UPC · Release
Bullet for My Valentine
Last verified:
5017687615071 is the Universal Product Code (UPC barcode) for the release “The Poison” by Bullet for My Valentine, released 2005-01-01 on Visible Noise. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include GBHQD0500016, GBBBN0500157, GBHQD0500017.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Her Voice Resides | Bullet for My Valentine | — |
| 3 | 4 Words (to Choke Upon) | Bullet for My Valentine | — |
| 4 | Tears Don’t Fall | Bullet for My Valentine | T-905392045-9 |
| 5 | Suffocating Under Words of Sorrow (What Can I Do) | Bullet for My Valentine | T-902799186-2 |
| 6 | Hit the Floor | Bullet for My Valentine | — |
| 7 | All These Things I Hate (Revolve Around Me) | Bullet for My Valentine | T-011631398-4 |
| 8 | Room 409 | Bullet for My Valentine | — |
| 9 | The Poison | Bullet for My Valentine | T-905392398-1 |
| 10 | 10 Years Today | Bullet for My Valentine | — |
| 11 | Cries in Vain | Bullet for My Valentine | — |
| 12 | Spit You Out | Bullet for My Valentine | — |
| 13 | Intro | Bullet for My Valentine | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 4 Words (to Choke Upon) | Bullet for My Valentine | — |
| The End | Bullet for My Valentine | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
5017687615071 is a Universal Product Code (UPC) assigned to The Poison by Bullet for My Valentine. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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