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The UPC for “200 Popular Classics The Finest Music By The Greatest Composers” by Various Artists is 5016073490391. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Castle Pulse. This release contains 200 tracks, each with its own ISRC. Tracks include USCMG0401197.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Ride of the Valkyries from Die Walküre | — | ||
| 2 | Anitra’s Dance from Peer Gynt Suite no. 1, op. 46 | — | ||
| 3 | Clair de lune from Suite bergamasque | — | ||
| 4 | Un bel dì (One fine day) from Madama Butterfly Act II | — | ||
| 5 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 6 | Waltz in A‐flat major no. 15 from 16 Waltzes, op. 39 | — | ||
| 7 | Gopak from Sorochinsky Fair | — | ||
| 8 | Kinderszenen (Scenes of Childhood), op. 15: Träumerei (Dreaming) | — | ||
| 9 | The Four Seasons, op. 8 no. 1 “Spring”: I. Allegro | — | ||
| 10 | Le nozze di Figaro K. 492: Overture | — | ||
| 11 | Chorus of Hebrew Slaves “Va pensiero” from Nabucco Act III | — | ||
| 12 | Prelude in E minor, op. 28 no. 4 (transcr. for violin, cello and piano) | — | ||
| 13 | Waltz from The Sleeping Beauty, op. 66 | — | ||
| 14 | La donna è mobile from Rigoletto Act III | — | ||
| 15 | Tritsch‐Tratsch Polka, op. 214 | — | ||
| 16 | Liebstraum no. 3, S. 541 | — | ||
| 17 | Norwegian Dance no. 2, op. 35 | — | ||
| 18 | Concerto for Two Violins in D minor BWV 1043: 2nd movt. | — | ||
| 19 | Waltz in D‐flat major, op. 64 no. 1 “Minute Waltz” | — | ||
| 20 | The Hebrides (Fingal’s Cave), op. 26: Overture | — | ||
| 2-1 | Eine kleine Nachtmusik: I. Allegro | — | ||
| 2-2 | Air (on the G String) from Suite no. 3 in D major BWV 1068 | — | ||
| 2-3 | Waltz of the Flowers from The Nutcracker Suite, op. 71a | — | ||
| 2-4 | Clarinet Concerto in A major K. 622: II. Adagio | — | ||
| 2-5 | Für Elise, Bagatelle for Piano no. 25 in A minor WoO 59 | — | ||
| 2-6 | Winter from The Four Seasons, op. 8/1–4: I. Allegro non molto | — | ||
| 2-7 | Horn Concerto no. 4 in E‐flat K. 495: III. Finale. Rondo | — | ||
| 2-8 | Largo (Ombra mai fu) from Serse (Xerxes) (transcribed for cello and organ) | — | ||
| 2-9 | On the Beautiful Blue Danube, Waltz op. 314 | — | ||
| 2-10 | Celeste Aida from Aida Act I | — | ||
| 2-11 | Ruslan and Ludmila: Overture | — | ||
| 2-12 | La Fille aux cheveux de lin: Preludes Book 1 no. 8 | — | ||
| 2-13 | Champagne Polka, op. 211 | — | ||
| 2-14 | Prelude in A major, op. 28 no. 7 | — | ||
| 2-15 | Anvil Chorus from Il trovatore Act II | — | ||
| 2-16 | Gymnopédie no. 1 | — | ||
| 2-17 | Eine kleine Nachtmusik K. 525: IV. Rondo | — | ||
| 2-18 | The Merry Peasant from Album for the Young, op. 68 | — | ||
| 2-19 | Trumpet Concerto in E‐flat H.VIIe:1: Finale. Allegro | — | ||
| 2-20 | Symphony no. 8 in B minor D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-21 | Polovtsian Dances from Prince Igor | — | ||
| 3-1 | O Fortuna from Carmina Burana | — | ||
| 3-2 | Rhapsody on a theme of Paganini: 18th Variation | — | ||
| 3-3 | Linden Lea | — | ||
| 3-4 | Lullaby | — | ||
| 3-5 | Adagio for Strings | — | ||
| 3-6 | Slow movement from Piano Concerto no. 2 in F | — | ||
| 3-7 | Vocalise | — | ||
| 3-8 | Che gelida manina (Your tiny hand is frozen) from La Boheme | — | ||
