UPC · Release
Pourquoi Québec ?
Tony McManus
Last verified:
5018081015122 is the Universal Product Code (UPC barcode) for the release “Pourquoi Québec ?” by Tony McManus, released 1998-01-01 on Greentrax. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tha Biodag Aig Mac Thómais / The Nine Pint Coggie / The Spike Island Lasses | — | ||
| 2 | A Tune for Frankie / An Phis Fluich | — | ||
| 3 | Mornings at Bonny Doon / Janine's Reel / The Liffey Banks | — | ||
| 4 | Port na bPucai / The Crooked Road / Paddy Taylor's | — | ||
| 5 | The 70th Year | — | ||
| 6 | Irene Meldrum's Welcome to Bon Accord / Hecla / The Ramnee Ceilidh | — | ||
| 7 | Catherine Kelley's / The Sunset | — | ||
| 8 | Seán Ó Duibhir a' Ghleanna | — | ||
| 9 | The Dance of Suleiman | — | ||
| 10 | The Maid Behind (McGlinchey's) Bar / Frankie Gavin's | — | ||
| 11 | Annan Waters | — |
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Creative Contributors (ISNI)
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What is UPC 5018081015122?
5018081015122 is a Universal Product Code (UPC) assigned to Pourquoi Québec ? by Tony McManus. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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