UPC · Release
Stompin Party
Various Artists
Last verified:
5018271002499 is the Universal Product Code (UPC barcode) for the release “Stompin Party” by Various Artists, released 1992-01-01 on Dino Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBAYE0400286, USCK30803113, GBF076321790.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rockin’ All Over the World | — | ||
| 2 | Cum On Feel the Noize | — | ||
| 3 | I’m the Leader of the Gang (I Am) | — | ||
| 4 | See My Baby Jive | — | ||
| 5 | Shout | — | ||
| 6 | The Loco‐Motion | Little Eva | T-071.000.781-0 | |
| 7 | Let’s Dance | — | ||
| 8 | Let’s Twist Again | Chubby Checker | T-070.095.613-3 | |
| 9 | Twist and Shout | Brian Poole, The Tremeloes | T-071.214.645-6 | |
| 10 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 11 | All Right Now | Free | T-070.880.596-2 | |
| 12 | Addicted to Love (remix) | Robert Palmer | T-070.249.007-0 | |
| 13 | Kiss | Art of Noise, Tom Jones | T-070.093.428-6 | |
| 14 | CROCODILE ROCK | VARIOUS ARTISTS | T-900.176.813-4 | |
| 15 | Jungle Rock | — | ||
| 16 | Monster Mash | — | ||
| 17 | Wild Thing | — | ||
| 18 | Tequila | The Champs | T-070.178.472-6 | |
| 19 | La bamba | Los Lobos | T-071.000.650-0 | |
| 2-1 | Hi Ho Silver Lining | Jeff Beck | — | |
| 2-2 | Mony Mony | — | ||
| 2-3 | Let’s Work Together | — | ||
| 2-4 | Spirit in the Sky | Norman Greenbaum | T-070.243.887-6 | |
| 2-5 | 5‐4‐3‐2‐1 | Manfred Mann | T-010.435.193-0 | |
| 2-6 | Hippy Hippy Shake | — | ||
| 2-7 | Shakin’ All Over | — | ||
| 2-8 | (We’re Gonna) Rock Around the Clock | — | ||
| 2-9 | Roll Over Beethoven | Chuck Berry | T-070.940.070-3 | |
| 2-10 | Let the Good Times Roll | — | ||
| 2-11 | Long Tall Sally | — | ||
| 2-12 | My Baby Just Cares for Me | Nina Simone | T-070.110.622-0 | |
| 2-13 | Venus | — | ||
| 2-14 | Respectable | Mel & Kim | T-011.333.386-0 | |
| 2-15 | The Only Way Is Up | Yazz, The Plastic Population | T-070.242.768-6 | |
| 2-16 | The Time Warp | Damian | T-010.137.730-3 | |
| 2-17 | Can Can | — | ||
| 2-18 | Double Barrel | Dave & Ansel Collins | T-010.086.743-3 | |
| 2-19 | Israelites | — | ||
| 2-20 | Tainted Love | Soft Cell | T-070.244.150-6 | |
| 2-21 | Come On Eileen | Dexys Midnight Runners | T-010.478.517-2 |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Like the Way I Do | Melissa Etheridge | T-070.102.524-2 |
| Crocodile Rock | Elton John | T-070.028.140-8 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | T-070.244.150-6 |
| Addicted to Love | Robert Palmer | T-070.249.007-0 |
| Crocodile Rock | Elton John | T-070.028.140-8 |
| Crocodile Rock | Elton John | T-070.028.140-8 |
| Addicted to Love | Robert Palmer | T-070.249.007-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
+53 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+25 more
Credits Graph
People also ask
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What is UPC 5018271002499?
5018271002499 is a Universal Product Code (UPC) assigned to Stompin Party by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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