481.491-6T-010.484.761-1T-010.484.995-7T-010.484.996-8T-010.488.056-9T-010.488.058-1T-010.609.997-1T-010.630.947-0T-010.861.259-4T-011.313.192-2T-011.460.424-8T-011.517.326-6T-011.774.438-3T-011.775.227-8T-070.056.028-6T-070.112.136-9T-070.243.934-6T-071.573.489-6T-700.067.914-3T-900.086.762-9T-900.151.503-3T-912.664.898-4T-916.613.488-9T-930.316.060-3
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5014797897731?
5014797897731 is a Universal Product Code (UPC) assigned to The Albums, Vol 2 N–Z by UK Subs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 257 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm