UPC · Release
Viva Los Pendejos
Antidote N.Y.C
Last verified:
5016583902421 is the Universal Product Code (UPC barcode) for the release “Viva Los Pendejos” by Antidote N.Y.C, released 1992-01-01 on Active Records (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Newtro / No, No, No | — | ||
| 2 | Caught Up | — | ||
| 3 | The Coice | — | ||
| 4 | Git Wik It (Naked live) | — | ||
| 5 | Haunted by Your Memory | — | ||
| 6 | Don't Care | — | ||
| 7 | We're Comin Afta You | — | ||
| 8 | Rageman | — | ||
| 9 | Intro / Return 2 Burn | — | ||
| 10 | Be True 2 Yourself | — | ||
| 11 | Positively Negative | — | ||
| 12 | No, No, No | — | ||
| 13 | Something Must Be Done | — | ||
| 14 | Road Warrior | — | ||
| 15 | Another Day | — | ||
| 16 | Stick It Out | — | ||
| 17 | Foreign Job Lot (live) | — | ||
| 18 | Road Warrior (live) | — | ||
| 19 | Rise Above (live) | — |
Verified on
Credits Graph
People also ask
What is UPC 5016583902421?
5016583902421 is a Universal Product Code (UPC) assigned to Viva Los Pendejos by Antidote N.Y.C. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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