UPC · Release
Reading The Poems
R. S. Thomas
5016886209333
145 tracksReleased 1999-01-01Sain
Last verified:
5016886209333 is the Universal Product Code (UPC barcode) for the release “Reading The Poems” by R. S. Thomas, released 1999-01-01 on Sain. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 145 tracks, each with its own ISRC. Tracks include GBCFU9900110, GBCFU9900111, GBCFU9900112.
Format
501GS1 prefix
6886Company prefix
20933Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCReading The Poems
ISRC145 recordings
ISWC22 works
Track List (145)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Peasant | R. S. Thomas | — | |
| 2 | Song for Gwydion | R. S. Thomas | — | |
| 3 | The Hill Farmer Speaks | R. S. Thomas | — | |
| 4 | Welsh History | R. S. Thomas | — | |
| 5 | Welsh Landscape | R. S. Thomas | — | |
| 6 | Song at the Year’s Turning | R. S. Thomas | — | |
| 7 | Priest and Peasant | R. S. Thomas | — | |
| 8 | In a Country Church | R. S. Thomas | — | |
| 9 | Evans | R. S. Thomas | — | |
| 10 | Chapel Deacon | R. S. Thomas | — | |
| 11 | Sailor Poet | R. S. Thomas | — | |
| 12 | THE VIEW FROM THE WINDOW | R. S. Thomas | — | |
| 13 | The Country Clergy | R. S. Thomas | — | |
| 14 | Ap Huw’s Testament | R. S. Thomas | — | |
| 15 | A Blackbird Singing | R. S. Thomas | — | |
| 16 | Poetry for Supper | R. S. Thomas | — | |
| 17 | Iago Prytherch | R. S. Thomas | — | |
| 18 | Meet the Family | R. S. Thomas | — | |
| 19 | Farm Wife | R. S. Thomas | — | |
| 20 | EPITAPH | R. S. Thomas | T-802.105.044-3 | |
| 21 | Genealogy | R. S. Thomas | — | |
| 22 | ANNIVERSARY | R. S. Thomas | T-902.021.337-0 | |
| 23 | The Musician | R. S. Thomas | — | |
| 24 | Abersoch | R. S. Thomas | — | |
| 25 | TOO LATE | R. S. Thomas | — | |
| 26 | Those Others | R. S. Thomas | — | |
| 27 | Mother and Son | R. S. Thomas | — | |
| 28 | A Welsh Testament | R. S. Thomas | — | |
| 29 | HERE | R. S. Thomas | T-070.076.151-8 | |
| 30 | A Line From St David’s | R. S. Thomas | — | |
| 31 | The Untamed | R. S. Thomas | — | |
| 32 | On the Farm | R. S. Thomas | — | |
| 33 | This to Do | R. S. Thomas | — | |
| 34 | Kierkegaard | R. S. Thomas | — | |
| 35 | RAVENS | R. S. Thomas | — | |
| 36 | A Welshman at St James’ Park | R. S. Thomas | — | |
| 37 | THE MOOR | R. S. Thomas | T-910.132.022-3 | |
| 38 | The Belfry | R. S. Thomas | — | |
| 39 | SERVICE | R. S. Thomas | — | |
| 40 | THE FACE | R. S. Thomas | T-323.591.506-3 | |
| 41 | In Church | R. S. Thomas | — | |
| 42 | NO | R. S. Thomas | — | |
| 43 | Concession | R. S. Thomas | — | |
| 44 | Sir Gelli Meurig | R. S. Thomas | — | |
| 45 | The Fisherman | R. S. Thomas | — | |
| 46 | Traeth Maelgwn | R. S. Thomas | — | |
| 47 | Llanrhaeadr Ym Mochnant | R. S. Thomas | — | |
| 48 | After the Lecture | R. S. Thomas | — | |