| 3-9 | Ritual Fire Dance from El Amor Brujo | — | ||
| 3-10 | Montagues and Capulets from Romeo and Juliet | — | ||
| 3-11 | Prelude in C-sharp minor, op. 3/2 | — | ||
| 3-12 | Fanfare for the Common Man | — | ||
| 3-13 | Intermezzo from Cavalleria Rusticana | — | ||
| 3-14 | The Viennese Musical Clock from Hary Janos Suite | — | ||
| 3-15 | Summertime from Porgy and Bess | — | ||
| 3-16 | Piano Concerto no. 2: 1st movement | — | ||
| 3-17 | March from Karelia Suite | — | ||
| 3-18 | The Flight of the Bumble-Bee | — | ||
| 3-19 | Sabre Dance from Gayanch | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | — | ||
| 4-3 | Pavane, op. 50 | — | ||
| 4-4 | Waltz in A minor, op. 34 no. 2 | — | ||
| 4-5 | Morning from Peer Gynt Suite, no. 1 op. 46 | — | ||
| 4-6 | Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) from Cantata no. 147 | — | ||
| 4-7 | Entry of the Nobles from Mlada opera‐ballet | — | ||
| 4-8 | Spring Song from Songs Without Words, op. 62 no. 6 | — | ||
| 4-9 | Waltz from Coppélia ballet | — | ||
| 4-10 | Miniature Overture from The Nutcracker Suite, op. 71a | — | ||
| 4-11 | St. John’s Night on the Bare Mountain | — | ||
| 4-12 | Finale from Overture: William Tell | — | ||
| 4-13 | Nimrod from Enigma Variations, op. 36 | — | ||
| 4-14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-15 | Chanson de matin (Morning Song), op. 15 no. 2 | — | ||
| 4-16 | Radetzky March, op. 228 | — | ||
| 4-17 | Dance of the Sugar Plum Fairy from The Nutcracker Suite, op. 71a | — | ||
| 4-18 | Ave Maria D. 839 | — | ||
| 4-19 | Symphony no. 4 in A major, op. 90 “Italian” | — | ||
| 4-20 | Pomp and Circumstance, March no. 1 op. 39 “Land of Hope and Glory” | — | ||
| 5-1 | Mars, the Bringer of War from The Planets Suite for Large Orchestra, op. 32 | — | ||
| 5-2 | Nessun dorma! (None shall sleep) from Turandot | — | ||
| 5-3 | Toccata from Toccata and Fugue in D minor BWV 565 | — | ||
| 5-4 | Promenade from Pictures at an Exhibition Suite | — | ||
| 5-5 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (part 1) | — | ||
| 5-6 | Prelude to Act 1 (The Toreadors) from Carmen | — | ||
| 5-7 | Waltz from Swan Lake, op. 20 ballet | — | ||
| 5-8 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 5-9 | O for the wings of a dove: Hear my prayer ‐ Hymn | — | ||
| 5-10 | Love theme from Romeo and Juliet Fantasy‐Overture | — | ||
| 5-11 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 5-12 | Dance of the Mirlitons from The Nutcracker Suite, op. 71a | — | ||
| 5-13 | Capriccio espagnol, op. 34: Finale | — | ||
| 5-14 | Hungarian Dance no. 5 in G minor | — | ||
| 5-15 | Golliwog’s Cake‐Walk from Children’s Corner Suite | — | ||
| 5-16 | Rhapsody in Blue: Andante | — | ||
| 5-17 | Boléro | — | ||
| 5-18 | Waltz from Serenade for Strings, op. 48 | — | ||
| 5-19 | Rondo “Alla turca” from Piano Sonata no. 11 in A major, K. 331 | — | ||
| 5-20 | 1812 Overture, op. 49: Closing section | — | ||
| 6-1 | Overture: The Light Cavalry | — | ||
| 6-2 | Fantasia on Greensleeves | — | ||
| 6-3 | Piano Concerto in F major: III. Allegro agitato | — | ||
| 6-4 | Apothéose from The Sleeping Beauty | — | ||
| 6-5 | Sleeping Drunks from Autumn from The Four Seasons | — | ||
| 6-6 | The Water Music Suite no. 2 in D: First movement | — | ||
