UPC · Release
The Pirates of Penzance
Gilbert, Sullivan, The D’Oyly Carte Opera Company, John Pryce‐Jones
Last verified:
5015062117707 is the Universal Product Code (UPC barcode) for the release “The Pirates of Penzance” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, John Pryce‐Jones, released 1990-01-01 on TER. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Pirates of Penzance: Overture | — | ||
| 2 | The Pirates of Penzance: Act I. “Pour, O Pour the Pirate Sherry” | — | ||
| 3 | The Pirates of Penzance: Act I. “When Fred'ric Was a Little Lad” | — | ||
| 4 | The Pirates of Penzance: Act I. “Oh, Better Far to Live and Die” | — | ||
| 5 | The Pirates of Penzance: Act I. “Oh! False One, You Have Deceiv'd Me” | — | ||
| 6 | The Pirates of Penzance: Act I. “Climbing Over Rocky Mountain” | — | ||
| 7 | The Pirates of Penzance: Act I. “Stop, Ladies, Pray!” | — | ||
| 8 | The Pirates of Penzance: Act I. “Oh, Is There Not One Maiden Breast” | — | ||
| 9 | The Pirates of Penzance: Act I. “Poor Wand'ring One!” | — | ||
| 10 | The Pirates of Penzance: Act I. “What Ought We To Do?” | — | ||
| 11 | The Pirates of Penzance: Act I. “How Beautifully Blue The Sky” | — | ||
| 12 | The Pirates of Penzance: Act I. “Stay, We Must Not Lose Our Senses” | — | ||
| 13 | The Pirates of Penzance: Act I. “Hold, Monsters!” | — | ||
| 14 | The Pirates of Penzance: Act I. “I Am The Very Model” | — | ||
| 15 | The Pirates of Penzance: Act I. Finale Act One | — | ||
| 2-1 | The Pirates of Penzance: Act II. Introduction / “Oh! Dry the Glist'ning Tear” | — | ||
| 2-2 | The Pirates of Penzance: Act II. “Then, Frederic, Let Your Escort Lion-Hearted” | — | ||
| 2-3 | The Pirates of Penzance: Act II. “When the Foeman Bares His Steel” | — | ||
| 2-4 | The Pirates of Penzance: Act II. “Now for the Pirates' Lair!” | — | ||
| 2-5 | The Pirates of Penzance: Act II. “When You Had Left Our Pirate Fold” | — | ||
| 2-6 | The Pirates of Penzance: Act II. “Away, Away, My Heart's on Fire!” | — | ||
| 2-7 | The Pirates of Penzance: Act II. “All Is Prepared” | — | ||
| 2-8 | The Pirates of Penzance: Act II. “Stay, Fred'ric, Stay!” | — | ||
| 2-9 | The Pirates of Penzance: Act II. “No, I'll be Brave!” | — | ||
| 2-10 | The Pirates of Penzance: Act II. “When a Felon's Not Engaged in His Employment” | — | ||
| 2-11 | The Pirates of Penzance: Act II. “A Rollicking Band of Pirates We” | — | ||
| 2-12 | The Pirates of Penzance: Act II. “With Cat-Like Tread” | — | ||
| 2-13 | The Pirates of Penzance: Act II. “Hush, Hush! Not a Word” | — | ||
| 2-14 | The Pirates of Penzance: Act II. “Sighing Softly to the River” | — | ||
| 2-15 | The Pirates of Penzance: Act II. “Now What is This?” / Finale Act Two | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 5015062117707?
5015062117707 is a Universal Product Code (UPC) assigned to The Pirates of Penzance by Gilbert, Sullivan, The D’Oyly Carte Opera Company, John Pryce‐Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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