UPC · Release
Baby Boomers: Greatest Hits of the 60s & 70s
Various Artists
5017615241822
68 tracksReleased 1993-01-01Castle Communications
Last verified:
5017615241822 is the Universal Product Code (UPC barcode) for the release “Baby Boomers: Greatest Hits of the 60s & 70s” by Various Artists, released 1993-01-01 on Castle Communications. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC. Tracks include GBAJE6700056, USAM16900386, DEN120208023.
Format
501GS1 prefix
7615Company prefix
24182Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBaby Boomers: Greatest Hits of the 60s & 70s
ISRC28 recordings
ISWC77 works
IPI14 songwriters
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hello Suzie | — | ||
| 2 | The First Cut Is the Deepest | P.P. Arnold | T-900.023.755-8 | |
| 3 | Delta Lady | Joe Cocker | T-070.881.729-1 | |
| 4 | Death of a Clown | — | ||
| 5 | Colours | — | ||
| 6 | Out of Time | Chris Farlowe | T-010.065.905-9 | |
| 7 | Man of the World | Fleetwood Mac | T-010.163.028-7 | |
| 8 | Let’s Go to San Francisco | The Flower Pot Men | T-010.569.770-8 | |
| 9 | Build Me Up Buttercup | The Foundations | T-010.437.753-8 | |
| 10 | Natural Born Boogie | Humble Pie | T-010.162.902-0 | |
| 11 | Funny How Love Can Be | — | ||
| 12 | All Day and All of the Night | The Kinks | T-010.078.509-8 | |
| 13 | Daydream | The Lovin’ Spoonful | T-010.522.783-5 | |
| 14 | Mockingbird Hill | — | ||
| 15 | Go Now | The Moody Blues | T-011.776.908-0 | |
| 16 | I Can Hear the Grass Grow | — | ||
| 17 | America/Second Amendment | — | ||
| 2-1 | Let the Heartaches Begin | Long John Baldry | T-011.368.170-1 | |
| 2-2 | Midnight in Moscow | — | ||
| 2-3 | A Picture of You | — | ||
| 2-4 | 98.6 | — | ||
| 2-5 | Jealous Heart | — | ||
| 2-6 | I'm Gonna Make You Mine | — | ||
| 2-7 | Sailor | Petula Clark | T-042.624.410-1 | |
| 2-8 | Make Me an Island | — | ||
| 2-9 | Run to the Door | — | ||
| 2-10 | Counting Teardrops | — | ||
| 2-11 | Be Mine | — | ||
| 2-12 | Lady Jane | — | ||
| 2-13 | Oh! Happy Day | Edwin Hawkins Singers | T-902.910.216-7 | |
| 2-14 | Red Red Wine | — | ||
| 2-15 | When my Little Girl is Smiling | — | ||
| 2-16 | Green Tambourine | The Lemon Pipers | T-070.234.360-9 | |
| 3-1 | Debora | — | ||
| 3-2 | Paranoid | Black Sabbath | T-070.118.529-6 | |
| 3-3 | Matchstalk Men and Matchstalk Cats and Dogs | Brian and Michael | T-010.467.111-5 | |
| 3-4 | The Letter | — | ||
| 3-5 | You’re Such a Good Looking Woman | Joe Dolan | — | |
| 3-6 | Now is the Time | — | ||
| 3-7 | Lola | — | ||
| 3-8 | He's Gonna Step on You Again | — | ||
| 3-9 | What Have They Done to My Song Ma | Melanie | T-070.202.184-8 | |
| 3-10 | Brontosaurus | — | ||
| 3-11 | You Don’t Have to Be in the Army to Fight in the War | Mungo Jerry | — | |
| 3-12 | Sunshine Day | — | ||
| 3-13 | Egyptian Reggae | Jonathan Richman & The Modern Lovers | T-900.233.554-8 | |
| 3-14 | Mean Girl | — | ||
| 3-15 | Ride a White Swan (single ‘a’ side) | T. Rex | T-010.168.291-0 | |
| 3-16 | Hold Back the Night | — | ||
| 3-17 | It’s a Heartache | Bonnie Tyler | T-011.412.601-0 | |
| 4-1 | Aria | — | ||
| 4-2 | Love's Gotta Hold on Me | — | ||
| 4-3 | Kung Fu Fighting | Carl Douglas | T-801.233.026-7 | |
| 4-4 | Car 67 | — | ||
| 4-5 | Back Home | — | ||
| 4-6 | Gonna Make You an Offer You Can't Refuse | — | ||
| 4-7 | Best Thing That Ever Happened to Me | Gladys Knight & the Pips | T-070.212.028-2 | |
| 4-8 | One Day at a Time | — | ||
| 4-9 | Summer of My Life | — | ||
| 4-10 | Girls | The Moments, The Whatnauts | T-903.963.807-8 | |
| 4-11 | This Is It | Melba Moore | — | |
| 4-12 | The Lion Sleeps Tonight | — | ||
| 4-13 | That Same Old Feeling | — | ||