| 6-7 | Annen-Polka | — | ||
| 6-8 | Chanson de Toréador from Carmen | — | ||
| 6-9 | In the Hall of the Mountain King from Peer Gynt | — | ||
| 6-10 | Russian Dance from The Nutcracker | — | ||
| 6-11 | Chinese Dance from The Nutcracker | — | ||
| 6-12 | Dies Irae from Requiem Mass, K. 626 | — | ||
| 6-13 | Lagrima | — | ||
| 6-14 | Sinfonietta (first movement) | — | ||
| 6-15 | Piano Concerto no. 1 in B-flat minor, op. 23: Third movement | — | ||
| 6-16 | Harpsichord Concerto no. 5: First movement: | — | ||
| 6-17 | Andantonio from From The Homeland | — | ||
| 6-18 | Piano Sonata no. 7, op. 10 no. 3: I. Presto | — | ||
| 6-19 | Minuet & Trio from Serenade for Strings | — | ||
| 6-20 | De l'aube a midi sur la mer | — | ||
| 7-1 | Overture: The Barber of Seville | — | ||
| 7-2 | Prelude from Les Sylphides | — | ||
| 7-3 | Horn Concerto no. 2 | — | ||
| 7-4 | Overture: A Night in Venice | — | ||
| 7-5 | Rigoletto: “Della mia bella incognita borghese” | — | ||
| 7-6 | Recondita armonia from Tosca | — | ||
| 7-7 | Carnival of the Animals: Royal March of the Lion | — | ||
| 7-8 | Carnival of the Animals: The Swan | — | ||
| 7-9 | St Paul's Suite for Strings | — | ||
| 7-10 | Violin Concerto no. 2 | — | ||
| 7-11 | Piano Sonata no. 14 | — | ||
| 7-12 | Ch'ella mi creda libero | — | ||
| 7-13 | Si ridesti di leon di Castigla | — | ||
| 7-14 | Minuet & Trio | — | ||
| 7-15 | Serenade for Strings op. 3 no. 5 | — | ||
| 7-16 | Serenade for Strings no. 5 | — | ||
| 7-17 | Rule, Britannia! | — | ||
| 7-18 | Prelude no. 1 in B-flat | — | ||
| 7-19 | Salzberg Symphony no. 3 | — | ||
| 7-20 | Rakoczy March | — | ||
| 8-1 | Overture: Fidelio | — | ||
| 8-2 | First Movement from Violin Concerto No.1 in Aminor | — | ||
| 8-3 | Serenade for Strings in E major, Op. 22: I. Moderato | — | ||
| 8-4 | Minuet from Divertimento in D | — | ||
| 8-5 | Jerusalem | — | ||
| 8-6 | Minuet & Trio from Symphony No. 39 in E-flat major, K. 543 | — | ||
| 8-7 | Opening of Cello Concerto in E minor | — | ||
| 8-8 | I Lombardi alla prima crociata: Atto III. “Che vid'io mai ... Si! del ciel che non punisce” | — | ||
| 8-9 | The Planets: Jupiter, the Bringer of Jollity | — | ||
| 8-10 | Accelerations Waltz | — | ||
| 8-11 | Scene from Act II of Swan Lake: Ballet | — | ||
| 8-12 | First section of Marche Slave | — | ||
| 8-13 | Prelude from L'Arlésienne Suite No. 1 | — | ||
| 8-14 | Intermezzo from Karelia Suite | — | ||
| 8-15 | First Movement from Holberg Suite for Strings | — | ||
| 8-16 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 8-17 | Italian Polka | — | ||
| 8-18 | First Movement from Sinfonia No. 3 in G Minor | — | ||
| 8-19 | Kinderszenen, Op. 15: Von fremden Ländern und Menschen | — | ||
| 8-20 | Overture: The Ruins of Athens | — | ||
| 9-1 | Sinfony from Messiah | — | ||
| 9-2 | Salzberg Symphony no. 1 | — | ||
| 9-3 | Ave foromosissima: Chorus from Carmina Burana | — | ||
| 9-4 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 9-5 | O mio babbino caro from Gianni Schicchi | — | ||
| 9-6 | Waltz: Voices of Spring | — | ||
| 9-7 | The Water Music Suite no. 1 | — | ||
| 9-8 | Piano Concerto no. 1 | — | ||
| 9-9 | Banquo's recitative & aria from Macbeth | — | ||
| 9-10 | Prelude no. 1 from The Well-Tempered Clavier | — | ||
