The Gambler

UPC · Release

The Gambler

S. Prokofiev, Orchestra, A. Lazarev

5015524001629
40 tracksReleased 1988-01-01Мелодия

Last verified:

5015524001629 is the Universal Product Code (UPC barcode) for the release The Gambler by S. Prokofiev, Orchestra, A. Lazarev, released 1988-01-01 on Мелодия. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.

Format

501GS1 prefix
5524Company prefix
00162Product
9Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (40)

The Gambler: Act I: Introduction
The Gambler: Act I: Introduction
The Gambler: Act I: The Father Blesses His Son
The Gambler: Act I: The Father Blesses His Son
The Gambler: Act I: How Admirable, How Noble
The Gambler: Act I: How Admirable, How Noble
The Gambler: Act I: I Have In My Head Only One Idea
The Gambler: Act I: I Have In My Head Only One Idea
The Gambler: Act I: Many Thanks To You, Dear Friend
The Gambler: Act I: Many Thanks To You, Dear Friend
The Gambler: Act I: If I Were To Order You
The Gambler: Act I: If I Were To Order You
The Gambler: Act I: Besides, Who Said To Insult A Lady?
The Gambler: Act I: Besides, Who Said To Insult A Lady?
The Gambler: Act II: Yes, I Will Tell You Young Man
The Gambler: Act II: Yes, I Will Tell You Young Man
The Gambler: Act II: I Admit The Deed Was A Trifle
The Gambler: Act II: I Admit The Deed Was A Trifle
The Gambler: Act II: Enough, For Pity's Sake
The Gambler: Act II: Enough, For Pity's Sake
The Gambler: Act II: General, We Cannot Finish Thus
The Gambler: Act II: General, We Cannot Finish Thus
The Gambler: Act II: I Really Did Not Want
The Gambler: Act II: I Really Did Not Want
The Gambler: Act II: Ah, Mr. Astley
The Gambler: Act II: Ah, Mr. Astley
The Gambler: Act II: She Was Here Once
The Gambler: Act II: She Was Here Once
The Gambler: Act II: Really, But Of Course, The Dear Marquis
The Gambler: Act II: Really, But Of Course, The Dear Marquis
The Gambler: Act II: On Behalf Of The General
The Gambler: Act II: On Behalf Of The General
The Gambler: Act II: Perfect. Marvellous. Absolutely Splendid!
The Gambler: Act II: Perfect. Marvellous. Absolutely Splendid!
The Gambler: Act II: Pauline? Your Conduct Is Infantile
The Gambler: Act II: Pauline? Your Conduct Is Infantile
The Gambler: Act II: Marquis!
The Gambler: Act II: Marquis!
The Gambler: Act II: Alexis Ivanovich
The Gambler: Act II: Alexis Ivanovich
The Gambler: Act II: Well, There I Was, Apparently Very Ill
The Gambler: Act II: Well, There I Was, Apparently Very Ill
The Gambler: Act II: Good, You Are Lovely
The Gambler: Act II: Good, You Are Lovely
The Gambler: Act III: Introduction. The Old Lady Is Playing Again
The Gambler: Act III: Introduction. The Old Lady Is Playing Again
The Gambler: Act III: So That's Your Inheritance
The Gambler: Act III: So That's Your Inheritance
The Gambler: Act III: You Have Taken It Upon Yourself
The Gambler: Act III: You Have Taken It Upon Yourself
The Gambler: Act III: They Say The Old Lady Has Lost 100,000 Francs
The Gambler: Act III: They Say The Old Lady Has Lost 100,000 Francs
The Gambler: Act III: Dear Prince
The Gambler: Act III: Dear Prince
The Gambler: Act III: Why Are You Uttering So Loudly My Name
The Gambler: Act III: Why Are You Uttering So Loudly My Name
The Gambler: Act III: Good Day, My Dear Alexis Ivanovich
The Gambler: Act III: Good Day, My Dear Alexis Ivanovich
The Gambler: Act III: Yes, Yes, Yes
The Gambler: Act III: Yes, Yes, Yes
The Gambler: Act III: And Blanche
The Gambler: Act III: And Blanche
The Gambler: Act IV: (Scene One) So Grandmama Had Gone Home
The Gambler: Act IV: (Scene One) So Grandmama Had Gone Home
The Gambler: Act IV: Yes, It's Me
The Gambler: Act IV: Yes, It's Me
The Gambler: Act IV: First Entracte
The Gambler: Act IV: First Entracte
The Gambler: Act IV: Scene Two
The Gambler: Act IV: Scene Two
The Gambler: Act IV: Second Entracte
The Gambler: Act IV: Second Entracte
The Gambler: Act IV: (Scene Three) I've Won All This
The Gambler: Act IV: (Scene Three) I've Won All This
The Gambler: Act IV: Should I Hide It In A Suitcase?
The Gambler: Act IV: Should I Hide It In A Suitcase?
The Gambler: Act IV: Is It Really True?
The Gambler: Act IV: Is It Really True?
The Gambler: Act IV: Come, We Must Count
The Gambler: Act IV: Come, We Must Count

What other identifiers does this connect to?

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People also ask

What is UPC 5015524001629?
UPC 5015524001629 is the Universal Product Code (barcode) for "The Gambler" by S. Prokofiev, Orchestra, A. Lazarev, released on Мелодия.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5015524001629?
UPC 5015524001629 contains 40 tracks.

What is UPC 5015524001629?

5015524001629 is a Universal Product Code (UPC) assigned to The Gambler by S. Prokofiev, Orchestra, A. Lazarev. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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