UPC · Release
Various Artists
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The UPC for “100 Popular Classics: Best Loved Works of the Great Composers” by Various Artists is 5017615251722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Castle Communications PLC. This release contains 100 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Ride of the Valkyries from Die Walküre | — | ||
| 2 | Anitra’s Dance from Peer Gynt Suite no. 1, op. 46 | — | ||
| 3 | Clair de lune from Suite bergamasque | — | ||
| 4 | Un bel dì (One fine day) from Madama Butterfly Act II | — | ||
| 5 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 6 | Waltz in A‐flat major no. 15 from 16 Waltzes, op. 39 | — | ||
| 7 | Gopak from Sorochinsky Fair | — | ||
| 8 | Kinderszenen (Scenes of Childhood), op. 15: Träumerei (Dreaming) | — | ||
| 9 | The Four Seasons, op. 8 no. 1 “Spring”: I. Allegro | — | ||
| 10 | Le nozze di Figaro K. 492: Overture | — | ||
| 11 | Chorus of Hebrew Slaves “Va pensiero” from Nabucco Act III | — | ||
| 12 | Prelude in E minor, op. 28 no. 4 (transcr. for violin, cello and piano) | — | ||
| 13 | Waltz from The Sleeping Beauty, op. 66 | — | ||
| 14 | La donna è mobile from Rigoletto Act III | — | ||
| 15 | Tritsch‐Tratsch Polka, op. 214 | — | ||
| 16 | Liebstraum no. 3, S. 541 | — | ||
| 17 | Norwegian Dance no. 2, op. 35 | — | ||
| 18 | Concerto for Two Violins in D minor BWV 1043: 2nd movt. | — | ||
| 19 | Waltz in D‐flat major, op. 64 no. 1 “Minute Waltz” | — | ||
| 20 | The Hebrides (Fingal’s Cave), op. 26: Overture | — | ||
| 2-1 | Eine kleine Nachtmusik: I. Allegro | — | ||
| 2-2 | Air (on the G String) from Suite no. 3 in D major BWV 1068 | — | ||
| 2-3 | Waltz of the Flowers from The Nutcracker Suite, op. 71a | — | ||
| 2-4 | Clarinet Concerto in A major K. 622: II. Adagio | — | ||
| 2-5 | Für Elise, Bagatelle for Piano no. 25 in A minor WoO 59 | — | ||
| 2-6 | Winter from The Four Seasons, op. 8/1–4: I. Allegro non molto | — | ||
| 2-7 | Horn Concerto no. 4 in E‐flat K. 495: III. Finale. Rondo | — | ||
| 2-8 | Largo (Ombra mai fu) from Serse (Xerxes) (transcribed for cello and organ) | — | ||
| 2-9 | On the Beautiful Blue Danube, Waltz op. 314 | — | ||
| 2-10 | Celeste Aida from Aida Act I | — | ||
| 2-11 | Ruslan and Ludmila: Overture | — | ||
| 2-12 | La Fille aux cheveux de lin: Preludes Book 1 no. 8 | — | ||
| 2-13 | Champagne Polka, op. 211 | — | ||
| 2-14 | Prelude in A major, op. 28 no. 7 | — | ||
| 2-15 | Anvil Chorus from Il trovatore Act II | — | ||
| 2-16 | Gymnopédie no. 1 | — | ||
| 2-17 | Eine kleine Nachtmusik K. 525: IV. Rondo | — | ||
| 2-18 | The Merry Peasant from Album for the Young, op. 68 | — | ||
| 2-19 | Trumpet Concerto in E‐flat H.VIIe:1: Finale. Allegro | — | ||
| 2-20 | Symphony no. 8 in B minor D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-21 | Polovtsian Dances from Prince Igor | — | ||
| 3-1 | Carmina Burana: O Fortuna | — | ||
| 3-2 | Rhapsody on a theme of Paganini, op. 43: 18th Variation | — | ||
| 3-3 | Linden Lea | — | ||
| 3-4 | Wiegenlied (Cradle Song/Lullaby), op. 49 no. 4 | — | ||
| 3-5 | Adagio for Strings, op. 11 | — | ||
| 3-6 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 3-7 | Vocalise, op. 34 no. 14 | — | ||