| 49 | Reservoirs | R. S. Thomas | — | |
| 50 | Kneeling | R. S. Thomas | — | |
| 51 | The Small Window | R. S. Thomas | — | |
| 52 | The Place | R. S. Thomas | — | |
| 2-1 | ONCE | R. S. Thomas | — | |
| 2-2 | Acting | R. S. Thomas | — | |
| 2-3 | CAIN | R. S. Thomas | T-301.395.513-6 | |
| 2-4 | Via Negativa | R. S. Thomas | — | |
| 2-5 | THE ISLAND | R. S. Thomas | T-904.801.982-5 | |
| 2-6 | THE RIVER | R. S. Thomas | T-061.256.676-3 | |
| 2-7 | Female | R. S. Thomas | — | |
| 2-8 | SOLILOQUY | R. S. Thomas | T-305.946.601-8 | |
| 2-9 | THE COMING | R. S. Thomas | T-072.736.005-5 | |
| 2-10 | OTHER | R. S. Thomas | — | |
| 2-11 | The Fair | R. S. Thomas | — | |
| 2-12 | He Agrees With Henry Ford | R. S. Thomas | — | |
| 2-13 | Emerging | R. S. Thomas | — | |
| 2-14 | The Hand | R. S. Thomas | — | |
| 2-15 | THE WORD | R. S. Thomas | — | |
| 2-16 | Mediations | R. S. Thomas | — | |
| 2-17 | Ann Griffith | R. S. Thomas | — | |
| 2-18 | The Moon in Lleyn | R. S. Thomas | — | |
| 2-19 | The Combat | R. S. Thomas | — | |
| 2-20 | SOMEWHERE | R. S. Thomas | — | |
| 2-21 | PARDON | R. S. Thomas | T-704.024.089-1 | |
| 2-22 | The Bright Field | R. S. Thomas | — | |
| 2-23 | Sea‐Watching | R. S. Thomas | — | |
| 2-24 | The Listener in the Corner | R. S. Thomas | — | |
| 2-25 | NUCLEAR | R. S. Thomas | T-900.743.193-8 | |
| 2-26 | Barn Owl (1) | R. S. Thomas | — | |
| 2-27 | The Way of It | R. S. Thomas | — | |
| 2-28 | THE WOMAN | R. S. Thomas | T-011.375.819-2 | |
| 2-29 | THE EMPTY CHURCH | R. S. Thomas | — | |
| 2-30 | Pilgrimages | R. S. Thomas | — | |
| 2-31 | WAITING | R. S. Thomas | — | |
| 2-32 | Pluperfect | R. S. Thomas | — | |
| 2-33 | ONE WAY | R. S. Thomas | — | |
| 2-34 | The New Mariner | R. S. Thomas | — | |
| 2-35 | Covenanters: Paul | R. S. Thomas | — | |
| 2-36 | Gradual | R. S. Thomas | — | |
| 2-37 | The Bush | R. S. Thomas | — | |
| 2-38 | SUDDENLY | R. S. Thomas | T-912.897.052-5 | |
| 2-39 | Remembering David Jones | R. S. Thomas | — | |
| 2-40 | THE MOMENT | R. S. Thomas | — | |
| 2-41 | Drawing by a Child – Diana Brinton Lee | R. S. Thomas | — | |
| 2-42 | THE MESSAGE | R. S. Thomas | T-902.992.097-6 | |
| 2-43 | The Unvanquished | R. S. Thomas | — | |
| 2-44 | THE OTHER | R. S. Thomas | — | |
| 2-45 | THE CONVICTION | R. S. Thomas | — | |
| 2-46 | He and She | R. S. Thomas | — | |
| 2-47 | Sarn Rhiw | R. S. Thomas | — | |
| 3-1 | Cones | R. S. Thomas | — | |
| 3-2 | COMING | R. S. Thomas | T-072.736.005-5 | |
| 3-3 | Hebrews 12²⁹ | R. S. Thomas | — | |
| 3-4 | The Wood | R. S. Thomas | — | |
| 3-5 | REVISION | R. S. Thomas | — | |
| 3-6 | Retirement | R. S. Thomas | — | |
| 3-7 | QUESTIONS | R. S. Thomas | T-060.383.207-0 | |
| 3-8 | A Thicket in Lleyn | R. S. Thomas | — | |
| 3-9 | Moorland | R. S. Thomas | — | |