| 9-11 | Snowflakes are Dancing | — | ||
| 9-12 | Salut d'amour | — | ||
| 9-13 | Intermezzio from Aleko | — | ||
| 9-14 | Valse in E minor | — | ||
| 9-15 | Divertimento in E flat major | — | ||
| 9-16 | Introduction to Porgy and Bess | — | ||
| 9-17 | The Water Music Suite no. 2 | — | ||
| 9-18 | St Paul's Suite for Strings | — | ||
| 9-19 | Horn Concerto no. 1 | — | ||
| 9-20 | Piano Sonata no. 7 in D major, op. 10 no. 3 | — | ||
| 10-1 | Coronation March from Crown Imperial | — | ||
| 10-2 | Hungarian Dance no. 16 | — | ||
| 10-3 | Trumpet Concerto in E flat - Andante | — | ||
| 10-4 | Song of the Indian guest from Sadko | — | ||
| 10-5 | Badinerie from Suite no. 2 in B minor | — | ||
| 10-6 | Military Polonaise in A major no. 1 | — | ||
| 10-7 | Intermezzo from L'Arlésienne Suite no. 2 | — | ||
| 10-8 | Piano Concerto in A minor - Opening | — | ||
| 10-9 | Eintritt from Waldszenen | — | ||
| 10-10 | Minuet and Trio from Symphony no. 41 (Jupiter) | — | ||
| 10-11 | Humming Chorus from Madama Butterfly | — | ||
| 10-12 | To a Wild Rose from Woodland Sketches | — | ||
| 10-13 | Dance of the Little Swans from Swan Lake | — | ||
| 10-14 | Nocturne in F-sharp major, op. 15 no. 2 | — | ||
| 10-15 | Sonata for Strings no. 1 in G: Rondo | — | ||
| 10-16 | Prelude to Aleko | — | ||
| 10-17 | To the Spring from Lyric Pieces | — | ||
| 10-18 | Nocturne from The Golden Cockerel | — | ||
| 10-19 | Queen Elizabeth her Galliard | — | ||
| 10-20 | Overture to the Marriage Contract | — |
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5016073490391 is a Universal Product Code (UPC) assigned to 200 Popular Classics The Finest Music By The Greatest Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 200 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “200 Popular Classics The Finest Music By The Greatest Composers” by Various Artists is 5016073490391. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Castle Pulse. This release contains 200 tracks, each with its own ISRC. Tracks include USCMG0401197.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Ride of the Valkyries from Die Walküre | — | ||
| 2 | Anitra’s Dance from Peer Gynt Suite no. 1, op. 46 | — | ||
| 3 | Clair de lune from Suite bergamasque | — | ||
| 4 | Un bel dì (One fine day) from Madama Butterfly Act II | — | ||
| 5 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 6 | Waltz in A‐flat major no. 15 from 16 Waltzes, op. 39 | — | ||
| 7 | Gopak from Sorochinsky Fair | — | ||
| 8 | Kinderszenen (Scenes of Childhood), op. 15: Träumerei (Dreaming) | — | ||
| 9 | The Four Seasons, op. 8 no. 1 “Spring”: I. Allegro | — | ||
| 10 | Le nozze di Figaro K. 492: Overture | — | ||
| 11 | Chorus of Hebrew Slaves “Va pensiero” from Nabucco Act III | — | ||
| 12 | Prelude in E minor, op. 28 no. 4 (transcr. for violin, cello and piano) | — | ||
| 13 | Waltz from The Sleeping Beauty, op. 66 | — | ||
| 14 | La donna è mobile from Rigoletto Act III | — | ||
| 15 | Tritsch‐Tratsch Polka, op. 214 | — | ||
| 16 | Liebstraum no. 3, S. 541 | — | ||
| 17 | Norwegian Dance no. 2, op. 35 | — | ||
| 18 | Concerto for Two Violins in D minor BWV 1043: 2nd movt. | — | ||
| 19 | Waltz in D‐flat major, op. 64 no. 1 “Minute Waltz” | — | ||