| 3-8 | La bohème: Act I. “Che gelida manina” | — | ||
| 3-9 | Ritual Fire Dance from El amor brujo (Love, the Magician) ballet | — | ||
| 3-10 | The Montagues and Capulets from Romeo and Juliet, op. 64 ballet | — | ||
| 3-11 | Prelude in C‐sharp minor, op. 3 no. 2 | — | ||
| 3-12 | Fanfare for the Common Man | — | ||
| 3-13 | Intermezzo from Cavalleria rusticana | — | ||
| 3-14 | The Viennese Musical Clock from Háry János Suite, op. 15a | — | ||
| 3-15 | Summertime from Porgy and Bess | — | ||
| 3-16 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | — | ||
| 3-17 | Alla marcia (March) from Karelia Suite, op. 11 | — | ||
| 3-18 | The Flight of the Bumble‐Bee from The Tale of Tsar Saltan | — | ||
| 3-19 | Sabre Dance from Gayaneh ballet | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | — | ||
| 4-3 | Pavane, op. 50 | — | ||
| 4-4 | Waltz in A minor, op. 34 no. 2 | — | ||
| 4-5 | Morning from Peer Gynt Suite, no. 1 op. 46 | — | ||
| 4-6 | Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) from Cantata no. 147 | — | ||
| 4-7 | Entry of the Nobles from Mlada opera‐ballet | — | ||
| 4-8 | Spring Song from Songs Without Words, op. 62 no. 6 | — | ||
| 4-9 | Waltz from Coppélia ballet | — | ||
| 4-10 | Miniature Overture from The Nutcracker Suite, op. 71a | — | ||
| 4-11 | St. John’s Night on the Bare Mountain | — | ||
| 4-12 | Finale from Overture: William Tell | — | ||
| 4-13 | Nimrod from Enigma Variations, op. 36 | — | ||
| 4-14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-15 | Chanson de matin (Morning Song), op. 15 no. 2 | — | ||
| 4-16 | Radetzky March, op. 228 | — | ||
| 4-17 | Dance of the Sugar Plum Fairy from The Nutcracker Suite, op. 71a | — | ||
| 4-18 | Ave Maria D. 839 | — | ||
| 4-19 | Symphony no. 4 in A major, op. 90 “Italian” | — | ||
| 4-20 | Pomp and Circumstance, March no. 1 op. 39 “Land of Hope and Glory” | — | ||
| 5-1 | Mars, the Bringer of War from The Planets Suite for Large Orchestra, op. 32 | — | ||
| 5-2 | Nessun dorma! (None shall sleep) from Turandot | — | ||
| 5-3 | Toccata from Toccata and Fugue in D minor BWV 565 | — | ||
| 5-4 | Promenade from Pictures at an Exhibition Suite | — | ||
| 5-5 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (part 1) | — | ||
| 5-6 | Prelude to Act 1 (The Toreadors) from Carmen | — | ||
| 5-7 | Waltz from Swan Lake, op. 20 ballet | — | ||
| 5-8 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 5-9 | O for the wings of a dove: Hear my prayer ‐ Hymn | — | ||
| 5-10 | Love theme from Romeo and Juliet Fantasy‐Overture | — | ||
| 5-11 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 5-12 | Dance of the Mirlitons from The Nutcracker Suite, op. 71a | — | ||
| 5-13 | Capriccio espagnol, op. 34: Finale | — | ||
| 5-14 | Hungarian Dance no. 5 in G minor | — | ||
| 5-15 | Golliwog’s Cake‐Walk from Children’s Corner Suite | — | ||
| 5-16 | Rhapsody in Blue: Andante | — | ||
| 5-17 | Boléro | — | ||
| 5-18 | Waltz from Serenade for Strings, op. 48 | — | ||
| 5-19 | Rondo “Alla turca” from Piano Sonata no. 11 in A major, K. 331 | — | ||
| 5-20 | 1812 Overture, op. 49: Closing section | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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5017615251722 is a Universal Product Code (UPC) assigned to 100 Popular Classics: Best Loved Works of the Great Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “100 Popular Classics: Best Loved Works of the Great Composers” by Various Artists is 5017615251722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Castle Communications PLC. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Ride of the Valkyries from Die Walküre | — | ||
| 2 | Anitra’s Dance from Peer Gynt Suite no. 1, op. 46 | — | ||
| 3 | Clair de lune from Suite bergamasque | — | ||
| 4 | Un bel dì (One fine day) from Madama Butterfly Act II | — | ||
| 5 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 6 | Waltz in A‐flat major no. 15 from 16 Waltzes, op. 39 | — | ||
| 7 | Gopak from Sorochinsky Fair | — | ||
| 8 | Kinderszenen (Scenes of Childhood), op. 15: Träumerei (Dreaming) | — | ||
| 9 | The Four Seasons, op. 8 no. 1 “Spring”: I. Allegro | — | ||
| 10 | Le nozze di Figaro K. 492: Overture | — | ||
| 11 | Chorus of Hebrew Slaves “Va pensiero” from Nabucco Act III | — | ||
| 12 | Prelude in E minor, op. 28 no. 4 (transcr. for violin, cello and piano) | — | ||
| 13 | Waltz from The Sleeping Beauty, op. 66 | — | ||
| 14 | La donna è mobile from Rigoletto Act III | — | ||
| 15 | Tritsch‐Tratsch Polka, op. 214 | — | ||
| 16 | Liebstraum no. 3, S. 541 | — | ||
| 17 | Norwegian Dance no. 2, op. 35 | — | ||
| 18 | Concerto for Two Violins in D minor BWV 1043: 2nd movt. | — | ||
| 19 | Waltz in D‐flat major, op. 64 no. 1 “Minute Waltz” | — | ||
| 20 | The Hebrides (Fingal’s Cave), op. 26: Overture | — | ||
| 2-1 | Eine kleine Nachtmusik: I. Allegro | — | ||
| 2-2 | Air (on the G String) from Suite no. 3 in D major BWV 1068 | — | ||
| 2-3 | Waltz of the Flowers from The Nutcracker Suite, op. 71a | — | ||
| 2-4 | Clarinet Concerto in A major K. 622: II. Adagio | — | ||
| 2-5 | Für Elise, Bagatelle for Piano no. 25 in A minor WoO 59 | — | ||
| 2-6 | Winter from The Four Seasons, op. 8/1–4: I. Allegro non molto | — | ||
| 2-7 | Horn Concerto no. 4 in E‐flat K. 495: III. Finale. Rondo | — | ||
| 2-8 | Largo (Ombra mai fu) from Serse (Xerxes) (transcribed for cello and organ) | — | ||
| 2-9 | On the Beautiful Blue Danube, Waltz op. 314 | — | ||
| 2-10 | Celeste Aida from Aida Act I | — | ||
| 2-11 | Ruslan and Ludmila: Overture | — | ||
| 2-12 | La Fille aux cheveux de lin: Preludes Book 1 no. 8 | — | ||
| 2-13 | Champagne Polka, op. 211 | — | ||
| 2-14 | Prelude in A major, op. 28 no. 7 | — | ||
| 2-15 | Anvil Chorus from Il trovatore Act II | — | ||
| 2-16 | Gymnopédie no. 1 | — | ||
| 2-17 | Eine kleine Nachtmusik K. 525: IV. Rondo | — | ||
| 2-18 | The Merry Peasant from Album for the Young, op. 68 | — | ||
| 2-19 | Trumpet Concerto in E‐flat H.VIIe:1: Finale. Allegro | — | ||
| 2-20 | Symphony no. 8 in B minor D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-21 | Polovtsian Dances from Prince Igor | — | ||
| 3-1 | Carmina Burana: O Fortuna | — | ||
| 3-2 | Rhapsody on a theme of Paganini, op. 43: 18th Variation | — | ||
| 3-3 | Linden Lea | — | ||
| 3-4 | Wiegenlied (Cradle Song/Lullaby), op. 49 no. 4 | — | ||
| 3-5 | Adagio for Strings, op. 11 | — | ||