| 4-14 | Can't Get By WIthout You | — | ||
| 4-15 | 7-6-5-4-3-2-1 (Blow Your Whistle) | — | ||
| 4-16 | Shame, Shame, Shame | Shirley & Company | T-070.243.479-4 | |
| 4-17 | By the Way | — | ||
| 4-18 | In Zaire | Johnny Wakelin | T-010.115.264-0 |
Hello Suzie
—
Death of a Clown
—
Colours
—
Funny How Love Can Be
—
Mockingbird Hill
—
I Can Hear the Grass Grow
—
America/Second Amendment
—
Midnight in Moscow
—
A Picture of You
—
98.6
—
Jealous Heart
—
I'm Gonna Make You Mine
—
Make Me an Island
—
Run to the Door
—
Counting Teardrops
—
Be Mine
—
Lady Jane
—
Red Red Wine
—
When my Little Girl is Smiling
—
Debora
—
The Letter
—
You’re Such a Good Looking Woman
Joe Dolan
—
Now is the Time
—
Lola
—
He's Gonna Step on You Again
—
Brontosaurus
—
You Don’t Have to Be in the Army to Fight in the War
Mungo Jerry
—
Sunshine Day
—
Mean Girl
—
Hold Back the Night
—
Aria
—
Love's Gotta Hold on Me
—
Car 67
—
Back Home
—
Gonna Make You an Offer You Can't Refuse
—
One Day at a Time
—
Summer of My Life
—
This Is It
Melba Moore
—
The Lion Sleeps Tonight
—
That Same Old Feeling
—
Can't Get By WIthout You
—
7-6-5-4-3-2-1 (Blow Your Whistle)
—
By the Way
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Girls | The Moments, The Whatnauts | — |
| Because the Night | Patti Smith | T-070.015.381-6 |
| This Is It | Melba Moore | T-070.189.446-3 |
Girls
The Moments, The Whatnauts
—
Patti Smith
Melba Moore
What other identifiers does this connect to?
Musical Works (ISWC)
T-005.004.459-1T-010.065.905-9T-010.078.509-8T-010.115.264-0T-010.162.902-0T-010.163.028-7T-010.168.291-0T-010.437.753-8T-010.467.111-5T-010.522.783-5
+67 more
T-010.569.770-8T-010.065.905-9T-010.067.583-9T-010.078.509-8T-010.115.264-0T-010.151.008-0T-010.162.615-6T-010.162.902-0T-010.163.028-7T-010.163.047-0T-010.166.521-7T-010.167.046-5T-010.168.291-0T-010.172.054-0T-010.176.934-9T-010.192.869-1T-010.301.991-5T-010.435.006-2T-010.437.753-8T-010.467.111-5T-010.513.985-2T-010.522.783-5T-010.569.770-8T-011.412.601-0T-011.776.908-0T-011.229.678-2T-011.236.150-8T-011.244.874-4T-011.251.120-2T-011.412.601-0T-011.776.908-0T-030.064.291-4T-042.624.410-1T-042.624.410-1T-070.015.381-6T-070.118.529-6T-070.202.184-8T-070.212.028-2T-070.234.360-9T-070.243.479-4T-070.881.729-1T-070.118.529-6T-070.202.184-8T-070.212.028-2T-070.233.596-3T-070.234.257-1T-070.234.360-9T-070.240.320-0T-070.240.765-5T-070.243.479-4T-070.249.913-5T-070.881.729-1T-070.939.727-2T-071.000.720-7T-700.007.132-1T-801.233.026-7T-801.233.026-7T-801.329.144-7T-900.023.755-8T-900.233.554-8T-900.023.755-8T-900.165.348-1T-900.233.554-8T-902.910.216-7T-011.368.170-1T-070.189.446-3T-903.963.807-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000554809460000000058664062000000006304598700000000630973650000000073656319000000007475023500000000782740370000000078278441000000007839766X0000000078397790
+30 more
00000000809693720000000081116128000000010659520X0000000106629801000000010663115100000001066424590000000106714117000000010726965X0000000107759050000000010785025X0000000109078187000000011188336100000001120907770000000114820446000000011487136600000001151282400000000115404591000000011540482300000001210417070000000121368785000000012149350000000001224304050000000122431205000000012248039X0000000122484745000000012342623X0000000123694269000000012375878700000001304925180000000368465966
Identifier Graph
People also ask
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Verified on
What is UPC 5017615241822?
5017615241822 is a Universal Product Code (UPC) assigned to Baby Boomers: Greatest Hits of the 60s & 70s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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