| 20 | The Hebrides (Fingal’s Cave), op. 26: Overture | — | ||
| 2-1 | Eine kleine Nachtmusik: I. Allegro | — | ||
| 2-2 | Air (on the G String) from Suite no. 3 in D major BWV 1068 | — | ||
| 2-3 | Waltz of the Flowers from The Nutcracker Suite, op. 71a | — | ||
| 2-4 | Clarinet Concerto in A major K. 622: II. Adagio | — | ||
| 2-5 | Für Elise, Bagatelle for Piano no. 25 in A minor WoO 59 | — | ||
| 2-6 | Winter from The Four Seasons, op. 8/1–4: I. Allegro non molto | — | ||
| 2-7 | Horn Concerto no. 4 in E‐flat K. 495: III. Finale. Rondo | — | ||
| 2-8 | Largo (Ombra mai fu) from Serse (Xerxes) (transcribed for cello and organ) | — | ||
| 2-9 | On the Beautiful Blue Danube, Waltz op. 314 | — | ||
| 2-10 | Celeste Aida from Aida Act I | — | ||
| 2-11 | Ruslan and Ludmila: Overture | — | ||
| 2-12 | La Fille aux cheveux de lin: Preludes Book 1 no. 8 | — | ||
| 2-13 | Champagne Polka, op. 211 | — | ||
| 2-14 | Prelude in A major, op. 28 no. 7 | — | ||
| 2-15 | Anvil Chorus from Il trovatore Act II | — | ||
| 2-16 | Gymnopédie no. 1 | — | ||
| 2-17 | Eine kleine Nachtmusik K. 525: IV. Rondo | — | ||
| 2-18 | The Merry Peasant from Album for the Young, op. 68 | — | ||
| 2-19 | Trumpet Concerto in E‐flat H.VIIe:1: Finale. Allegro | — | ||
| 2-20 | Symphony no. 8 in B minor D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-21 | Polovtsian Dances from Prince Igor | — | ||
| 3-1 | O Fortuna from Carmina Burana | — | ||
| 3-2 | Rhapsody on a theme of Paganini: 18th Variation | — | ||
| 3-3 | Linden Lea | — | ||
| 3-4 | Lullaby | — | ||
| 3-5 | Adagio for Strings | — | ||
| 3-6 | Slow movement from Piano Concerto no. 2 in F | — | ||
| 3-7 | Vocalise | — | ||
| 3-8 | Che gelida manina (Your tiny hand is frozen) from La Boheme | — | ||
| 3-9 | Ritual Fire Dance from El Amor Brujo | — | ||
| 3-10 | Montagues and Capulets from Romeo and Juliet | — | ||
| 3-11 | Prelude in C-sharp minor, op. 3/2 | — | ||
| 3-12 | Fanfare for the Common Man | — | ||
| 3-13 | Intermezzo from Cavalleria Rusticana | — | ||
| 3-14 | The Viennese Musical Clock from Hary Janos Suite | — | ||
| 3-15 | Summertime from Porgy and Bess | — | ||
| 3-16 | Piano Concerto no. 2: 1st movement | — | ||
| 3-17 | March from Karelia Suite | — | ||
| 3-18 | The Flight of the Bumble-Bee | — | ||
| 3-19 | Sabre Dance from Gayanch | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | — | ||
| 4-3 | Pavane, op. 50 | — | ||
| 4-4 | Waltz in A minor, op. 34 no. 2 | — | ||
| 4-5 | Morning from Peer Gynt Suite, no. 1 op. 46 | — | ||
| 4-6 | Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) from Cantata no. 147 | — | ||
| 4-7 | Entry of the Nobles from Mlada opera‐ballet | — | ||
| 4-8 | Spring Song from Songs Without Words, op. 62 no. 6 | — | ||
| 4-9 | Waltz from Coppélia ballet | — | ||
| 4-10 | Miniature Overture from The Nutcracker Suite, op. 71a | — | ||
| 4-11 | St. John’s Night on the Bare Mountain | — | ||
| 4-12 | Finale from Overture: William Tell | — | ||
| 4-13 | Nimrod from Enigma Variations, op. 36 | — | ||
| 4-14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-15 | Chanson de matin (Morning Song), op. 15 no. 2 | — | ||
| 4-16 | Radetzky March, op. 228 | — | ||
| 4-17 | Dance of the Sugar Plum Fairy from The Nutcracker Suite, op. 71a | — | ||