| 3-6 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 3-7 | Vocalise, op. 34 no. 14 | — | ||
| 3-8 | La bohème: Act I. “Che gelida manina” | — | ||
| 3-9 | Ritual Fire Dance from El amor brujo (Love, the Magician) ballet | — | ||
| 3-10 | The Montagues and Capulets from Romeo and Juliet, op. 64 ballet | — | ||
| 3-11 | Prelude in C‐sharp minor, op. 3 no. 2 | — | ||
| 3-12 | Fanfare for the Common Man | — | ||
| 3-13 | Intermezzo from Cavalleria rusticana | — | ||
| 3-14 | The Viennese Musical Clock from Háry János Suite, op. 15a | — | ||
| 3-15 | Summertime from Porgy and Bess | — | ||
| 3-16 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | — | ||
| 3-17 | Alla marcia (March) from Karelia Suite, op. 11 | — | ||
| 3-18 | The Flight of the Bumble‐Bee from The Tale of Tsar Saltan | — | ||
| 3-19 | Sabre Dance from Gayaneh ballet | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | — | ||
| 4-3 | Pavane, op. 50 | — | ||
| 4-4 | Waltz in A minor, op. 34 no. 2 | — | ||
| 4-5 | Morning from Peer Gynt Suite, no. 1 op. 46 | — | ||
| 4-6 | Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) from Cantata no. 147 | — | ||
| 4-7 | Entry of the Nobles from Mlada opera‐ballet | — | ||
| 4-8 | Spring Song from Songs Without Words, op. 62 no. 6 | — | ||
| 4-9 | Waltz from Coppélia ballet | — | ||
| 4-10 | Miniature Overture from The Nutcracker Suite, op. 71a | — | ||
| 4-11 | St. John’s Night on the Bare Mountain | — | ||
| 4-12 | Finale from Overture: William Tell | — | ||
| 4-13 | Nimrod from Enigma Variations, op. 36 | — | ||
| 4-14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-15 | Chanson de matin (Morning Song), op. 15 no. 2 | — | ||
| 4-16 | Radetzky March, op. 228 | — | ||
| 4-17 | Dance of the Sugar Plum Fairy from The Nutcracker Suite, op. 71a | — | ||
| 4-18 | Ave Maria D. 839 | — | ||
| 4-19 | Symphony no. 4 in A major, op. 90 “Italian” | — | ||
| 4-20 | Pomp and Circumstance, March no. 1 op. 39 “Land of Hope and Glory” | — | ||
| 5-1 | Mars, the Bringer of War from The Planets Suite for Large Orchestra, op. 32 | — | ||
| 5-2 | Nessun dorma! (None shall sleep) from Turandot | — | ||
| 5-3 | Toccata from Toccata and Fugue in D minor BWV 565 | — | ||
| 5-4 | Promenade from Pictures at an Exhibition Suite | — | ||
| 5-5 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (part 1) | — | ||
| 5-6 | Prelude to Act 1 (The Toreadors) from Carmen | — | ||
| 5-7 | Waltz from Swan Lake, op. 20 ballet | — | ||
| 5-8 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 5-9 | O for the wings of a dove: Hear my prayer ‐ Hymn | — | ||
| 5-10 | Love theme from Romeo and Juliet Fantasy‐Overture | — | ||
| 5-11 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 5-12 | Dance of the Mirlitons from The Nutcracker Suite, op. 71a | — | ||
| 5-13 | Capriccio espagnol, op. 34: Finale | — | ||
| 5-14 | Hungarian Dance no. 5 in G minor | — | ||
| 5-15 | Golliwog’s Cake‐Walk from Children’s Corner Suite | — | ||
| 5-16 | Rhapsody in Blue: Andante | — | ||
| 5-17 | Boléro | — | ||
| 5-18 | Waltz from Serenade for Strings, op. 48 | — | ||
| 5-19 | Rondo “Alla turca” from Piano Sonata no. 11 in A major, K. 331 | — | ||
| 5-20 | 1812 Overture, op. 49: Closing section | — |