| 3-10 | Unposted | R. S. Thomas | — | |
| 3-11 | Ystrad Fflur (Strata Florida) | R. S. Thomas | — | |
| 3-12 | THIS ONE | R. S. Thomas | — | |
| 3-13 | DROWNING | R. S. Thomas | — | |
| 3-14 | A LAND | R. S. Thomas | T-071.210.766-8 | |
| 3-15 | I Was Vicar of Large Things | R. S. Thomas | — | |
| 3-16 | They Keep Me Sober | R. S. Thomas | — | |
| 3-17 | Not Done Yet | R. S. Thomas | — | |
| 3-18 | I Look Out Over the Timeless Sea | R. S. Thomas | — | |
| 3-19 | There Is a Being, They Say | R. S. Thomas | — | |
| 3-20 | Not the Empty Tomb | R. S. Thomas | — | |
| 3-21 | It Is One of Those Faces | R. S. Thomas | — | |
| 3-22 | Retired | R. S. Thomas | — | |
| 3-23 | HARK | R. S. Thomas | T-921.647.225-2 | |
| 3-24 | COME DOWN | R. S. Thomas | — | |
| 3-25 | Match My Moments | R. S. Thomas | — | |
| 3-26 | A Marriage | R. S. Thomas | — | |
| 3-27 | WHAT THEN? | R. S. Thomas | — | |
| 3-28 | Afon Rhiw | R. S. Thomas | — | |
| 3-29 | Geriatric | R. S. Thomas | — | |
| 3-30 | To a Lady | R. S. Thomas | — | |
| 3-31 | WRONG? | R. S. Thomas | — | |
| 3-32 | STILL | R. S. Thomas | — | |
| 3-33 | REFLECTIONS | R. S. Thomas | — | |
| 3-34 | Nuance | R. S. Thomas | — | |
| 3-35 | NO TIME | R. S. Thomas | — | |
| 3-36 | AT THE END | R. S. Thomas | T-801.897.319-9 | |
| 3-37 | A Species | R. S. Thomas | — | |
| 3-38 | MISCHIEF | R. S. Thomas | T-071.102.538-5 | |
| 3-39 | RESURRECTIONS | R. S. Thomas | — | |
| 3-40 | The Indians and the Elephant | R. S. Thomas | — | |
| 3-41 | Navigation | R. S. Thomas | — | |
| 3-42 | Mice | R. S. Thomas | — | |
| 3-43 | The Morrow | R. S. Thomas | — | |
| 3-44 | REMEMBERING | R. S. Thomas | T-901.053.227-1 | |
| 3-45 | Vespers | R. S. Thomas | — | |
| 3-46 | SILENCE | R. S. Thomas | T-010.103.713-1 |
A Peasant
R. S. Thomas
—
Song for Gwydion
R. S. Thomas
—
The Hill Farmer Speaks
R. S. Thomas
—
Welsh History
R. S. Thomas
—
Welsh Landscape
R. S. Thomas
—
Song at the Year’s Turning
R. S. Thomas
—
Priest and Peasant
R. S. Thomas
—
In a Country Church
R. S. Thomas
—
Evans
R. S. Thomas
—
Chapel Deacon
R. S. Thomas
—
Sailor Poet
R. S. Thomas
—
THE VIEW FROM THE WINDOW
R. S. Thomas
—
The Country Clergy
R. S. Thomas
—
Ap Huw’s Testament
R. S. Thomas
—
A Blackbird Singing
R. S. Thomas
—
Poetry for Supper
R. S. Thomas
—
Iago Prytherch
R. S. Thomas
—
Meet the Family
R. S. Thomas
—
Farm Wife
R. S. Thomas
—
Genealogy
R. S. Thomas
—
The Musician
R. S. Thomas
—
Abersoch
R. S. Thomas
—
TOO LATE
R. S. Thomas
—
Those Others
R. S. Thomas
—
Mother and Son
R. S. Thomas
—
A Welsh Testament
R. S. Thomas
—
A Line From St David’s
R. S. Thomas
—
The Untamed
R. S. Thomas
—
On the Farm
R. S. Thomas
—
This to Do
R. S. Thomas
—
Kierkegaard
R. S. Thomas
—
RAVENS
R. S. Thomas
—
A Welshman at St James’ Park
R. S. Thomas
—
The Belfry
R. S. Thomas
—
SERVICE
R. S. Thomas