| 4-18 | Ave Maria D. 839 | — | ||
| 4-19 | Symphony no. 4 in A major, op. 90 “Italian” | — | ||
| 4-20 | Pomp and Circumstance, March no. 1 op. 39 “Land of Hope and Glory” | — | ||
| 5-1 | Mars, the Bringer of War from The Planets Suite for Large Orchestra, op. 32 | — | ||
| 5-2 | Nessun dorma! (None shall sleep) from Turandot | — | ||
| 5-3 | Toccata from Toccata and Fugue in D minor BWV 565 | — | ||
| 5-4 | Promenade from Pictures at an Exhibition Suite | — | ||
| 5-5 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (part 1) | — | ||
| 5-6 | Prelude to Act 1 (The Toreadors) from Carmen | — | ||
| 5-7 | Waltz from Swan Lake, op. 20 ballet | — | ||
| 5-8 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 5-9 | O for the wings of a dove: Hear my prayer ‐ Hymn | — | ||
| 5-10 | Love theme from Romeo and Juliet Fantasy‐Overture | — | ||
| 5-11 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 5-12 | Dance of the Mirlitons from The Nutcracker Suite, op. 71a | — | ||
| 5-13 | Capriccio espagnol, op. 34: Finale | — | ||
| 5-14 | Hungarian Dance no. 5 in G minor | — | ||
| 5-15 | Golliwog’s Cake‐Walk from Children’s Corner Suite | — | ||
| 5-16 | Rhapsody in Blue: Andante | — | ||
| 5-17 | Boléro | — | ||
| 5-18 | Waltz from Serenade for Strings, op. 48 | — | ||
| 5-19 | Rondo “Alla turca” from Piano Sonata no. 11 in A major, K. 331 | — | ||
| 5-20 | 1812 Overture, op. 49: Closing section | — | ||
| 6-1 | Overture: The Light Cavalry | — | ||
| 6-2 | Fantasia on Greensleeves | — | ||
| 6-3 | Piano Concerto in F major: III. Allegro agitato | — | ||
| 6-4 | Apothéose from The Sleeping Beauty | — | ||
| 6-5 | Sleeping Drunks from Autumn from The Four Seasons | — | ||
| 6-6 | The Water Music Suite no. 2 in D: First movement | — | ||
| 6-7 | Annen-Polka | — | ||
| 6-8 | Chanson de Toréador from Carmen | — | ||
| 6-9 | In the Hall of the Mountain King from Peer Gynt | — | ||
| 6-10 | Russian Dance from The Nutcracker | — | ||
| 6-11 | Chinese Dance from The Nutcracker | — | ||
| 6-12 | Dies Irae from Requiem Mass, K. 626 | — | ||
| 6-13 | Lagrima | — | ||
| 6-14 | Sinfonietta (first movement) | — | ||
| 6-15 | Piano Concerto no. 1 in B-flat minor, op. 23: Third movement | — | ||
| 6-16 | Harpsichord Concerto no. 5: First movement: | — | ||
| 6-17 | Andantonio from From The Homeland | — | ||
| 6-18 | Piano Sonata no. 7, op. 10 no. 3: I. Presto | — | ||
| 6-19 | Minuet & Trio from Serenade for Strings | — | ||
| 6-20 | De l'aube a midi sur la mer | — | ||
| 7-1 | Overture: The Barber of Seville | — | ||
| 7-2 | Prelude from Les Sylphides | — | ||
| 7-3 | Horn Concerto no. 2 | — | ||
| 7-4 | Overture: A Night in Venice | — | ||
| 7-5 | Rigoletto: “Della mia bella incognita borghese” | — | ||
| 7-6 | Recondita armonia from Tosca | — | ||
| 7-7 | Carnival of the Animals: Royal March of the Lion | — | ||
| 7-8 | Carnival of the Animals: The Swan | — | ||
| 7-9 | St Paul's Suite for Strings | — | ||
| 7-10 | Violin Concerto no. 2 | — | ||
| 7-11 | Piano Sonata no. 14 | — | ||
| 7-12 | Ch'ella mi creda libero | — | ||
| 7-13 | Si ridesti di leon di Castigla | — | ||
| 7-14 | Minuet & Trio | — | ||
| 7-15 | Serenade for Strings op. 3 no. 5 | — | ||
| 7-16 | Serenade for Strings no. 5 | — | ||
| 7-17 | Rule, Britannia! | — | ||
| 7-18 | Prelude no. 1 in B-flat | — | ||
| 7-19 | Salzberg Symphony no. 3 | — | ||
| 7-20 | Rakoczy March | — | ||
| 8-1 | Overture: Fidelio | — | ||
| 8-2 | First Movement from Violin Concerto No.1 in Aminor | — | ||
| 8-3 | Serenade for Strings in E major, Op. 22: I. Moderato | — | ||
| 8-4 | Minuet from Divertimento in D | — | ||
| 8-5 | Jerusalem | — | ||
| 8-6 | Minuet & Trio from Symphony No. 39 in E-flat major, K. 543 | — | ||
| 8-7 | Opening of Cello Concerto in E minor | — | ||
| 8-8 | I Lombardi alla prima crociata: Atto III. “Che vid'io mai ... Si! del ciel che non punisce” | — | ||
| 8-9 | The Planets: Jupiter, the Bringer of Jollity | — | ||
| 8-10 | Accelerations Waltz | — | ||
| 8-11 | Scene from Act II of Swan Lake: Ballet | — | ||
| 8-12 | First section of Marche Slave | — | ||
| 8-13 | Prelude from L'Arlésienne Suite No. 1 | — | ||
| 8-14 | Intermezzo from Karelia Suite | — | ||
| 8-15 | First Movement from Holberg Suite for Strings | — | ||
| 8-16 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 8-17 | Italian Polka | — | ||
| 8-18 | First Movement from Sinfonia No. 3 in G Minor | — | ||
| 8-19 | Kinderszenen, Op. 15: Von fremden Ländern und Menschen | — | ||
| 8-20 | Overture: The Ruins of Athens | — | ||
| 9-1 | Sinfony from Messiah | — | ||
| 9-2 | Salzberg Symphony no. 1 | — | ||
| 9-3 | Ave foromosissima: Chorus from Carmina Burana | — | ||
| 9-4 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 9-5 | O mio babbino caro from Gianni Schicchi | — | ||
| 9-6 | Waltz: Voices of Spring | — | ||
| 9-7 | The Water Music Suite no. 1 | — | ||
| 9-8 | Piano Concerto no. 1 | — | ||
| 9-9 | Banquo's recitative & aria from Macbeth | — | ||
| 9-10 | Prelude no. 1 from The Well-Tempered Clavier | — | ||
| 9-11 | Snowflakes are Dancing | — | ||
| 9-12 | Salut d'amour | — | ||
| 9-13 | Intermezzio from Aleko | — | ||
| 9-14 | Valse in E minor | — | ||
| 9-15 | Divertimento in E flat major | — | ||
| 9-16 | Introduction to Porgy and Bess | — | ||
| 9-17 | The Water Music Suite no. 2 | — | ||
| 9-18 | St Paul's Suite for Strings | — | ||
| 9-19 | Horn Concerto no. 1 | — | ||
| 9-20 | Piano Sonata no. 7 in D major, op. 10 no. 3 | — | ||
| 10-1 | Coronation March from Crown Imperial | — | ||
| 10-2 | Hungarian Dance no. 16 | — | ||
| 10-3 | Trumpet Concerto in E flat - Andante | — | ||
| 10-4 | Song of the Indian guest from Sadko | — | ||
| 10-5 | Badinerie from Suite no. 2 in B minor | — | ||
| 10-6 | Military Polonaise in A major no. 1 | — | ||
| 10-7 | Intermezzo from L'Arlésienne Suite no. 2 | — | ||
| 10-8 | Piano Concerto in A minor - Opening | — | ||
| 10-9 | Eintritt from Waldszenen | — | ||
| 10-10 | Minuet and Trio from Symphony no. 41 (Jupiter) | — | ||
| 10-11 | Humming Chorus from Madama Butterfly | — | ||
| 10-12 | To a Wild Rose from Woodland Sketches | — | ||
| 10-13 | Dance of the Little Swans from Swan Lake | — | ||
| 10-14 | Nocturne in F-sharp major, op. 15 no. 2 | — | ||
| 10-15 | Sonata for Strings no. 1 in G: Rondo | — | ||
| 10-16 | Prelude to Aleko | — | ||
| 10-17 | To the Spring from Lyric Pieces | — | ||
| 10-18 | Nocturne from The Golden Cockerel | — | ||
| 10-19 | Queen Elizabeth her Galliard | — | ||
| 10-20 | Overture to the Marriage Contract | — |
