UPC · Release
Field Manual
BOMB20
Last verified:
5019148616863 is the Universal Product Code (UPC barcode) for the release “Field Manual” by BOMB20, released 1998-01-01 on Digital Hardcore Recordings (DHR). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Fall | — | ||
| 2 | Burn the Shit Down! | — | ||
| 3 | Don't You Know | — | ||
| 4 | Ultimate Supremacy | — | ||
| 5 | You Killed Me First! | — | ||
| 6 | Anyday | — | ||
| 7 | We Can Fuck | — | ||
| 8 | Donutz & Blood | — | ||
| 9 | Innocent Bystanders | — | ||
| 10 | Lory vs. Bomb20 | — | ||
| 11 | No Left | — | ||
| 12 | If I Go Down | — | ||
| 13 | Round 2 | — | ||
| 14 | Made of Shit! | — | ||
| 15 | La Belle | — | ||
| 16 | Just Came Close | — | ||
| 17 | Edutainment Break | — | ||
| 18 | Dumb | — | ||
| 19 | Hoover Boogie | — | ||
| 20 | Wonda What It Takes? | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 5019148616863?
5019148616863 is a Universal Product Code (UPC) assigned to Field Manual by BOMB20. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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