UPC · Release
Amon Tobin
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5021392710167 is the Universal Product Code (UPC barcode) for the release “Amon Tobin” by Amon Tobin, released 2012-01-01 on Ninja Tune. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 150 tracks, each with its own ISRC. Tracks include GBCFB1101515, GBCFB1101513, GBCFB0601512.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carry on Marmaduke | — | ||
| 2 | Morning Ms Candis | Amon Tobin | T-911.189.561-5 | |
| 3 | One Last Look | Amon Tobin | — | |
| 4 | Ode to Morricone | — | ||
| 2-1 | Wooden Toy (Kwes./[o=o]. rework) | — | ||
| 2-2 | Piece of Paper (extra interpretation by Matthew Bourne & Sam Hobbs) | — | ||
| 2-3 | Surge (Pete Wareham extended translation) | — | ||
| 2-4 | Surge (extended) | — | ||
| 3-1 | Madam Larivee | — | ||
| 3-2 | Down by the Creek | — | ||
| 3-3 | Return to Mother (Abduction Home) | — | ||
| 3-4 | Lost & Found (Machinefabriek Deconstruction) | — | ||
| 4-3 | Fine Objects | — | ||
| 5-1 | Dark Road | — | ||
| 5-2 | Overforces | — | ||
| 5-3 | Hesperium | — | ||
| 5-4 | Stupid IDM’z | — | ||
| 6-1 | Chase | — | ||
| 6-2 | Blood Sweat and More Blood | — | ||
| 6-3 | Taxidermia | — | ||
| 6-4 | Run | — | ||
| 6-5 | Bath Scene (Here Comes the Moon Man) | Amon Tobin | T-011.666.880-4 | |
| 6-6 | Rural Soldiers | — | ||
| 6-7 | Introducing the Son | — | ||
| 6-8 | Factory Training | — | ||
| 7-1 | Intro Sequence | — | ||
| 7-3 | Piece of Paper | — | ||
| 7-6 | Lost and Found | — | ||
| 7-9 | Goto10 | — | ||
| 7-13 | Night Swim | — | ||
| 8-1 | Esther’s | — | ||
| 8-2 | Piece of Paper | — | ||
| 8-3 | Saboteur | — | ||
| 8-4 | Wires and Snakes | — | ||
| 8-5 | Keep Your Distance | — | ||
| 8-6 | Calculate | — | ||
| 8-7 | Esthers | — | ||
| 8-8 | Piece of Paper | — | ||
| 8-9 | Its a Lovely Night | — | ||
| 8-11 | Bedtime Stories | — | ||
| 8-12 | Goto 10 | — | ||
| 8-13 | Reanimator | — | ||
| 8-14 | Ill Have the Waldorf Salad | — | ||
| 8-15 | Foraminiferod | — | ||
| 8-16 | Calculate | — | ||
| 8-17 | Wooden Toy | — | ||
| 8-18 | Yasawas | — | ||
| 8-19 | Fools Rhythm | — | ||
| 8-20 | The Making of Esther’s | — | ||
| 8-21 | Foley Room: Found Footage’ | — | ||
| 8-22 | Distemper | — | ||
| 8-23 | The Grey Ones | — | ||
| 9-1 | Intro Sequence | Amon Tobin | — | |
| 9-3 | Piece of Paper | Amon Tobin | T-911.117.705-0 | |
| 9-6 | Lost and Found | Amon Tobin | T-911.119.524-5 | |
| 9-9 | Goto 10 | Amon Tobin | T-911.535.549-2 | |
| 9-13 | Night Swim | Amon Tobin | T-911.535.031-7 | |
| 10-1 | Hey Mr. Tree | — | ||
| 10-2 | Twelvses | — | ||
| 10-3 | At Work | — | ||
| 10-4 | Dualistic | — | ||
| 10-5 | Eight Sum | Amon Tobin | T-011.737.884-3 | |
| 10-6 | It’s a Lovely Night | — | ||
| 10-7 | Shut Down | — | ||
| 10-8 | Technique | — | ||
| 10-9 | Trickstep Rhythm | Two Fingers | T-011.737.886-5 | |
| 10-10 | Delpher | — | ||
| 10-11 | Into the Dark (Intermission) | — | ||
| 10-12 | Amon Tobin on Q (CBC interview, courtesy of CBC’s Q) | — | ||
| 11-1 | Breathless | — | ||
| 11-2 | The Gift | — | ||
| 11-3 | Hard Run (Chase Scene Test) | — | ||
| 11-4 | The Gift (Alternate Score) | — | ||
| 11-5 | Theme for End | — | ||
| 11-6 | The Big Marching Threat | — | ||
| 11-7 | The Bleak Outlook | — | ||
| 11-8 | Theme for Eagle Road Sequence | — | ||
| 11-9 | First Sons Explore | — | ||
| 11-10 | War and Peace but Mainly War | — | ||
| 11-11 | Nightcrawler (Rough Bounce) | — | ||
| 11-12 | Red Pill Sequence | — | ||
| 11-13 | El Train | — | ||
| 11-14 | Dustmen Suspense | — | ||
| 11-15 | First Sons Suspense | — | ||
| 11-16 | Dustmen Combat | — | ||
| 11-17 | Dustmen Gloves Off Brawl | — | ||
| 11-18 | Genesis | Amon Tobin, Jim Dooley | T-902.169.987-6 | |
| 11-19 | Fly By | — | ||
| 11-21 | White House | — | ||
| 11-22 | Splinter Cell: Conviction Theme Menu | Amon Tobin | T-314.726.169-2 | |
| 11-23 | Roll Credits Theme | — | ||
| 11-24 | Coste | — | ||
| 11-25 | Corridor | — | ||
| 11-26 | Breaking Protocol | Amon Tobin | T-911.161.704-0 | |
| 12-1 | Madam Larivee | — | ||
| 12-2 | Down by the Creek | — | ||
| 12-3 | Return to Mother (Abduction Home) | — | ||
| 12-4 | Lux | — | ||
| 12-5 | Clear Skies | — | ||
| 12-6 | Crash Test Speedster Killer | — | ||
| 12-7 | Roots of Fools GT Killer | — | ||
| 12-8 | Angels & Demons | — | ||
| 12-9 | Ambient Score Level One | — | ||
| 12-10 | Spy vs Spy vs Spy | — | ||
| 12-11 | A6 | — | ||
| 12-12 | Black Run | — | ||
| 12-13 | Bottle Factory Symphony | — | ||
| 12-14 | End Game | — | ||
| 12-15 | Future Creatures in Soup | — | ||
| 12-16 | Mothership | — | ||
| 12-17 | Worlds Collide (live drums by Michael Shrieve) | — | ||
| 12-18 | Oracle (live drums by Michael Shrieve) | Amon Tobin | T-912.648.189-8 | |
| 12-19 | Angel of Theft (co-produced by Ghostbeard) | — | ||
| 12-20 | Hydraulics | — | ||
| 12-21 | The Third Hand | — | ||
| 12-22 | Bad Dream | — | ||
| 12-23 | Breathe in Rhythm | — | ||
| 12-24 | Computer Game | — | ||
| 12-25 | Dot | — | ||
| 12-26 | Experiment | — | ||
| 12-27 | Lula | — | ||
| 12-28 | Upwards | — | ||
| 13-1 | Surge (Pete Wareham translation) | — | ||
| 13-2 | Lost & Found (The Thief : Colin Stetson’s Lost & Found Redux) | — | ||
| 13-3 | Lost & Found (Machinefabriek deconstruction) | — | ||
| 13-4 | Wooden Toy (reworked by Bibio) | — | ||
| 13-5 | Piece of Paper | — | ||
| 13-6 | Night Swim (Lorn Reel) | — | ||
| 13-7 | Dropped From the Sky (2562’s New Wave redux) | — | ||
| 13-8 | Journeyman (Jasper TX Reorder) | — | ||
| 13-9 | Wooden Toy (Kwes./[o=o]. rework) | — | ||
| 13-10 | Piece of Paper (Raffertie Outing) | — | ||
| 13-12 | Bedtime Stories (Austin Peralta reinterpretation) | — | ||
| 13-14 | Lost & Found (reinterpreted by Matthew Bourne & Sam Hobbs) | — | ||
| 13-15 | Piece of Paper (reinterpreted by Matthew Bourne & Sam Hobbs) | — | ||
| 13-16 | Surge | — | ||
| 14-1 | Carry on Marmaduke | — | ||
| 14-2 | Morning Ms Candis | Amon Tobin | T-911.189.561-5 | |
| 14-3 | One Last Look | Amon Tobin | — | |
| 14-4 | Ode to Morricone | — | ||
| 14-13 | Surge (Frank Riggio adaptation 1) | — | ||
| 14-16 | Dropped From the Sky (Jimmy Edgar Nails Did) | — | ||
| 15-1 | At the End of the Day | — | ||
| 15-2 | Theme From Battery | — | ||
| 15-3 | Introducing the Sun | — | ||
| 15-4 | Searchers | — | ||
| 15-5 | Bloodstone | — | ||
| 15-6 | Taxidermia | — | ||
| 15-7 | Horsefish | — | ||
| 15-8 | Lost and Found | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Machine Gun (Amon Tobin remix) | Noisia | T-031.893.581-7 |
| Journeyman (extended live version) | Amon Tobin | T-911.362.161-7 |
| Bed Time Stories (extended live version) | Amon Tobin | T-911.117.706-1 |
| Wooden Toy (extended live version) | Amon Tobin | T-911.189.553-5 |
| Slowly (2011 live rebuild version) | Amon Tobin | T-010.265.133-1 |
| Machine Gun (Amon Tobin remix) | Noisia | — |
| Surge (Two Fingers remix) | Amon Tobin | T-911.118.535-4 |
| Kitty Cat (live version) | Amon Tobin | T-911.189.556-8 |
| Dropped From the Sky (live version) | Amon Tobin | T-911.189.557-9 |
| Horsefish (live version) | Amon Tobin | T-011.666.873-5 |
| Surge (Emika version) | Amon Tobin | T-911.118.535-4 |
| Surge (16bit remix) | Amon Tobin | T-911.118.535-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5021392710167 is a Universal Product Code (UPC) assigned to Amon Tobin by Amon Tobin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 150 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5021392710167 is the Universal Product Code (UPC barcode) for the release “Amon Tobin” by Amon Tobin, released 2012-01-01 on Ninja Tune. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 150 tracks, each with its own ISRC. Tracks include GBCFB1101515, GBCFB1101513, GBCFB0601512.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carry on Marmaduke | — | ||
| 2 | Morning Ms Candis | Amon Tobin | T-911.189.561-5 | |
| 3 | One Last Look | Amon Tobin | — | |
| 4 | Ode to Morricone | — | ||
| 2-1 | Wooden Toy (Kwes./[o=o]. rework) | — | ||
| 2-2 | Piece of Paper (extra interpretation by Matthew Bourne & Sam Hobbs) | — | ||
| 2-3 | Surge (Pete Wareham extended translation) | — | ||
| 2-4 | Surge (extended) | — | ||
| 3-1 | Madam Larivee | — | ||
| 3-2 | Down by the Creek | — | ||
| 3-3 | Return to Mother (Abduction Home) | — | ||
| 3-4 | Lost & Found (Machinefabriek Deconstruction) | — | ||
| 4-3 | Fine Objects | — | ||
| 5-1 | Dark Road | — | ||
| 5-2 | Overforces | — | ||
| 5-3 | Hesperium | — | ||
| 5-4 | Stupid IDM’z | — | ||
| 6-1 | Chase | — | ||
| 6-2 | Blood Sweat and More Blood | — | ||
| 6-3 | Taxidermia | — | ||
| 6-4 | Run | — | ||
| 6-5 | Bath Scene (Here Comes the Moon Man) | Amon Tobin | T-011.666.880-4 | |
| 6-6 | Rural Soldiers | — | ||
| 6-7 | Introducing the Son | — | ||
| 6-8 | Factory Training | — | ||
| 7-1 | Intro Sequence | — | ||
| 7-3 | Piece of Paper | — | ||
| 7-6 | Lost and Found | — | ||
| 7-9 | Goto10 | — | ||
| 7-13 | Night Swim | — | ||
| 8-1 | Esther’s | — | ||
| 8-2 | Piece of Paper | — | ||
| 8-3 | Saboteur | — | ||
| 8-4 | Wires and Snakes | — | ||
| 8-5 | Keep Your Distance | — | ||
| 8-6 | Calculate | — | ||
| 8-7 | Esthers | — | ||
| 8-8 | Piece of Paper | — | ||
| 8-9 | Its a Lovely Night | — | ||
| 8-11 | Bedtime Stories | — | ||
| 8-12 | Goto 10 | — | ||
| 8-13 | Reanimator | — | ||
| 8-14 | Ill Have the Waldorf Salad | — | ||
| 8-15 | Foraminiferod | — | ||
| 8-16 | Calculate | — | ||
| 8-17 | Wooden Toy | — | ||
| 8-18 | Yasawas | — | ||
| 8-19 | Fools Rhythm | — | ||
| 8-20 | The Making of Esther’s | — | ||
| 8-21 | Foley Room: Found Footage’ | — | ||
| 8-22 | Distemper | — | ||
| 8-23 | The Grey Ones | — | ||
| 9-1 | Intro Sequence | Amon Tobin | — | |
| 9-3 | Piece of Paper | Amon Tobin | T-911.117.705-0 | |
| 9-6 | Lost and Found | Amon Tobin | T-911.119.524-5 | |
| 9-9 | Goto 10 | Amon Tobin | T-911.535.549-2 | |
| 9-13 | Night Swim | Amon Tobin | T-911.535.031-7 | |
| 10-1 | Hey Mr. Tree | — | ||
| 10-2 | Twelvses | — | ||
| 10-3 | At Work | — | ||
| 10-4 | Dualistic | — | ||
| 10-5 | Eight Sum | Amon Tobin | T-011.737.884-3 | |
| 10-6 | It’s a Lovely Night | — | ||
| 10-7 | Shut Down | — | ||
| 10-8 | Technique | — | ||
| 10-9 | Trickstep Rhythm | Two Fingers | T-011.737.886-5 | |
| 10-10 | Delpher | — | ||
| 10-11 | Into the Dark (Intermission) | — | ||
| 10-12 | Amon Tobin on Q (CBC interview, courtesy of CBC’s Q) | — | ||
| 11-1 | Breathless | — | ||
| 11-2 | The Gift | — | ||
| 11-3 | Hard Run (Chase Scene Test) | — | ||
| 11-4 | The Gift (Alternate Score) | — | ||
| 11-5 | Theme for End | — | ||
| 11-6 | The Big Marching Threat | — | ||
| 11-7 | The Bleak Outlook | — | ||
| 11-8 | Theme for Eagle Road Sequence | — | ||
| 11-9 | First Sons Explore | — | ||
| 11-10 | War and Peace but Mainly War | — | ||
| 11-11 | Nightcrawler (Rough Bounce) | — | ||
| 11-12 | Red Pill Sequence | — | ||
| 11-13 | El Train | — | ||
| 11-14 | Dustmen Suspense | — | ||
| 11-15 | First Sons Suspense | — | ||
| 11-16 | Dustmen Combat | — | ||
| 11-17 | Dustmen Gloves Off Brawl | — | ||
| 11-18 | Genesis | Amon Tobin, Jim Dooley | T-902.169.987-6 | |
| 11-19 | Fly By | — | ||
| 11-21 | White House | — | ||
| 11-22 | Splinter Cell: Conviction Theme Menu | Amon Tobin | T-314.726.169-2 | |
| 11-23 | Roll Credits Theme | — | ||
| 11-24 | Coste | — | ||
| 11-25 | Corridor | — | ||
| 11-26 | Breaking Protocol | Amon Tobin | T-911.161.704-0 | |
| 12-1 | Madam Larivee | — | ||
| 12-2 | Down by the Creek | — | ||
| 12-3 | Return to Mother (Abduction Home) | — | ||
| 12-4 | Lux | — | ||
| 12-5 | Clear Skies | — | ||
| 12-6 | Crash Test Speedster Killer | — | ||
| 12-7 | Roots of Fools GT Killer | — | ||
| 12-8 | Angels & Demons | — | ||
| 12-9 | Ambient Score Level One | — | ||
| 12-10 | Spy vs Spy vs Spy | — | ||
| 12-11 | A6 | — | ||
| 12-12 | Black Run | — | ||
| 12-13 | Bottle Factory Symphony | — | ||
| 12-14 | End Game | — | ||
| 12-15 | Future Creatures in Soup | — | ||
| 12-16 | Mothership | — | ||
| 12-17 | Worlds Collide (live drums by Michael Shrieve) | — | ||
| 12-18 | Oracle (live drums by Michael Shrieve) | Amon Tobin | T-912.648.189-8 | |
| 12-19 | Angel of Theft (co-produced by Ghostbeard) | — | ||
| 12-20 | Hydraulics | — | ||
| 12-21 | The Third Hand | — | ||
| 12-22 | Bad Dream | — | ||
| 12-23 | Breathe in Rhythm | — | ||
| 12-24 | Computer Game | — | ||
| 12-25 | Dot | — | ||
| 12-26 | Experiment | — | ||
| 12-27 | Lula | — | ||
| 12-28 | Upwards | — | ||
| 13-1 | Surge (Pete Wareham translation) | — | ||
| 13-2 | Lost & Found (The Thief : Colin Stetson’s Lost & Found Redux) | — | ||
| 13-3 | Lost & Found (Machinefabriek deconstruction) | — | ||
| 13-4 | Wooden Toy (reworked by Bibio) | — | ||
| 13-5 | Piece of Paper | — | ||
| 13-6 | Night Swim (Lorn Reel) | — | ||
| 13-7 | Dropped From the Sky (2562’s New Wave redux) | — | ||
| 13-8 | Journeyman (Jasper TX Reorder) | — | ||
| 13-9 | Wooden Toy (Kwes./[o=o]. rework) | — | ||
| 13-10 | Piece of Paper (Raffertie Outing) | — | ||
| 13-12 | Bedtime Stories (Austin Peralta reinterpretation) | — | ||
| 13-14 | Lost & Found (reinterpreted by Matthew Bourne & Sam Hobbs) | — | ||
| 13-15 | Piece of Paper (reinterpreted by Matthew Bourne & Sam Hobbs) | — | ||
| 13-16 | Surge | — | ||
| 14-1 | Carry on Marmaduke | — | ||
| 14-2 | Morning Ms Candis | Amon Tobin | T-911.189.561-5 | |
| 14-3 | One Last Look | Amon Tobin | — | |
| 14-4 | Ode to Morricone | — | ||
| 14-13 | Surge (Frank Riggio adaptation 1) | — | ||
| 14-16 | Dropped From the Sky (Jimmy Edgar Nails Did) | — | ||
| 15-1 | At the End of the Day | — | ||
| 15-2 | Theme From Battery | — | ||
| 15-3 | Introducing the Sun | — | ||
| 15-4 | Searchers | — | ||
| 15-5 | Bloodstone | — | ||
| 15-6 | Taxidermia | — | ||
| 15-7 | Horsefish | — | ||
| 15-8 | Lost and Found | — |