—
In Church
R. S. Thomas
—
NO
R. S. Thomas
—
Concession
R. S. Thomas
—
Sir Gelli Meurig
R. S. Thomas
—
The Fisherman
R. S. Thomas
—
Traeth Maelgwn
R. S. Thomas
—
Llanrhaeadr Ym Mochnant
R. S. Thomas
—
After the Lecture
R. S. Thomas
—
Reservoirs
R. S. Thomas
—
Kneeling
R. S. Thomas
—
The Small Window
R. S. Thomas
—
The Place
R. S. Thomas
—
ONCE
R. S. Thomas
—
Acting
R. S. Thomas
—
Via Negativa
R. S. Thomas
—
Female
R. S. Thomas
—
OTHER
R. S. Thomas
—
The Fair
R. S. Thomas
—
He Agrees With Henry Ford
R. S. Thomas
—
Emerging
R. S. Thomas
—
The Hand
R. S. Thomas
—
THE WORD
R. S. Thomas
—
Mediations
R. S. Thomas
—
Ann Griffith
R. S. Thomas
—
The Moon in Lleyn
R. S. Thomas
—
The Combat
R. S. Thomas
—
SOMEWHERE
R. S. Thomas
—
The Bright Field
R. S. Thomas
—
Sea‐Watching
R. S. Thomas
—
The Listener in the Corner
R. S. Thomas
—
Barn Owl (1)
R. S. Thomas
—
The Way of It
R. S. Thomas
—
THE EMPTY CHURCH
R. S. Thomas
—
Pilgrimages
R. S. Thomas
—
WAITING
R. S. Thomas
—
Pluperfect
R. S. Thomas
—
ONE WAY
R. S. Thomas
—
The New Mariner
R. S. Thomas
—
Covenanters: Paul
R. S. Thomas
—
Gradual
R. S. Thomas
—
The Bush
R. S. Thomas
—
Remembering David Jones
R. S. Thomas
—
THE MOMENT
R. S. Thomas
—
Drawing by a Child – Diana Brinton Lee
R. S. Thomas
—
The Unvanquished
R. S. Thomas
—
THE OTHER
R. S. Thomas
—
THE CONVICTION
R. S. Thomas
—
He and She
R. S. Thomas
—
Sarn Rhiw
R. S. Thomas
—
Cones
R. S. Thomas
—
Hebrews 12²⁹
R. S. Thomas
—
The Wood
R. S. Thomas
—
REVISION
R. S. Thomas
—
Retirement
R. S. Thomas
—
A Thicket in Lleyn
R. S. Thomas
—
Moorland
R. S. Thomas
—
Unposted
R. S. Thomas
—
Ystrad Fflur (Strata Florida)
R. S. Thomas
—
THIS ONE
R. S. Thomas
—
DROWNING
R. S. Thomas
—
I Was Vicar of Large Things
R. S. Thomas
—
They Keep Me Sober
R. S. Thomas
—
Not Done Yet
R. S. Thomas
—
I Look Out Over the Timeless Sea
R. S. Thomas
—
There Is a Being, They Say
R. S. Thomas
—
Not the Empty Tomb
R. S. Thomas
—
It Is One of Those Faces
R. S. Thomas
—
Retired
R. S. Thomas
—
COME DOWN
R. S. Thomas
—
Match My Moments
R. S. Thomas
—
A Marriage
R. S. Thomas
—
WHAT THEN?
R. S. Thomas
—
Afon Rhiw
R. S. Thomas
—
Geriatric
R. S. Thomas
—
To a Lady
R. S. Thomas
—
WRONG?
R. S. Thomas
—
STILL
R. S. Thomas
—
REFLECTIONS
R. S. Thomas
—
Nuance
R. S. Thomas
—
NO TIME
R. S. Thomas
—
A Species
R. S. Thomas
—
RESURRECTIONS
R. S. Thomas
—
The Indians and the Elephant
R. S. Thomas
—
Navigation
R. S. Thomas
—
Mice
R. S. Thomas
—
The Morrow
R. S. Thomas
—
Vespers
R. S. Thomas
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesDiscogsMusicBrainz2 sources
Verified on
What is UPC 5016886209333?
5016886209333 is a Universal Product Code (UPC) assigned to Reading The Poems by R. S. Thomas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 145 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm